Tag: Alex Ross

Review – Battlestar Galactica #1

 

“Some believe there may yet be brothers of man, who even now fight to survive…”

I was excited to see that Dynamite was bringing back the original Battlestar Galactica universe.  As cheesy and silly as the original series was, it was after all a groundbreaking series in many areas, mainly special effects.  With kids completely crazy over Star Wars and the era of big budget special effects beginning, Battlestar Galactica was a dream come true for science fiction fans.  Okay so enough with the history lesson, let’s get to the review.

Firstly I want to say that I wasn’t overwhelmed by this book but it does have a lot of things going for it.  One of the things that threw me immediately is that it combines the original BSG and Galactica 1980 storylines.  For the uninitiated, Galactica 1980 was the bastard stepchild of BSG and a punch in the junk to the fans.  Using one of the most ridiculous characters to come from that series to set up the major plot point of the book was disappointing.  However if you can get past that little annoyance the book is pretty enjoyable.

Secondly I felt that the book was rushed and was over before it really gained any momentum.  Mission accomplished by writers Dan Abnett and Andy Lanning who left me wanting to buy the next issue to find out what the hell happens next.  There was a lot of set up leading into the story that could have been cut down a bit, but I did have a feeling of nostalgia being introduced (again) to characters and events from the original series.  That above all is why I enjoyed the book overall.

The cover, drawn by none other than Alex Ross was spectacular as always and does a great job of setting the tone of the book and capturing the original cast.  The other interior artwork as usual for nearly all Dynamite’s comics is top-notch and very detailed especially in the large space battles.  I did feel however that some of the art slipped a bit, especially when it comes to the characterization of Commander Adama, who was captured perfectly in the first few panels, but became nearly unrecognizable in later panels.  But perhaps I am being a little too critical.

 

“The Cylon-Colonial peace accord.  Man meeting machine.  The Battlestars Atlantia, Acropolis, Pacifica, Triton and Galactica.  The inhuman treachery of the Cylons.  The valiant defenders.  The impossible choices.”

 

Ultimately, I enjoyed this book and look forward to the next few issues.  I can’t say that this time whether this will make it onto my monthly pull list, but it definitely has potential if this story arc proves to be as interesting as I initially found it.  I’ve enjoyed what has been done with the BSG remake under Dynamite’s influence and I have no doubt they can make this book as equally enjoyable.  Being a nostalgic guy, I like it when things from my childhood are re-imagined in comics…if they are done properly.

I despise having to give anything a rating, like thumbs up or thumbs down or so many stars out of 5.  It’s so cliché and overdone by, well almost everyone so I avoid doing it whenever possible.  If asked what my opinion of Battlestar Galactica #1 is, I’d have to honestly and wholeheartedly say that if you were a fan of the original series you should like this book.  If you are a comic purest and find it necessary to pick it apart panel by panel, then you’re less likely to enjoy it.  For a first issue it wasn’t horrible by any standards.  Fans will like it, those not familiar with it will find it a little confusing and a bit campy.

Writer: Dan Abnett and Andy Lanning
Art: Cezar Razek
Genre: Science Fiction

The Shadow: Special #1 – Review

Boy oh boy, those old-timey guys sure do like to say “fritz” a lot. But what else is to be expected when Lamont Cranston runs into an acquaintance from another life and time in “Veterans of Foreign Wars” aka The Shadow: Special #1 from Dynamite Comics?

The Shadow Special

The Shadow: Special #1
Pencils by Ronan Cliquet Colors by Mat Lopes

With extensive vigilante storytelling credentials like Robin: Year One, Joker: Last Laugh, and Nightwing: Year One, writer Scott Beatty is no stranger to spinning yarns about heroes that prowl the dark streets of the inner city in search of criminals who need a swift kick in pants with a side of piping-hot justice. In this, he does not disappoint.

This gem of a retro-pulp romp through city streets and beyond sets itself apart from other Shadow stories by forcing the shrouded vigilante to look into his own past instead of judging those of  his prey because this time they don’t set off his Shadow-sense.

The Shadow takes a backseat in this one because Lamont uses different methods to get to the bottom of dark mystery. He sleuths by going to fancy dinners and private island getaways.

Penciller Ronan Cliquet and colorist Mat Lopes create imagery that is simply a delight to gaze upon. The entire book pops in a way that makes you want to throw on a three-piece suit, find a speak-easy, talk-up some dames, and smoke indoors.

Add to that a cover by Alex Ross and this book is bursting at the seams in retro radness.

What is retro-radness exactly?

Guys yelling “Blazing guns that never run out of bullets! A shadow that can never be caught!” and waving a bayonet right into the Shadow’s face.

That’s basically the textbook definition.

But in all seriousness, if there were a textbook on how to deliver a good pulp comic with plenty of nefarious no-goodniks who meet their ends in fittingly-gruesome fashions, this would be it.

Masks #2 Review

The first thing you’ll probably notice about Masks #2 is that the gorgeous (and far too rare) interior artwork of Alex Ross that featured in Masks #1. But with Ross’ photo-realistic painting style  comes a certain stiffness and stilted flow between panels and pages. Fortunately, Dennis Calero handles the faster paced and more action oriented issue 2 admirably, his style fitting more smoothly with the combat sequences. I first became aware of Calero’s work in the stellar 2006 graphic novel Cowboys & Aliens and it’s fantastic to see his work adapt to Dynamite‘s pulpy noir setting. Overall, the backgrounds are lacking in pizazz and detail but the striking character work certainly makes up for it.

While I’m not overly familiar with the majority of the masks (I have read some Green Hornet and The Shadow previously), the balance struck between the main characters is impressive. With each man having the ability to carry his own book on his shoulders (yes, even Kato), it would be all too easy for the group dynamic to be lost in the wake of a single hero. Sure, The Shadow takes somewhat of a centre stage as the enigmatic and wise director of the ensemble but each man still gets his chance to shine, whether in combat or dialogue.

Speaking of dialogue, Chris Roberson is rock solid as ever. If you’re at all familiar with Roberson’s previous work (whether in comics or novels), you’ll recognise his style in Masks #2 and, trust me, that’s a good thing. Banter between the heroes is witty and feels natural. The story is certainly not rushing to get the whole gang together (yet another pitfall a book such as this could so easily fall in to) and fight the bad times, Roberson allows himself a steady pace that lets us a deeper exploration of the larger themes of corruption and the differences between law and justice.

Masks #2 is a great sequel to the introductory issue and, with the upcoming inclusion of even more Dynamite heroes in to the mix, it would seem that this series will only continue on its positive trajectory.

Peter Cannon: Thunderbolt #4 Review

Now in its fourth issue, the Thunderbolt relaunch is going on strong. After a business trip to Japan that did not go how Peter Cannon planned, he meets a reporter who knows a lot more than she lets on, and it makes him uncomfortable. An assassin ambushes the two and shoots Thunderbolt, and he loses his cool and reveals his superpowers. At the same time, other characters discuss their future roles in the universe.

 

The story works because it’s mostly world building. For a lot of us, Thunderbolt’s rich history is an unknown. He and his world are slowly revealed to readers, and each issue highlights a new part of it. It’s worth reading just to see the next piece of the tapestry reveal itself.

But a problem needs addressing. Thunderbolt has a more famous counterpart in Watchmen’s Ozymandias. A knowledgeable writer knows that a comparable storyline right now is After Watchmen: Ozymandias, but this Dynamite storyline gives us Thunderbolt instead of the better-known Watchmen character. Alex Ross and Steve Darnall knew this but didn’t make make Thunderbolt’s tale stand out, which is a shame because it harms the reader experience for a character who should be unique.

There are some hiccups with the artwork. In this issue’s only fight scene, the pacing is very frenetic and hard to follow. The rest of the artwork is fine, but it’s mostly panoramic shots of airplane interiors, boardrooms, and airports. There is a nice series of panels that shows a claustrophobic conspiracy theorist constantly looking at footage on his computer. That stuff worked, but the fight did not.

The other problem with the issue is a lack of importance. Sure stuff gets done and the storylines advance in a meaningful way, but the issue feels like it’s a placeholder between stories.

Final thought: Positive.

Even though this issue could be skipped, it still provides enough information that will pay off down the line. If you can get over the “After Watchmen” feel of the story, the character and the universe are great to read about.

Images from Dynamite.com.

Pulp Heroes Team Up in Masks

In the 1938 style world of Masks, the Party of Justice turns New York into a fascist police state. The vigilante known as The Spider steps out of the shadows to lead a guerrilla war against the organization. What about the other heroes operating at the time?

 

Masks will involve several pulp heroes active at the time. Each one will battle for justice in their own way. Expect to see The Shadow, Green Hornet and Kato, Zorro, Black Bat, Miss Fury and others involved somehow.  Will they allow the Spider to lead them? Can these heroes, who normally operate on their own, get along? Can they function as a team long enough to see this mission through?

If the story feels like a pulp story to you, there’s a reason for that.  Masks was inspired in part by an old Spider pulp. In it, a fascist organization took over New York and forced the hero to lead a resistance movement. It was a solo Spider story because the other heroes were owned by different companies.

Masks takes that same premise and includes other pulp character with it.

Masks 1 will be available in November. Alex Ross will paint the panels for the first issue.

Mask’s First Issue to be Painted by Alex Ross

With the amount of news coming out of San Diego Comic Con, it is hard not to get overwhelmed. But we here at Word of the Nerd are filtering through everything to bring you the best stories. Today we have a press release from Dynamite Comics about a new cross-over event. And the bet part of it is that the first issue will be painted by Alex Ross himself.

THE FIRST EVER CROSS-OVER FEATURING THE TOP PULP HEROES OF ALL TIME!

THE ENTIRE FIRST ISSUE IS PAINTED BY ALEX ROSS!!!

July 11th, 2012, Mt. Laurel, NJ – The Shadow, Green Hornet, Kato, Zorro, The Spider, Miss Fury, The Black Bat and MORE are all featured in Masks, the Dynamite Entertainment cross-over featuring the top pulp heroes of all time.  Written by Chris Roberson, the ENTIRE FIRST ISSUE IS PAINTED BY ALEX ROSS!! This is his first full interior work since “Justice” at DC Comics!!!  Masks is hitting comic book stores everywhere this November, also featuring covers by Alex Ross, Sean Phillips, Howard Chaykin and Jae Lee!!!

In Masks #1, it’s 1938, and the Justice Party has swept into office in New York State. But the newly-elected officials are in the control of powerful criminals, who quickly corrupt the law to their own advantage. When a fascist police state is instituted, the only ones who stand in defense of the innocent are masked vigilantes like the Shadow, the Green Hornet, Kato, and the Spider. When the law is unjust, justice must be an outlaw…

“For years now, Dynamite Entertainment and I have desired to unite all of the varied pulp characters they’ve been publishing into one big crossover event,” says legendary comic book creator Alex Ross.  “When the Green Hornet and Kato paved the way for a successful relaunch of the original masked duo characters, we knew that the grand prize of revivals should then be the ultimate original, the Shadow.  Now, to be able for the first time in history to have these legends meet, along with fellow mysterymen; The Spider, Zorro, Black Bat, and others, makes this project a unique accomplishment.  I always thought that illustrating the first hero archetypes like The Shadow would be a milestone in my career.  I’m thrilled to touch upon the legends that began the very concept of the superhero in Masks with a crossover that is literally the longest overdue.”

“Masks is the comic I’ve wanted to write since I first discovered the pulp heroes in the 1970s,” says writer Chris Roberson. “Just working with these characters is already a dream come true, but having the first issue painted by Alex Ross makes it that much more amazing!”

“When we were exploring writers, I emailed Chris and we spent a couple of emails back and forth and in that short span, he laid out a basic framework that was pitch-perfect for what we were looking for,” adds Dynamite Editor Joe Rybandt. “Alex had initially laid out a character list and high concept, but Chris added the flesh to the bones and we’ve got something really cool coming together here.”

“Alex is so incredible excited about Masks, and realizes that it is a once-in-a-lifetime opportunity to draw so many classic and iconic characters in one series,” exclaims Dynamite President and Publisher Nick Barrucci.  “Alex promptly jumped head-first when presented with the idea to pain the interiors of the entire first issue, which will bring the most amount of attention to the series possible.”

“LIKE” DYNAMITE’S FACEBOOK PAGE TODAY!!!

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Join the conversation on Dynamite Entertainment’s twitter page at http://twitter.com/DynamiteComics

 

 

 

I am very excited to see this cross-over event! Some of the biggest names of my childhood are being put together into one comic book, and with Alex Ross, one of my favorite artists, this is a definite purchase.

 

 

 

 

 

About Dynamite Entertainment:

DYNAMITE ENTERTAINMENT was founded in 2004 and is home to several best-selling comic book titles and properties, including The Shadow, The Boys, Green Hornet, Vampirella, Warlord of Mars, Bionic Man, Game of Thrones and more!

In addition to their critically-acclaimed titles and best selling comics, Dynamite works with some of the most high profile creators in comics and entertainment, including Alex Ross, John Cassaday, Garth Ennis, Michael Avon Oeming, Mel Rubi, Marc Guggenheim, Stephen Sadowski, Mike Carey, Jim Krueger, Greg Pak, Brett Matthews, Jae Lee, Matt Wagner and a host of up and coming new talent!

DYNAMITE is consistently ranked in the upper tiers of comic book publishers and several of their titles – including Alex Ross and Jim Krueger’s PROJECT SUPERPOWERS – have debuted in the Top Ten lists produced by Diamond Comics Distributors. Several of their titles have also hit The New York Times Best-Sellers list: The Boys, Vampirella Archives, Robert Jordan’s New Spring and Wheel of Time graphic novels. In 2005 Diamond awarded the company a GEM award for Best New Publisher and another GEM in 2006 for Comics Publisher of the Year (under 5%). Dynamite recently won the Diamond Gem Award for Best Publisher Under 4% of market share for 2011! The company has also been nominated for and won several industry awards, including the prestigious Harvey and Eisner Awards.

 

So what do you think fellow nerds? Interested in picking this gem up? I can’t wait to see more of Alex Ross’s work on this. Are you going to pick up this title of the classic masked characters? Lets us know in the comments below!!

 

NERD IT UP!!!

 

 

 

 

 

 

 

Peter Cannon: Thunderbolt Returns September

Known mostly for being the inspiration for Ozymandias from the Watchmen comic book nowadays, Peter Cannon: Thunderbolt is one of the classic Silver Age Heroes, one that is fondly remembered by a lot of comic book writers and artists. Originally a Charlton Comics character, he was sold to DC along with the Blue Beetle, Captain Atom, the Question, and many others in 1983. After using this character sparingly, DC let this one slip through the cracks, as all rights reverted back to Pete Morisi back in 2003.

 

Now, almost 20 years after this character has last been in print, Dynamite Entertainment has brought Peter Cannon: Thunderbolt back. This series, taking some inspiration from his Watchmen variant, has Peter Cannon being a reclusive celebrity. He is a popular book writer, a well-known celebrity, and the one that saved the world from destruction. Unfortunately, the peace that followed is merely an illusion and villains both new and old are threatening to unravel it.

Issue 1 is loaded with almost 50 pages of goodies. In addition to a new story written by Alex Ross and Jess Darnall, it will also feature the untold origin story written by creator Peter Morisi as a back up. This issue will also have an introduction essay written by Alex Ross himself.

Peter Cannon: Thunderbolt arrives at your local comic book shop this September.

Alex Ross Goes Digital

The Dynamite Art of Alex Ross is a Tour de Force of comics as high art. We are excited to offer this fantastic overview of Alex Ross’ work from Dynamite on our digital comic’s platform.

 

Says ComiXology co-founder and CEO David Steinberger.

 

There’s still untapped growth with digital comics, where readers can find our comics readily available in addition to our printed comics. It is our expectation that having more of our printed material made available digitally, such as The Dynamite Art of Alex Ross, via ComiXology will introduce many new readers to comics just as print and digital periodicals currently complement each other.

 

Says Dynamite President and Publisher Nick Barrucci.

 

Art of Alex Ross

 

Jeez, these two should really get a room! Or, alternatively, they should put some of Alex Ross’ art on to a digital format and make it available on ComiXology. And they did.

So as of right now you can get you very own 328 page, digital copy of The Dynamite Art of Alex Ross. The book brings together all of Ross’ Dynamite covers as well as a massive amount of other stuff, including: sketches, designs, layouts and pencils, interior work, covers, of unpublished art, as well as a throughout commentary from the man himself!

 

 

 

 

 

 

Layout

 

Ross is known for the realism of his art work throughout his books. Look out for books such as Mythologies and Rough Justice and if you like them then get over to ComiXology and check out The Dynamite Art of Alex Ross.

 

Layout 1

 

 

 

The Spider # 1 sells out and goes to second printing !

The Spider # 1 is a sell out.Those of you that love collecting variant covers will no doubt be going after this one, it really looks great. When I saw this book hit the shelves, I thought it was very cool; many of you that are fans of The Spider may or may not know that he has been around since 1933. He was originally created to give The Shadow a little bit of competition. The Spider has been in 119 pulp fiction magazines and he has starred in two movie serials, the first being The Spider’s Web (1938), the second was The Spider Returns (1941). I could go on and on about The Spider as I have always been a big fan of his ever since I first saw him in The Encyclopedia of Super Heroes when I was 12 years old.

Here’s the official press release from Dynamite Entertainment:

 

THE SPIDER #1 SELLS OUT AND GOES TO A SECOND PRINTING!!!

May 8th, 2011, Runnemede, NJ – Dynamite Entertainment’s The Spider #1, which has received unanimous critical praise, has sold out at Diamond and will go to an immediate second printing!  Keep in mind that while the series is sold out at the distributor, your local retailer MIGHT still have first printings available.  Go check your store to see if they have this amazing collector’s item still in-stock!  The series is written by acclaimed writer David (Black Panther: The Man Without Fear) Liss and drawn by Colton Worley, with covers by Alex Ross, John Cassaday, Francesco Francavilla and Ron Lesser!  The Spider, one of the greatest pulp characters of all time is now re-launched into the 21st century!  The issue #1 Variant 2nd printing offers an incredible cover variation to John Cassaday’s issue #1 cover.
In The Spider #1, the world knows Richard Wentworth as a decorated war hero and the son of a wealthy industrialist – but only a few confidants know the truth. As New York City slides into violence and despair, Wentworth has transformed himself into a force of justice as The Spider! With only his wits, his technology, and his pistols to aid him, he fights a one-man man war against crime, but when a mysterious new villain threatens the city with an unspeakable horror, it may be more than even The Spider can handle. How far will a sane man go to restore order to an insane world? Find out in The Spider #1, which is going to a second printing NOW!

And ask your local retailer to order issue #’s 2 and #3.  #2 ships in June, and #3 is available for orders through the newest Previews Catalog.

And check out the dynamite Colton Worley interior pages shown here.  Seeing is believing!
And speaking of seeing, check out the glowing comments people have had for The Spider #1!

THE SPIDER #1 (COMICBOOKRESOURCES.COM): “The Spider” #1 is a fantastic slice of action and world building. It’s bleak and it’s harsh but it’s all in service of the story and not just for the sake of it. Liss has previously shown some really good writing prowess and here it is capitalized upon. I just found my new favorite pulp comic.”

THE SPIDER #1 (ONEGEEKNATION.COM): “The Spider #1 caught me completely off guard. I had no clue what to expect, and to be honest I had never heard of the character before. But, that didn’t stop me from diving right in and loving this first issue. It’s rare to read a first issue and love absolutely everything about it. The mythology of the character is deep, and easily accessible. The art is absolutely fantastic and you honestly because of those two things you don’t want the issue to end. David Liss writes a superb issue, it’s honestly the kind of issue that should get him noticed in the comic book community as a great writer.”

 

THE SPIDER #1 (GEEKSOFDOOM.COM): “All in all, I can’t recommend this book any higher. It sucks you in from the very first page and doesn’t let go until the last. And that’s what a comic book should do. I found myself actually lost for the 15 minutes that it took me to read this book. This is a book that I can see myself reading at LEAST twice a month. Once when it comes out and once before the next issue comes out… and probably a couple times in between. It’s over-flowing with art and story, and I guarantee you’ll want to revisit it between issues. So, when you go into your local comic shop this week, make a b-line for the Independent section and grab this book!!!”

 

THE SPIDER #1 (BLOODY-DISGUSTING.COM): “All in all, this a very healthy dose of awesome. It’s a solid first installment and shows a lot of potential for future plotlines. Pulp is back, my friends, get it while it’s hot!”

 

THE SPIDER #1 (MAJORSPOILERS.COM): “This issue is a great introduction to The Spider for new readers (or dilettantes like me), setting our stage, giving us his methods, his history and his fascinating world-view in the space of a single issue. It’s not a traditionalist take on the character, but it seems to be a faithful update of the pulp hero, setting him firmly in the present and making him work in that setting. The art is beautiful throughout the issue, and The Spider himself looks phenomenal in action. I was worried about some of the cover images, as the red/black web motif made me worry that the creators were taking a bit too much from Wentworth’s cultural offspring, Spider-Man, but the balance of this issue is just right. The Spider #1 hits all the right notes, and makes the rare jump straight into my pull list, earning 5 out of 5 stars overall, and serves as a perfect example of relaunch done right”

 

THE SPIDER #1 (CRAVEONLINE.COM): “If you like dark and surly crime noir, villains like The Cholera King and The Silver Falcon, and a strange pseudo zombie mystery, not to mention twisted emotional entanglements, asshole cops and a lot of smoldering cigarettes, The Spider is your book. And if you’re not sure about any of that, just take a good gander at how cool this guy looks. It’s undeniable.”

The Spider was created by Harry Steeger at Popular Publications in 1933. He fought crime by donning a black fedora, a black cape, a trademark ring and a brace of .45 automatics to terrorize the criminal underworld, while driving in his sleek black specially outfitted Daimler.
The Spider novels were mainly written by Norvell W. Page, who filled them with danger, impending doom, fantastic villains, and great action!

 

 

Here are some pics of The Spider, enjoy:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Preview: Spider #1

Spider #1

Written by David Liss

Art by Colton Worley

Letters by Simon Bowland

Published by Dynamite Entertainment

Cover to left by Alex Cross

Watch out, bad-guys!  There’s a new vigilante in town.  Not to be confused with Spider-Man, Spider is ex-military, current-rich guy with access to plenty of resources, as well as friends in both law-enforcement and the media.  His ex, the media, her current husband, the law-enforcement.

Issue #1 of the new title from Dynamite Entertainment, Spider, introduces readers to Richard Wentworth, AKA Spider, as he uses any means necessary to battle everything from sex-traffickers to purse thieves, as well as his own demons (in particular, one in a bottle and one in a skirt).  It is an interesting start, with the kind of art I do not particularly enjoy – looks a bit too CGI, too little actual drawing – but that serves the story well-enough.  If you’re into vigilantes with complicated pasts, it is certainly worth checking out.

If you read it, let us know what you think!

Nerd up!

Comic Preview – Kirby: Genesis – Silver Star #6

Kirby: Genesis – Silver Star is based on the works done by Jack Kirby in the 70s.  The original concept was written as a screenplay and developed into the comic series.  This version of Silver Star is written by Alex Ross and Jai Nitz with art by Johnny Desjardins and began its run in November, 2011, published by Dynamite Entertainment.

I jumped in to this series cold, so it took a little research on my end to really understand what was going on.  The basic premise for the comic, as eloquently said on Comic Book Resources, is:

Before Kirby: Genesis there was… The Silver Star! The last great Kirby creation, Morgan Miller is the first of a new breed– Homo-Geneticus. The most powerful man in the world has been living in secret for the last thirty years, but he’s been busy. Silver Star secretly protects the world from the amazing super-powerful dangers that threaten billions every day. Witness superheroic war, giant monsters, and astral adventures! Get a firsthand look at America’s greatest unknown superhero!

Silver Star #6 CoverIssue #6 is an action-packed issue with explosions and drama exuding from every panel.  So much of the comic is steeped in oranges and reds, it’s a wonder the book isn’t on fire!

Speaking of the art, the issue has some very solid talent working on this project.  The colors are very vibrant with little reliance on action lines to show the large amounts of motion happening in this comic.  The panels are set up very nicely, overlapping when the action is happening very quickly and providing an appropriate amount of gutter space where it’s needed for the reader to engage in some closure.

The writing isn’t quite as strong as the art, but it still feels very natural in the setting.  Being unfamiliar with the original 1970s comics, I can’t say how well it imitates or pays homage to the original source material.  The dialogue doesn’t seem quite as natural as it could, though it certainly isn’t poor by any standards.  I just feel like it could be pushed a little harder.

While the premise is a little out-there, this issue is very solid with amazing art.  I certainly would like to read more issues of this comic.  Even if just to see more of this wonderful work by artist Johnny Desjardins.

Preview: Dynamite’s The Bionic Man #6

The Bionic Man by Kevin Smith

Yes! More previews from Dynamite! I think I’m starting to become a bit of a Dynamite fan boy… Not a bad thing, their comics are awesome and they have some amazing talent on staff. Today I have issue six of “The Bionic Man” so let’s get to it!

This issue sees The Bionic Man, Steve Austin and an evil cyborg called Hull engage in a bionic brawl that rips through Washington, D.C. like a hurricane, leaving a path of destruction in their wake. That’s about all I can give you, so if you’re not sold on it yet, continue to read.

The series is based on a story by Kevin Smith and is co-written by Smith and Phil Hester. I like Smith’s work, I’ve been a fan of his comic work (I have always loved his films!) since he did his Daredevil issues, which was actually one of the first hardcover books I bought with my own money. I loved that book. It was awesome! Then there’s his Green Arrow run and his Batman: Cacophony and Widening Gyre limited series. Can’t fault the guy. Phil Hester, another guy I admire is awesome! The pair is the perfect tag team to take on this title.

From the Beautiful Alex Ross cover to the very last panel, I thought this book was great. It is well written and keeps you interested and wanting more. The illustrations of Jonathan Lau are faultless and look stunning with colours by Ivan Nunes. This book contains some of the best action sequences I’ve seen in a while and I really dig the artist’s style. Even Simon Bowland‘s lettering is impressive in this book, I liked the use of vivid colours in the sound effects. It was a nice touch.

Steve Austin kicking ass!

This book is an action packed thrill ride that everyone can enjoy, a well-rounded book and a good read to boot. My only gripe with the title is that I wasn’t too familiar with the character and found it a bit hard to get my head around who Steve Austin really was and what he could do, but hey, I’m only twenty-two. This character will be more than familiar to an older audience (or young people who have taken the time to find out more about the character or watched reruns of “The Six Million Dollar Man“). That has nothing to do with the book really, it’s my own fault for being young and ignorant.

Bottom line is: I read it, I enjoyed it and if you’re a fan of Kevin Smith, Phil Hester or the Steve Austin character, I strongly recommend getting the book.

… Are you still here? Go reserve it already! And Stay Nerdy!

Review – Flash Gordon: Zeitgeist #1

Flash Gordon, the timeless sci-fi action hero returns tocomics in a fantastic new story from Dynamite Comics!
I must say that I was rather intrigued when I heard aboutthis new Flash Gordon book.  I am a fanof the 1980 movie Flash Gordon starting Sam Jones & Max Von Sydow and Ieven remember watching a pretty cool animated series in the early 80s and was mesmerizedby it.
This new book is a spin on the story from the movie.  The first few lines are even taken directlyfrom the film.  But shortly after, thewhole story takes a fairly expected and admittedly fun turn.
Ming the Merciless, ruler of Mongo and the known universeplans the conquest of Earth.  He sendsemissaries to choose a proxy to govern the planet in his name.  Ming unleashes a barrage of natural disastersand strange phenomena to weaken and terrify the people of Earth before hisinvasion begins.
Meanwhile Flash Gordon and Dale Arden, narrowly escape fromthe plane carrying them to a secret location before it crashes.  The two miraculously parachuting to the exactpoint they need to find.  Flash has beensent by the President of the United States to find Dr. Hans Zarkov.  The US Government believes that Dr. Zarkovmay be able to explain what is happening around the globe.
Instead of welcoming Flash and Dale, Zarkov hold them atgunpoint and forces them into a rocket ship he has constructed to travel to theorigin of the cosmic forces wrecking havoc on the Earth.  Flash tries to stop the paranoiac Dr. Zarkovand the two struggle as the rocket soars skyward to the unknown.
The story is all too familiar, but in spite of that this wasjust a fun book to read.  It brings backmemories of my younger days.  Even with afairly predictable story thus far, there is enough of a twist to make itsomewhat unique and worthy of attention. I shouldn’t have to even mention that comic legend Alex Ross is involvedwith the artwork as well as the story.  As an added bonus and incentive, the book is only one dollar, that certainly brings back memories.
This kind of book is what made comic books great in thefirst place.  It’s almost like you’rereading a piece of history when you flip through the pages of this book.  Flash Gordon has been around for a long timeand has been re-introduced to new generations of fans more than once.  I am glad that the old classics can still be relevantin this day and age.  This is definitelya title I will be adding to my regular pull list.
Flash Gordon: Zeitgeist #1 was written by Eric Trautmann& Alex Ross with artwork by Daniel Indro & Slamet Mujiono.  Additional cover artwork by Alex Ross, PaulRenaud, Francesco Francavilla and Wagner Reis.
Be sure to check out my preview piece for this book atComic Booked.
Francesco Francavilla retro cover
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