Tag: Captain America

Peggy Carter Back For Her Own One-Shot Short Film

While the rest of the world is engrossed in the controversial summer hit Iron Man 3 Marvel snuck in some news about the upcoming Captain America: The Winter Soldier.  It seems that Marvel won’t just be telling the story of Steve Rogers’ adventures in the modern day world but will also be telling more of what happened after his plane crashed in the ice during World War II.

A one-shot film is being made that will follow Peggy Carter after the events of The First Avenger.  The film is slated to be shown at San Diego Comic Con this year and included as an extra on the Winter Soldier Blu-Ray.  This is particularly interesting news given the fact that Black Widow was never given her own movie leading up to The Avengers.  Many fans hoped to see her star in her own movie after The Avengers broke box office records, and many, including Scarlett Johansson, began noticing that there aren’t many, if any, very successful superhero movies that star women.

Now, Peggy is certainly no superhero, but this is what makes Marvel’s choice all the more interesting.  In the Marvel Film universe, Peggy’s character has been downlplayed to say the least.  Her scene from “The Avengers” didn’t even make the final cut.  Why pick up her story now?

We like to think that the answer is romance.  Sure, Tony Stark and Pepper Potts have a strange sort of romance going on, but Steve and Peggy shared, albeit briefly, a classic sort of romance, a feel-good sort of romance that can restore faith in love for even the most jaded of people.

Peggy Carter and Cap share a kiss.

Peggy Carter and Cap share a kiss.

Steve Rogers is frozen in ice for 70 years and is then thrust into a world-saving battle before we have a chance to really see how he reacts to what’s happened.  His line in the final scene of The First Avenger is really the only indication that we get of his reaction.  “Yeah, yeah, I just…I had a date.”  The line is poetic and heartbreaking, but the powerhouse of The Avengers kept everything in check.  It’s easy to forget that the emotion that he felt in that moment has likely been plaguing Peggy Carter for seventy years or more.

Peggy realizes that Cap isn't coming home.

Peggy realizes that Cap isn’t coming home.

While we definitely enjoyed the modern-day romp in New York, we look forward to stepping back into the 1940s world again.  Peggy may be heartbroken, but it’s unlikely that she’ll no longer be working for the government.  Watching her juggle her emotions while simultaneously trying to help win World War II will be an adventure that we can’t wait to see.

Nerd Bytes – News And Notes

Comic Relief in Flint, Michigan

Comic Relief in Flint, Michigan

 

 Nerd Byte: 5/4/13 was Free Comic Book day, as if you didn’t know. Eleven years to the day after the inaugural event in 2002, which was one day after the opening of the first Spider-Man movie. It was intended to be a day for retailers to draw in new customers, especially the kids who will drive the industry into the future. It’s also a chance to give a little something back to the customers who show loyalty throughout the year.

It was a fun and festive day at my local comic shop, Comic Relief in Flint, Michigan. Lou, Wayne and Dale showcased many talented artists and guests like Gabriel Cantu, Justin Faber, Jim Frankenstin, Brian Germain, Brian Hackney, Erik Hodson, Alexandra Keaton, William Messner-Loebs, Adam Lockwood Morgan, Geary Roe, and Nicole Stevens. Other guests included Ginger Kewl and Carey Torrice. Wayne Luck told me that the place was pretty packed all day. They thought they had ordered enough of everything, but by the time I got there (around 5:00pm) there were some holes in the racks to attest to the turnout. Wayne also said that he was impressed by the number of parents who brought their kids throughout the day. That is good news for their business and the comic industry in general. Many wonder if digital comics will eventually replace paper. I, for one, hope not. I am a comic nerd at heart, but a collector as well. I need something to put my hands on. I love the smell of the paper and the ink, as I’m reading. Hopefully, Free Comic Book Day went a long way toward building that future. Thanks Comic Relief, and every other retailer who participated in the festivities. See you guys on Wednesday!

Nerd Byte: It’s official X-Factor will come to an end with issue 262 in September. Peter David will write the group out with a six issue story arc entitled “The End Of  X-Factor.”  The book started 10 years ago with the cast of the Original X-Men stepping into the public and fighting crime out in the open. It ends with a quirky ensemble cast of seeming misfits solving mutant crimes and mysteries.  David used characters that had fallen off the grid like Rictor, Monet, Longshot and Multiple Man. He made them interesting again. I’ll be sorry to see them go, but very interested in how it all ends.

Nerd Byte: Joss Whedon has been hinting that the Avengers showdown with Thanos might not happen in Avengers 2 as many believed. He recently intimated that the ultimate face-off with Thanos would be saved for the climactic finale. Whedon stated, “Thanos is more powerful. He’s not someone you just trot out and punch him. Like you did in the comics, you want him to be threading through the universe and to save the big finale for the big finale. He’s definitely a part of what I’ve got going on. The thing about The Avengers is, that they are very powerful, but they aren’t very stable. There’ll definitely be some people who are gonna shake them up in the next installment!”

Martian Manhunter

Martian Manhunter

Nerd Byte: Rumors continue to swirl around the Man of Steel. The latest has the Martian Manhunter showing up in the film. It’s unclear, as yet,  if it’s true. If it is, there is plenty of speculation as to what J’onn J’onnz will be doing in the movie. Photos have emerged depicting Harry Lennix, who is listed as playing General Stanwick, in a CGI suit that bears an odd resemblance to the uniform of the Martian Manhunter. My guess is that the Manhunter is on a recon mission. He will likely remain in the background watching as things develop with Superman. His scenes will likely be in the General Stanwick persona, with a few glimpses at his powers, which obviously include shape-shifting. The character’s appearance would certainly make sense since the Man of Steel‘s success has been reported to be the lynch-pin of the future of the DC Universe in movies. Let’s hope Man of Steel lives up to the hype, otherwise we may never see the Justice League movie we are all waiting to see.

Nerd Byte: In a recent interview Marvel Studios President Kevin Feige commented on the possibility of a stand-alone superhero movie featuring one of Marvel’s many strong female characters. There has been talk at Marvel Studios regarding characters from the roster of female superheroes, but no names were mentioned. Feige said, “We have a number of candidates from the comics and from the movies we’ve already made. It’s just a matter of finding the right story line, the right filmmaker, the right time.” Odds would be good on Black Widow being the first, and with the Guardians of the Galaxy movie expanding the Marvel Universe into space, Captain Marvel could be on the horizon.

Nerd Byte: If you can get enough of zombies in film, then this news is for you. Pride and Prejudice and Zombies is a parody novel by Seth Grahame-Smith and a graphic novel by Tony Lee. It has been bouncing around Hollywood with names like David O Russel and Natalie Portman attached. Most recently according to a Variety report there’s still life in the project about the lifeless. New director Burr Steers (Igby Goes Down, Charlie St. Cloud) has come aboard. Lily Collins (Mortal Instruments) is reportedly in final talks to play the female lead.

Nerd Byte: The battle between the television providers and the streaming movie sites (like Netflix) has taken a brief cease fire in order for the streamers to take a few potshots at each other. Approximately 1800 titles were recently dropped from the Netflix streaming service. According to The Huffington Post, titles from Warner Bros., MGM, and United Artists were pulled from the instant stream Netflix line up. Warner’s launch of an exclusive streaming site is likely the reason behind this drastic action. Netflix assured it’s subscribers that they will be adding around 500 titles today and that the “ebb and flow” happens often. I’m not surprised at the move, I’m just surprised at the timing.

Anthony Mackie, The Falcon

Anthony Mackie, The Falcon

 

Nerd Byte: Pictures are emerging from the set of Captain America: The Winter Soldier. Anthony Mackie, playing Cap’s long-time partner, The Falcon, is putting his flight apparatus through it’s paces. I hope that’s not his actual uniform for scenes as The Falcon, but judging from Marvels propensity for black leather, I may be disappointed. The story is rumored to be based around Cap’s struggle to embrace his role in the modern America. Played again by Chris Evans, Cap teams up with Black Widow (Scarlett Johansson), Falcon (Mackie), and S.H.I.E.L.D. to battle a powerful yet shadowy enemy in present-day Washington, D.C. Sounds a lot like a certain Avengers Comic story called “Red Zone.” Geoff Johns penned the tale based on Red Skull’s infiltration of the U.S. Government as Dell Rusk and his attack and murder of thousands of people with a strange red mist. It was the best arc of Johns’ short time as The Avengers scribe. It’s certainly powerful enough for a movie translation and would explain the Falcon’s prominent role. He was instrumental in stopping Red Skull’s plot. It would not, however, explain the subtitle “Winter Soldier.” That’s a whole different can of worms.

Until next week, Stay Nerdy!

 

Are Wolverine’s Days Numbered At Marvel Comics?

The word is out and it’s not good for Wolverine. July could be the beginning of the end for one of the most popular characters in Marvel Comics. A story arc entitled “Killable”, beginning with Wolverine #8 from Paul Cornell and Alan Davis, will have Logan losing his healing factor. The question is, does this mean the end of our anti-hero, or is it just another plot twist to explore new story lines?

 

Wolverine

Wolverine’s 1st full issue appearance

 

First appearing in  The Incredible Hulk #180, Wolverine was created by writer Len Wein and Marvel art director John Romita, Sr. as an unwitting sparring partner for the Hulk. In some ways the feral aspects of Wolverine’s personality mirrored the Hulk’s gamma-powered, rage fueled mind-set. He was also a very different opponent than the normal Hulk fare due to his diminutive size and unknown (at the time) skill set. Wolverine’s personality, as we know it today, was developed by Chris Claremont when he wrote the character into The X-Men in Giant-Size X-Men #1 (May 1975). It was then that he became the tortured soul who struggled between his animal side and his desire to do the right thing. Claremont’s run on The Uncanny X-Men helped usher the Wolverine character to his current popularity, and to some degree the “anti-hero”, in general, to the forefront of the comics industry.

 

Wolverine

Magneto strips Wolverine of his Adamantium in X-Men #25

 

There are long lists of stories over the years in which writers attempted to make Wolverine more “killable” to enhance the reader’s suspense. One of the greatest examples was the ”Fatal Attractions“ crossover that concluded in X-Men #25 (1993) with Magneto forcibly removing the adamantium from Wolverine’s skeleton, starting a whole new era of stories for a weakened, more feral Wolverine.

 

Wolverine

Art from Wolverine #6

 

As we all know Wolverine’s adamantium is restored eventually and I think we’ll see the same ultimate conclusion here. Wolverine may die, or just be put through events that could only be challenging to someone who couldn’t quickly recover from any wound. Either way, it’s all just part of what makes him Wolverine. Death is rarely, if ever, permanent in comics. Does anyone remember the death of Captain America in Captain America vol. 5, #25 (April 2007)? His demise was even reported in the mainstream media, and still didn’t stick. Wolverine’s death, were it to happen, would likely just spawn stories of his adventures in the afterlife, wherever that would take him. The character won’t just end, he’s too popular, fun to write, and even more fun to read. Wherever Cornell and Davis take this story, I’ll be along for the ride. After all, Wolverine is still the best there is at what he does, he’ll just need a better health plan!

Wallpaper of the Day

 

Today’s wallpaper is courtesy of Wallbase

 

 

 

 

Download this wallpaper here

 

 

5 Comics Not to Miss This Week – Feb. 27th 2013

The X-Men and Avengers bring the drama, Aquaman leads a nation on the edge, and the Batman Family is in for a world of hurt in this week’s 5 Comics Not to Miss!

uncannyxmen
UNCANNY X-MEN #2

The new Uncanny X-Men series continues after its jaw-dropping debut last month. We discovered in issue #1 that Magneto had turned on Cyclops and was giving the government information that could lead to Cyclops’s undoing. Writer Brian Michael Bendis revealed that the secret informant was the master of magnetism himself on a dramatic and well-executed last-page reveal. I for one can’t WAIT to see how this plays out, and I’m glad that Magneto has returned to being an enemy of the X-Men (or at least one team of them) in a way I wasn’t expecting. Make sure you DON’T miss Uncanny X-Men #2 for more classic X-Men drama.

uncannyavengersUNCANNY AVENGERS #4

Let’s hope this issue brings more of the good stuff that the last ones have. One of the most alluring things about Uncanny Avengers, in my opinion, has been the dramatic interplay between characters who don’t share comics together that often, and it’s been especially tense because many of the X-Men and Avengers were just at each other’s throats in the Avengers vs. X-Men crossover. Remember that heated exchange between Rogue and the Scarlet Witch in issue #1? Or that issue’s awkwardness between Captain America, Havok, and Thor when they first starting fighting together? Or… goodness… the shocking fact that the Red Skull was using Charles Xavier’s dead brain as a weapon? It was soapy superheroic goodness all-around, and let’s see where it takes us this month!

guardiansGUARDIANS OF THE GALAXY #0.1

Marvel’s released 0.1 issues of comics before to give readers a nice jumping-on point for monthly books, so this particular one about the Guardians of the Galaxy may not seem that special… at least at first. But consider the times we’re in. The team has a movie coming out soon, and we’re in the middle of the Marvel Movie zeitgeist that’s taking theaters by storm across the world, so the interest in this team is probably pretty high right now, especially since they tie into Marvel’s cosmic universe, and the big villain in the upcoming Avengers movie sequel will be Thanos, one of the Marvel’s most famous and deadly cosmic bad guys. Putting it all together, I wouldn’t be surprised if Guardians of the Galaxy #0.1 is on quite a few people’s radar just so they can see what all the talk is about.

aquamanAQUAMAN #17

Aquaman is in a scary, unsure place now that the “Throne of Atlantis” storyline has concluded. His nation has just finished a war with the surface world that’s made Atlantis persona non grata with, well… EVERYONE above-ground. And now he has assumed his place as king of Atlantis in order to lead his people out of the storm, so to speak. What will that do to his place in the Justice League? His marriage to Mera? His relationship with the rest of the superhero community and the world? Only time will tell.

batman
BATMAN INCORPORATED #8

ATTENTION… SPOILERS BELOW, FOLKS. SPOILERS!!


I’m unsure if I needed to tell you that, honestly, since DC’s basically announced the news with a virtual bullhorn already, but here goes… in this issue… Robin, aka Batman’s son Damian Wayne DIES… I think. You see, comics are pretty famous for stunts and for staging character deaths that turn out to be either fake-outs or completely temporary deaths that were designed to be undone from the beginning. Consequently, the publicized, status quo-changing events of issue #8 may not turn out to be that status quo-changing. Regardless, it’s sure to be EXTREMELY dramatic for the Bat Family, so check out Batman Incorporated #8 to read a major turning point in this corner of the DC Universe.

Do you disagree with any of our choices? Did something from your pull-list not make it here? Let us know your thoughts in the comments below.

 

Word of the Nerd Remembers Jack Kirby

Nineteen years ago today, Jacob Kurtzberg, better known as Jack “King” Kirby passed away. Since he started in the comic book industry in the 1930s, Kirby has left an indelible mark on the medium, influencing generations of artists and writers and inspiring readers with his imaginative worlds both cosmic and Earth-bound.

Said Gil Kane of Kirby:

“Jack was a natural-and he was a natural early on before the wall hit him. I thought that in the early ’40s, he was just about the best guy around. He had a narrative style that was way beyond Lou Fine or any of these guys. On top of that, he really knew enough about drawing and everything so that there was simply no upgrading him. He was just excellent.” (Source: TwoMorrows Publishing)

Kirby was not only the progenitor of the Marvel look that would define the Silver Age, but he was a creative tour de force, developing some of Marvel and DC’s best characters. Such as…

Captain America:

Kirby was on the ground floor of Cap’s creation along with his frequent collaborator Joe Simon. When the two started working for Timely Comics (which would later become Marvel), they produced the Sentinel of Liberty in 1941. The character was so successful that Kirby was offered a position as Timely’s art director, though he and Simon would later leave for National Comics (which would eventually become DC Comics) after they felt their deal with publisher Martin Goodman wasn’t being honored.

The Fantastic Four:

The book that started Kirby’s influence over the Silver Age, the first family of Marvel defined Kirby’s signature style and showcased his ability to go beyond the usual boundaries of storytelling by reinventing the cosmos as he saw fit. Through the Fantastic Four, and Kirby, we would also get characters like The Silver Surfer, Galactus, Doctor Doom, and Uatu the Watcher. One of the more memorable stories involved the Fantastic Four actually meeting their creator, which firmly cemented Kirby’s status as the true creative force behind the Marvel Universe. His status at Marvel coupled with his frequent collaborations with Stan Lee put him at the creative ground floor of other Marvel characters like Thor, Iron Man, The Hulk, the original X-Men, and Black Panther - all of whom were penciled by Kirby with a few co-plotted by the artist when Lee couldn’t due to scheduling conflicts and handed the projects off to other creators.

The Fourth World Saga:

After another falling out with Marvel over breaches of contract and some dirty dealings concerning the lack of credit given to Kirby for character’s he’d created or co-created, the “King” of comics moved on to DC in the early 70′s where he produced a number of titles linked together under the moniker of “The Fourth World.” First introduced through Superman’s Pal Jimmy Olsen, Kirby’s cosmic soap opera began with the villain Darkseid and later expanded to include the planets of Apokalips and New Genesis. These warring planets were inhabited by heroes like Orion, Mister Miracle, Big Barda, and the Forever People as well as the many minions of Darkseid like Granny Goodness, Desaad, Sleeze, Glorious Godfrey, Kalibak, and the Female Furies.

His work at DC also included O.M.A.C., Kamandi: The Last Boy on Earth, and Etrigan the Demon!

Outside of the comic book industry, Kirby was involved in several animation projects like Thundarr the Barbarian and illustrated an adaptation of Disney’s The Black Hole. Most recently, his involvement in “The Canadian Caper” during the Iranian Hostage Crisis was referenced in the movie Argo (2012) where Kirby is portrayed in a quick cameo by Michael Parks, though his storyboards are featured throughout the movie.

Jack Kirby’s style and influence as a creator and artist has followed him from his beginnings as a freelance artist and well into the 21st Century. Michael Chabon’s The Amazing Cavalier and Clay is in part a tribute to Kirby and other creators of the Golden Age of Comics with Joseph Cavalier standing in as the Kirby surrogate. Jazz musician Greg Bendian did an entire album, Requiem for Jack Kirby, as a tribute to the man with each session based on one of his creations. Superman: The Animated Series modeled Detective Dan Turpin on Kirby, going so far as to dedicate the episode “Apokalips…Now! Part 2″ in his memory. The original Teenage Mutant Ninja Turtles Mirage comics even paid tribute to Kirby in Donatello’s solo book, which was later turned into a tribute episode of the 2003 animated series entitled “The King” where Donatello meets an artist named Kirby. There’s even a Jack Kirby Museum & Research Center website where you can learn more about Kirby and his continued influence in the world of comic books and art.

And if you’d like to see physical proof of Kirby’s influence in the here and now:

That’s my arm, by the way. Just in case it wasn’t obvious.

So, there you have it, Kirby is forever imprinted on multiple generations of comic book creators and readers. Artist, writer, decorated veteran, Jack Kirby may be gone, but he will never be forgotten. And as one of my favorite comedians Greg Proops says in tribute to those that have shuffled the mortal coil: Jack Kirby is a swirling vortex of cosmic splendor. He shines brightly in a sea of stars so that we might look upon him and wonder.

Wallpaper of the Day

 

Today’s wallpaper is courtesy of Wallbase

 

 

 

Download this wallpaper here

 

 

Wallpaper of the Day

 

Today’s wallpaper is courtesy of Wallbase

 

 

 

Download this wallpaper here

 

 

Necessary Evil: Marvel Movie Villains

The saying goes, “A hero is only as good as his villain.” Superheroes are a varied lot that range from vigilantes to boy scouts, but they would be nothing without an opposing force to stand up against. At worst a villain is un-memorable, making no impact on the hero or the course of his/her life, simply there to be story fodder. The best villains, however, are the ones that make an impact. They challenge the hero, pushing them to their limits in mind, body, and spirit. A good villain – a great villain – leaves a mark not only on the hero, but on the reader or viewer. As Mr. Glass says in M. Night Shyamalan’s underrated Unbreakable:

In a comic, you know how you can tell who the arch-villain’s going to be? He’s the exact opposite of the hero…

It’s why Superman and Lex Luthor will forever go toe to toe in the ultimate battle of brains versus brawn and why Batman and The Joker are eternally locked in a game neither can simply end. It’s why Magneto and Professor X can never see eye to eye and why Doctor Doom continues to hound The Fantastic Four. The villain defines the hero and gives us the necessary motivation to root for their victory. We want the hero to triumph and the villain provides us with that necessary foil.

Translating that to the big screen, however, can be a bit tricky. We want our heroes to be challenged, but finding the right villain that will appease comic book fans and the general movie-going public is a strange form of alchemy. Sometimes we get lightning in a bottle (Heath Ledger’s Joker comes to mind) and other times…we get Bruce Banner’s father. Marvel movies, and we’re talking Marvel Studios for the purposes of this article, tend to favor the charisma of the hero over the machinations of the villains, which is why, I think, it’s harder to pin down a prominent villain. DC movies, oddly enough, have the opposite problem with the villains eclipsing the heroes (no offense, Christian Bale – I still love you!) Both universes have interesting dynamics, but neither has been able to strike the right balance entirely.

Last week, we were treated to the release of the Iron Man 3 trailer. Not due in theaters until May 2013, IM3 will be the first movie to kick off the next round of Marvel films leading up to The Avengers 2 in 2015. In the trailer we get brief glimpses of the two villains Tony Stark will be going up against: Aldrich Killian (Guy Pearce) and The Mandarin (Sir Ben Kingsley). Killian isn’t a major villain in the comic books, mostly known for creating the Extremis virus, but The Mandarin has been one of Tony Stark’s most enduring villains. It’s an interesting mix of adversaries. One is inexorably tied to Tony’s world of science and technology, while the other’s chief source of power are ten magical rings adorning his fingers. Thor already explained that science and magic are practically one and the same in the Marvel Universe, but the villains Tony has dealt with individually have all been technologically based. The villainous combo could make or break the film considering the lackluster performance of Marvel sequels, but I’d prefer to remain optimistic for the time being.

Given that Tony’s trials and tribulations are just around the corner, Thor will be going up against the Dark Elves, Cap will be fighting The Winter Soldier, and Thanos looms over Guardians of the Galaxy and The Avengers 2, I thought it might be prudent to look back on past Marvel movies and see how effective their villains have been in defining our heroes. I will be keeping this strictly within the Marvel Studios movie universe since the properties owned by Fox and Sony would keep us here all day. But, for the record, Magneto, William Stryker in X-2, and Doc Ock, have been the only good villains to come out of those movies.

But I digress. On to the movies!

Iron Man (2008): By all accounts, the first Iron Man movie shouldn’t work. It’s essentially a movie about a guy who builds a suit three times and blows a lot of shit up in the process. What makes this movie is the utter charm and charisma of one Mr. Robert Downey, Jr. He is Tony Stark and the movie is really about the journey Tony takes  from selfish, playboy, weapons manufacturer to less selfish, somewhat playboyish, superhero. Hey, ya gotta crawl before you can walk. But, of course, we need a villain and while the terrorists who kidnapped Tony were effective enough for the first and second acts, the true villain of the movie is the Stark’s long-time family friend and business partner, Obadiah Stane (Jeff Bridges). Like I said, the movie is about Tony’s arc and the fabrication of the Iron Man suit, so Stane is relegated to your average run-of-the-mill villain. His motives aren’t new (weapons = money = power) and he’s not really a foil for Tony as much as he’s an obstacle, which is probably the point. Had Stane been more charismatic or more sympathetic, the story would have shifted away from Tony, so it’s not a surprise that Stane’s purpose is to just make Tony look good to the audience. That doesn’t mean Obadiah isn’t entertaining to watch, especially the scenes between him and Tony before we learn his true nature.

The Incredible Hulk (2008): After the atrocity that was The Hulk, Sony Pictures actually gave the rights to the character back to Marvel. Already putting into motion the idea of an Avengers movie, Marvel Studios began the process of world-building with a brief cameo by Tony Stark in the movie to tie the two worlds together. Putting aside crazy scientist fathers, Bruce Banner/The Hulk’s (Edward Norton) main adversaries are General “Thunderbolt” Ross (William Hurt) and Emil Blonsky, aka The Abomination (Tim Roth). Though Ross doggedly pursues Banner, he’s there primarily to put Bruce in a corner and let loose The Hulk’s counterpart. The Abomination is the result of a combination of Bruce’s gamma-exposed blood and the super soldier serum, creating an unstable and powerful creature. Though The Hulk is a manifestation of Bruce’s anger, The Abomination is all Blonksy’s delusions of grandeur and power made real. While that might’ve made for some interesting storytelling, The Abomination is only there to go berserk so Ross will have to turn to Bruce to stop what he created. There’s no real purpose to any of it as it just results in an overlong CGI fight sequence and Banner going on the run yet again.

Iron Man 2 (2010): Oy, this movie. Aside from the numerous reasons why this movie doesn’t work, the villains make up a significant portion of why Iron Man 2 isn’t exactly the greatest of sequels. Plot wise, there’s just too much going on and with the rushed production to meet the schedule for The Avengers, the flaws in the movie show. In Justin Hammer (Sam Rockwell) we’re supposed to see who Tony was, a man selling weapons with no compunction for the lives lost because of those tools of destruction. The juxtaposition works…sort of. Sam Rockwell commits to the role entirely (he’s one of the few bright spots in the movie) but there’s nothing overtly threatening about him that would make him a formidable opponent to Tony. Where we’re really supposed to see the danger is in Ivan Vanko, aka Whiplash (Mickey Rourke). The Russian mechanical genius is out for revenge against the Stark family for stealing the patent his father shared with Howard Stark for the arc reactor technology keeping Tony alive. While Vanko and Tony get a nice fight in the beginning of the movie, they barely interact until the last twenty minutes of the film and, even then, the climactic battle between Whiplash, Iron Man, and War Machine was a let down. Whiplash is mostly seen upgrading Chambers’ robotic suits until the end when his inevitable betrayal occurs.

Thor (2011): The film that tested the audience’s ability to accept the “magical” portions of the Marvel Universe, Thor was a surprise hit due in part to directory Kenneth Branagh’s ability to emphasize the Shakespearean elements of the tale: loyalty, power, and family feuds. Loki (Tom Hiddleston) is probably the best of the Marvel Universe villains because his descent into villainy coincides with Thor’s (Chris Hemsworth) rise as a hero. The film goes to great lengths to set up Thor’s arrogance and Loki’s playful trickery, but also their brotherly affection that takes a turn for the worse when Thor endangers the peace between Asgard and Jotunheim and Loki learns of his true parentage. While Thor’s exile changes him for the better, Loki broods and plots in an attempt to prove himself the rightful king of Asgard. But never at any point do we hate Loki. We sympathize with him because we learn along with him that all he’s known, everything that he is, is a lie. His need for power and the pleasure he takes in torturing and almost killing Thor are the result of a man who’s entire identity has been destroyed. The final confrontation between Thor and Loki is built upon the shattering of a family and Loki’s literal fall is a heart-breaking moment.

Captain America: The First Avenger (2011): While I do love this movie quite a lot, I admit, there are some problems. Though the film rightly spends a great deal of time with scrawny Steve Rogers (Chris Evans), once he’s transformed into Captain America, the plot becomes a bit jumbled as the movie scrambles to get Cap to a certain point to justify the lead-in to The Avengers. That being said, it’s still a great movie. One of the places where the movie falls flat, unfortunately, is in the main villain The Red Skull (Hugo Weaving). Cap and The Red Skull are the ultimate yin and yang. Both are the recipients of the super soldier serum and both are forever changed by the process. Unfortunately, and to the movie’s detriment, the hero and villain interact very little. Steve learns of The Red Skull from Dr. Erskine before he takes the serum and encounters him after rescuing Bucky. There’s a brief exchange of fists and words, but the two are separated by a walkway in a burning warehouse and don’t meet again until the end of the film. It’s a bit of a waste considering they are philosophically and politically polar opposites. Most of the second act is just Cap and the Howling Commandos making life difficult for Red Skull through a series of montages and Red Skull, in turn, yells a lot and is mostly responsible for the “death” of Bucky. A lot more could have been mined out of this dynamic, but again, it was all leading up to…

The Avengers (2012): The sum total of four years worth of Marvel movies, The Avengers was a two hour payoff for fans across the globe. After setting up all the heroes in the previous movies, all they needed was a reason to come together as a team. Enter Loki and the Chitauri. Loki, now in full blown villain mode is helped by a mysterious benefactor to travel to Earth and set in motion an invasion by the Chitauri. While Loki is still a charismatic villain, and Joss Whedon does draw a great deal on the emotional investment of Thor with his wayward brother, he and the Chitauri factor very little into the overall movie. We want to see The Avengers assemble, and by God they do! The villain could have literally been anyone with enough power to make the team’s formation necessary. Loki just happened to be a really great villain from a previous movie, which worked out for the better as we didn’t need a lot of backstory in setting him up as the chief antagonist. The Chitauri, however, are really just there to show up, present an obstacle for the heroes, and die. The only challenge they present is that there are a lot of them and only six heroes to fight back.

 

So, there ya have it, all the Marvel villains thus far. Will Killian and The Mandarin make their mark on the movie-going audience? Maybe. It’d be nice if there were more villains running around to invest our time in, but we all know it’s leading up to Thanos, so hopefully the next round of Marvel movies will at least provide us with some meat to sink our teeth into. We want the hero to win, but the villain’s gotta give him/her a run for their money first!

[Update: The character of Justin Chambers has been changed to Justin Hammer to correct a mistake on my part. Don't know why I put Chambers there. Chalk it up to your head being one place while your fingers are typing something else!]

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The Drunken Nerd: Vote 2012

With the President Election roaring through this month and Election Day right around the corner, I’ve been thinking: neither candidate has impressed me, nor has either one produced anything remotely entertaining during his campaign, so with this rather mundane election I’ve decided to take a different approach to my voting process. I’ve decided to write-in my vote this year. However, I’m not going to vote in a politician; no this year I’m going to vote in a character from the nerd universe that is deserving of being the President of the United States of America. The only problem is deciding who I’m going to vote for.

Naturally, Superman and Batman were the first two to jump into my head. They are the two biggest names in comics and deserve a section of thought on my end. Those of you who read my column know I’m not the biggest Superman fan, but he does fit the role of a selfless leader. He also happens to be damn near close to a nuclear bomb, and is not legally a U.S. citizen so I have to scratch him off the ballot.

Batman, a.k.a Bruce Wayne, would be a rather easy vote. He’s a billionaire playboy, good sense of economics/ fiscal policies, but he also is a devoted crime fighter, who more than likely wouldn’t quit his day job even if it meant being President. As much as I have to respect his commitment to crime-fighting, it hurts his chances of actually becoming my vote-in this year.

I’ve given a good deal of thought for Captain America. After all Steve Rogers is the epitome of America and the American man. He’s selfless, brash, charismatic, a natural leader, yet I still feel like seeing him sit behind a desk in the oval office isn’t right. He’s a front-line hero he can’t sit down signing off for bills. To vote him in would be an insult to Steve Rogers.

Perhaps another war hero like Solid Snake would make a sufficient President. He definitely fits the Republican prototype of ex-military politicians and commands the respect of his peers when he enters a room. However, Solid Snake has always been a natural-born solider with a unique skill-set of taking orders and taking lives. He’s never truly been an intrepid individual, so perhaps putting him in the Oval Office would be a bad idea; his conformity with taking orders may just turn him into a Reagan-esque puppet getting bullied around by his Congress and Senate.

I’ve considered Charles Xavier as well. He’s the unsung leader and architect behind the X-Men and definitely appears to me as a FDR type of President. His morals and ability to rightfully act upon his convictions make him an ideal candidate in my mind, however I feel like having a telepathic President who could read your mind, as well as control it foreshadows problems. I fear that somewhere along his first-term the good, trustworthy, loving Professor X we all know would somehow become corrupted by the irrationality of American politics and it’s with that fear I’ll have to leave him off my ballot.

Perhaps, Yoda, the old, wise Jedi would make a good President. After all, he’s one of the wisest Jedi to ever live. I’d never get tired of hearing his Yodaisms in his speeches like, “Taxes cut, yes will be.” Since he is a Jedi, he is bound to the Jedi code of morality, but I feel as if a few Sith apprentices may be lurking in the Senate, which in turn, may lead to an all out Jedi/Sith battle on Pennsylvania Avenue. Surely, a battle of such magnitude would be awesome to watch, but inevitably would lead our country into another Civil War, so maybe selecting a Jedi master isn’t my best idea.

Jedi masters may not be the answer, but surely my main man Commander Shepard is. I could see it now, giant posters of Commander Shepard all over town in faded red, white, and blue with the word, “Hope,” underneath he’d be the complete embodiment of change. The savior, the Shepard, for our country’s woes. The defining voice of reason for the American populace and the matador of bipartisan politics. Surely, the man who saved the galaxy three times would make a great president, but then again I believe that poster idea is already copyrighted and are any of us sure if Shepard’s still even alive?

Figurehead sure, President maybe not

With all this back and forth within my mind, I feel like I’m becoming a politician. One minute I’m pro this, next minute I’m pro that – sheesh it’s exhausting. The more I sort through my nerd database the more No’s I’m discovering. Even Doctor Who, falls up short in my selection process; he’s essentially protecting the entire Universe, which is a tad bit more important than our fifty states. Maybe I should just get out there and vote. Forget about this write-in nonsense after all, why throw away my vote? After all, it is the only voice I have in this damn election anyway.

 

Follow on Facebook and Twitter @theDrunkenNerd and don’t forget to get out there and vote this Election Day people!!

 

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Remembering Professor Charles Xavier, The Man Behind the X

Cyclops, possessed by the Phoenix Force, killed Professor Charles Xavier last month in Avengers vs. X-Men #11, possibly one of comics’ most significant deaths. The amazingly popular X-Men starred in 1991’s X-Men #1, the best-selling comic book of all time, and several movies and animated series since. Their founder’s demise will yield consequences, not just for the characters, but for countless fans as well.

Professor Xavier put the “X” in “X-Men,” and the tone and spirit of that team’s stories will be changed irrevocably without him.

His death signals the end of the X-Men’s halcyon days, which hooked many of us on the characters to begin with. Those were the days when, no matter what happened to our mutant heroes, they wound up back at the mansion (or somewhere), safe at home as one happy dysfunctional family. You felt good knowing that the X-Men, at their core, weren’t just about surviving oppression; they were about the union that comes from surviving together, and a strident undercurrent of community shined through. They fought for a world that hated and feared them, and we bonded with them the way they bonded with each other.

The Professor’s death represents a tonal shift in the X-Men’s purpose away from that period, and from stories that thrilled many of us when we were younger and more idealistic.

Murder rarely lasts in comics, so it’s possible he’ll return in spite of Marvel’s statements to the contrary. He’s died and returned before, and hell, he’s a telepath. Who’s to say his mind isn’t floating around in someone else’s body or as some kind of psychic ghost? (Besides, if there’s any power set that lends itself to survival after the physical body’s gone, it’s the mental one.)

But if Marvel makes this one last, the X-Men are in for an attitude adjustment that will change their identity, and it will be an interesting requiem for a man whose singular vision empowered one of the most creatively successful teams in superhero history.

Living in a Fatherless World

Sure, the Professor vanished before over the years, but never completely. His previous deaths weren’t permanent, and if he was away with Shi’ar or something, you knew he’d be back. But if this recent death is the real deal, the X-Men really are on their own, and reality is bittersweet. The Professor was like your parents: No matter how old or independent you grow, they’re always around, even if you don’t need them anymore or live in their house. It’s only when they die that you are truly alone, even if they supported you and taught you how to live without them. You’re strong enough to go on, but you’re not too strong for the sadness.

That made Professor Xavier different from other team leaders and mentors, and that’s why he resonated so uniquely with readers. The Avengers, Justice League, and Teen Titans have leaders, but those people aren’t members’ parents too. Hawkeye, Quicksilver, and the Black Widow respect Captain America, Thor, and Iron Man, but those men didn’t raise them. Green Arrow, Hawkman, and Booster Gold weren’t maligned, insecure teenagers whom Superman, Batman, and Wonder Woman took in. And Robin, who’s often in the same age group as his fellow Titans, is like a brother or team captain to them, not a father.

Consequently Charles Xavier, with his expansive estate full of young people who had nowhere else to go and few grown-ups fit to handle them, embodied something special. If it’s true that people live vicariously through stories they read or watch, then X-Men tales made the audience want to live, learn, and be loved in an environment where others struggled the way they did. Readers felt safe under the stewardship of a benevolent professor who wanted what was best for them.

The Saint Who’s Sinned… Quite Often

The Professor had his good points, but he wasn’t without fault.

In fact, his transgressions are serious, depending on your sensibilities:

  • It was revealed in 1960s stories that he was in love with his student Jean Grey, even though she was a teenager when he was in his 40s or 50s at the time (this plot thread was largely ignored over the years, and it may have been retconned away or forgotten about);
  • His professional missteps continued. When he was younger, he had an unethical sexual relationship with his patient Gabrielle Haller;
  • He’s often seemed less interested in the care and well-being of their son David Haller, aka Legion, than he’s been with that of the X-Men, none of whom are his flesh and blood; and
  • He’s warped minds and memories repeatedly without consent, including forcing the X-Men to forget about the deaths and disappearances of teammates at the hands of Krakoa the living island, revealed in the Deadly Genesis stories of 2005 and 2006.

But the big question is, do these transgressions tarnish his legacy as a force for good?

It’s hard to say. That whole I-love-Jean thing is kinda skeevy, but most writers pretend it never happened (thank goodness), so it’s debatable these days if it’s Marvel Universe canon. And memory wiping the X-Men to make them forget that Krakoa killed some of them? TOTAL retcon to create drama, even though it was arguably out-of-character and made poor Charles look bad in the process. You can give him a pass for that if you’re forgiving, because what really happened was, Marvel sacrificed his integrity to sell books (which no serialized character is immune to, no matter how revered). It’s mainly the Gabrielle Haller / Legion stuff that sticks like a thorn in the Professor’s semi-pristine side, and it’s a pretty big thorn.

You can probably think of other dastardly deeds to pin on him, but, like most parents who disappoint their children, that doesn’t mean he didn’t give others love and security. The Professor nurtured several superheroes in a way no other mainstream Marvel or DC character has in such a large number.

The Future of the X

The Professor’s death signals the end of the X-Men’s golden era, at least when it comes to their mission statement. He preached tolerance and advocated for unity between the oppressors and the oppressed, and that wish defined the X-Men for decades.

But it’s a legacy the X-Men may have abandoned years ago. The character hadn’t occupied the spiritual leader role since 2007, circa Messiah Complex, and his perspective on the X-Men’s place in the world had possibly grown obsolete. For the better part of 10 years, the team hasn’t been written as superheroes protecting a world that hates and fears them; it’s been written as a small country of victims fighting against a world trying to wipe them out.

 

 

It’s no coincidence that Marvel ushered the Professor out of the picture right around the time when the X-Men started camping out on an island nation thousands of miles, both literally and figuratively, from the stately mansion they occupied previously. Cyclops took the mutant leader role, and then he fought Wolverine for it, and Marvel conveniently wrote the Professor out of the action the whole time. He returned from storyline limbo to be killed off in Avengers vs. X-Men so the “kids” could captain the ship through turbulent waters without him.

Consequently, thousands — perhaps millions — of fans may regard his death with a collective “meh.” The Professor’s role in the Marvel Universe was to help young mutants develop into adults, so if many them are now grown, who needs him? In fictional storytelling, when a character’s not needed anymore, that usually means death, so who cares, right?

Several will, starting with the X-Men themselves. Marvel bigwig Axel Alonso himself told Newsarama that the Professor’s passing will have “a ripple effect across the Marvel Universe,” and the ripples will undoubtedly shake his students the strongest. His absence will evoke powerful emotions from the X-Men, driving story for years to come.

But for the readers, his death won’t just give us interesting X-Men tales to read; it’ll prompt us to remember a part of our own lives more fondly. When we were younger, and the world was simpler, it was wonderful to read lovely tales of outcasts who were metaphors for those of us who felt different from everyone around us. We wanted to be those boys and girls with special powers, great adventures, and who earned respect at a school we wish we had… and it all started with a telepath named Charles Xavier.

So here’s to Professor X, comics’ most prolific father. You’ll be missed if you’re truly gone, and may your unconditional love guide the X-Men for the rest of their lives, no matter what they face, just like it comforted us no matter what we faced in ours.

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Titan Books Offers Exciting Events and Exclusives at NYCC

At this year’s NY Comic Con, Titan Books are bringing guests and goodies.  They come loaded with a ton of exclusive items and panels for your personal interest.

Panels:

Scott C. Panel
Friday, October 12, 7-7:45pm, Unbound Stage
Moderated by: Alex Zalben

Renowned artist Scott C. will be on hand to discuss his artwork. Name an entertainment medium and Scott C. has created something for it. This year, he will be on hand to unveil Great Showdowns. Published by Titan Books, Showdowns are Scott’s interpretations of classic movie fight scenes, some known and others requiring a liberal interpretation of the word “fight.” Chief Brody vs. Jaws and Ripley vs. the Alien Queen fall into the real category while John McClane vs. Broken Glass and Spinal Tap vs. 12 inch model of Stonehenge fall into the fanciful interpretation.

Walter Simonson Panel
Friday, October 12, 7:45- 8:45pm, Room 1A08
Moderated by: Andrew Sumner

Name a character in comic books and Walter Simonson worked on him. Over 30 years ago, Walter Simonson worked with director Ridley Scott on a little known movie called Alien.  That movie went on to becoming one of the greatest Sci-fi Horror movies ever made.

Heavy Metal magazine published the original illustrated story 33 years ago, in time for the original Alien. For this project, Walter worked closely with Ridley Scott and Archie Goodwin, a legend in the comic book industry.  Titan Books reissued the long out of print graphic novel to coincide with the release of Prometheus.

At the NYCC, Walter Simonson will be on hand to discuss how he came to work with Scott and Goodwin so early in his career, as well as unveil the Artist Edition of Alien: the Illustrated Story.

Joe Simon Tribute Panel – Comic Con commemorates the late comics legend.

Friday, October 12 5:15-6:15pm, Room 1A01
Panelists: Stephen Saffel, Paul Levitz, Jim Simon, and more!

Joe Simon, the Co-Creator of Captain America, Fighting American, Guardian, Dan Turpin and other lesser known characters, is a venerable figure in the comic book industry. He is best known for his 50 year collaboration with Jack Kirby and for giving a young Stan Lee his first job in comic books.

To celebrate his life in comic books, the NYCC is going to have a birthday party. This celebration will take place on the day after his 99th birthday party. Although he is not going to make it to the party, Joe Simon died last year, the organizers assure you this is what he would have wanted.

 Titan’s NYCC Time Table:

Friday, October 12, 12:15pm – 1.15pm: Scott Campbell Signing @ Table 4
Friday, October 12 5:15pm – 6:15pm: Joe Simon Tribute Panel @ Room 1A01
Friday, October 12, 7:00pm – 7:45pm: Scott Campbell Panel @ Unbound Stage
Friday, October 12, 7:45pm – 8:45pm: Walt Simonson Panel @ Room 1A08
Sunday, October 5, 11:00am – 12:00pm: Walt Simonson Signing @ Table 5
For Purchase:

If you are a fan of the Walking Dead universe, please visit Booth 832. You will be able to purchase your copies of the official Walking Dead Magazine before they hit the stores on October 23.

While you are at Booth 832, please look through Titan Books official NYCC exclusives and premieres. A list of items is right here.

DOCTOR WHO – NYCC limited edition exclusives!
The Eleventh Doctor Maxi-Bust – “Biscuit Hand” variant!
The Tenth Doctor Maxi-Bust – “Sound of Drums” variant
Cyberman Cyber Leader Maxi-Bust

DOCTOR WHO – NYCC Debuts
The Fourth Doctor Maxi-Bust
The Weeping Angel Maxi-Bust
David Tennant 10th Doctor Costume T-Shirt

CAPTAIN ACTION – NYCC Debuts
Logo Mug
Logo I.D. Holder
Distressed Logo T-Shirts

JOE SIMON items
Best of Simon & Kirby
Joe Simon: My Life in Comics
Simon & Kirby Superheroes
Simon & Kirby Crime;
Fighting American t-shirts.
Simon & Kirby lithograph prints, signed by Joe Simon!

Remember to visit Booth 832 to buy your exclusives and to attend the panels at the NYCC, going on this year from October 11-14 this year.

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Your Commander-in-Chief: Captain America

Steve Rogers becoming President of the United States is not a new idea. Many divergent and alternate time lines have explored that idea in many ways. In the Marvel Mangaverse, he was already president that universe’s inception. In Marvel Zombies, Colonel America used his knowledge as president to find civil defense shelters. In a What If comic from the late 70s, Captain America becomes President, but sacrifices himself to save the world from the Red Skull. In the 80s, there was a push in the main (616) continuity for Cap to become president. Heroes and villains alike were willing to vote for him. He respectfully turned it down, saying that America needed him to fight as a soldier, not as President.

The Ultimate Universe, however, is the first time Captain America actually becomes PotUS. After leading a successful invasion of Texas in Ultimates #14, he returns to the east coast to discover that, in a special election, the citizens of the remaining United States elected him as a write-in candidate. After some debate, he accepts the nomination and becomes the next President in the Ultimate Universe

Considering what is generally known about the Ultimate Universe, President America’s term will be an interesting one. Some threat, hiding in the shadows, will start causing trouble the moment his term in office begins. How he overcomes these threats will prove his worth as a leader.

ULTIMATE COMICS ULTIMATES #15 (JUL120568)
Written by SAM HUMPHRIES
Penciled by BILLY TAN
Cover by MICHAEL KOMARCK
On Sale – 9/19/2012

ULTIMATE COMICS ULTIMATES #16 (JUL120569)
Written by SAM HUMPHRIES
Penciled by LUKE ROSS
Cover by MICHAEL KOMARCK
On Sale – 9/26/2012

Marvel NOW Gives Captain America a New Look

In recent years, Captain America fought constantly. He fought his enemies, against alien invaders, and even his friends. Each time, he acted like a good soldier and focused on the current mission. Everything else was unimportant. He did not focus on the consequences of his actions because he was off to the next mission long before then. Somewhere in the battles, Steve Rogers forgot who he was.

Marvel Now forces Steve Rogers to consider his actions. Lost on an alien world, he does not have the next mission to distract him. He does not have an image to keep up. He does not have Captain America to guide him. Instead, Steve Rogers must figure out how he would do things in place of the Captain.

The cover for Captain America issue 2 reveals some of the changes he’s gone through. He is not wearing his mask and is allowing his hair to grow out. He keeps the shield, but is using it as a shield. A big change is that he’s using a firearm, something that Captain America does not really need. When you have a weapon like the shield, you do not really need anything else. A part of the Captain America person is still there, however. He found a mission, to protect this child. Will he abandon it for pragmatic survival?

All these questions get answered when Captain America 2 comes out in December.

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