Tag: Grant Morrison

The End Of Morrison’s Batman: A Look Back

bminccv13jpg-4811b9The solicits for July’s Batman titles came with this little tidbit:

BATMAN, INCORPORATED #13

Written by GRANT MORRISON

Art and cover by CHRIS BURNHAM

1:25 Variant cover by GRANT MORRISON

1:100 B&W Variant cover by CHRIS BURNHAM

On sale JULY 24 • 32 pg, FC, $2.99 US • RATED T

FINAL ISSUE • Combo pack edition: $3.99 US

Batman saves the world and loses everything.

This issue is also offered as a combo pack edition with a redemption code for a digital download of this issue.

After seven years, Grant Morrison finishes his grand designs on Batman, leaving the hero in a very dark place. Morrison has murdered his creation, fan favorite Damian Wayne, destroyed ties binding the Bat-family and their international allies, turned Talia Al Ghul into a villain in her own right, and included enough esoteric references to make a very educated person’s head spin. He turned the Batman and Robin duo on it’s head during Dick Grayson’s time under the cowl; with a gleeful Batman and a sullen Robin. He has created several of the greatest stories involving Batman in recent years.

And his final coda is terrible.

Batman and Son introduced a bratty boy trained to be a killer and the heir to both the mantle of the Bat and the League of Assassins. He was intended to die at the end of his first arc. However, Damian Wayne had rapidly become a fan favorite, much to Morrison’s surprise. Future tales brought back Damian and his mother, Talia Al Ghul, to either aid or hinder Batman. During The Resurrection of Ra’s Al Ghul, Damian’s relationships with his father and his “brothers” began to evolve. In Batman: RIP, he helped save the day and his father from the machinations of the Black Hand. He became Robin and, in the eyes of many, earned the title of Robin. He may have been a brusque murdering prick, but we loved him.

And then Morrison took him from us in an exit that was both unworthy of the character, and was totally unneeded. Was it ego that led Morrison to do this? Envy about how Damian had grown beyond being a plot device? Because it sure was not a decent send off for the character. Damian’s death was no “Reichenbach Falls,” it was part of Morrison’s increasing convoluted plotting.

To call Morrison’s plots “confusing” is an understatement. Even starting with Batman: RIP, Morrison had a grand plan that you could see if you would step back and see the arc as a whole and then going back into the component parts. An example of this would be the reoccurring “Zur-en-arrh” motif starting with Batman and Son through Batman: RIP. We see elements of the Black Hand and the seeds for Batman, Inc. in Morrison’s Batman & Robin run. And even before the New 52, we have the seeds for the current volume of Batman Incorporated in the first volume. Add in references to Tibetan Buddhism and other Eastern Philosophies, time travel, labyrinths, nearly forgotten aspects of the Silver Age, and British culture (that last one later spinning out into the incredibly fun Knight and Squire) and things get confusing and complicated.

That complicated construction of stories also weakens the present volume of Batman Incorporated because while it builds upon pre-New 52 ideas, it forgets much of what came before it. There were no clues, outside the couple of issues leading up to his demise, of Damian’s death. There was no need of it, especially in regards to the other titles. It’s too blunt of Morrison, compared to his other titles.

Morrison’s run on Batman, pre-New 52, is one of the greatest runs of all time. Afterwards, it became a dark, muddied, plot hole filled mess. In many ways, his want to end his story, at the cost of everyone else’s stories, comes off as selfish. Batman Incorporated #13 will be the end of Morrison’s tale, and it will have ramifications to come. Given the dark place he’s driven Batman to now, how harsh is the place he intends to go? It will send shockwaves through all the title. The last few issues will need to bolster the weak story that has been the New 52 Batman Incorporated run. Compared to before the New 52, Morrison’s Batman stories are not that good.

In a period of seven years, Morrison changed the shape of the Batman mythos. His final bow on the Dark Knight will probably do the same. But it will be on a sour note as his goodwill with his fans, including yours truly, has dried up. His execution of Damian was unneeded. Talia’s plans are more convoluted than anything Morrison had come up with before, and the Heretic’s own origin is both disturbing and silly. Perhaps his best days are behind him, but Grant Morrison, for good or bad, will be one of the great Batman writers of all time. It is sad that his Robin-song might be a discredit to his past work, and to the denizens of Gotham.

Wallpaper of the Day

 

Today’s wallpaper is courtesy of Wallbase

 

 

 

Download this wallpaper here

 

 

The Death of Damian Wayne…Some Thoughts

Batman and Robin

Understand one thing, DC Comics: I’m not angry. I’m disappointed. Do I really need to link Max Landis’s video about “The Death and Return of Superman” to this article? Because I’ll do it. Don’t believe me? There! Done and done! Ya wanna know why I did that? Because everyone knows that death is meaningless in comics. It’s a stone cold fact. The only deaths that have ever, in the history of comics, remained fixed points in time are the deaths of Thomas and Martha Wayne and Ben Parker. Why? Because they are necessary for the creation of Batman and Spider-Man. That’s the only reason why deaths even occur anymore. It’s a means of creation, a motivation that drives heroes to fight for justice or pushes villains over the edge. But as a storyline, as an event to shake up the universe (even though it just gets us back to the status quo), death is the laziest plot point in comics. It serves no purpose other than to sell books. So, yes, well done. You’ve made a lot of money at the expense of a character who was showing tremendous growth and had nothing but potential.

Damian Wayne was one of the best things to happen to the world of Batman in a long time. He monumentally shook up the status quo of the Bat-family in the best ways possible because he was so different from what we’d seen before. His motivations were different, his upbringing was different, and his personality—a snotty, bratty, entitled, and elitist sociopath—made him the perfect foil for everyone in the Bat universe. But he was also the heir to two warring dynasties, which gave him a fantastic starting point from which to begin his journey. For Damian, everything was about family. He craved Bruce’s love and respect, despite his aloofness, and he begrudgingly began to respect and accept his surrogate brothers (even Tim). War of the Robins was one of the best mini-arcs in Batman and Robin because it solidified the relationships between Batman’s many sidekicks while reinforcing the importance of the Robin legacy. Damian sought to prove himself the best Robin because he saw the title as one deserving of respect and the next step towards donning the cape and cowl as Batman, a mantle he believed himself heir to as well.

Oh, wait, I forgot! Silly Sam! This is DC Comics! You guys hate legacy even though you have the longest and richest history of characters in comic books! God forbid that seven years worth of stories matter to a character or seventy plus years (condensed into five) of history affect the relationships amongst your heroes. Nope, we can’t have a kid hanging around who could potentially grow up the way his predecessors have. That would be ridiculous! Oh, look, he’s growing as a person, he’s changing under the guidance of his family… better kill him before he becomes even more interesting!

War of the RobinsAnd the worst part of it is that Damian’s death is extra meaningless because the death of a Robin has already been done. Jason Todd and Stephanie Brown both “died” while wearing the red R and both of them eventually came back from the dead. In fact, Jason’s death still defines him in the New 52, the one thing that separates him from Dick and Tim other than his prickly personality, which is a trait he also shared with Damian. Re-treading old ground with the loss of not only a partner but a son for Batman is actually a bit mean-spirited when you consider the progress Damian’s made since his introduction in Batman & Son (2006). However most people feel about Grant Morrison’s run on Batman, Batman and Robin, and Batman, Inc., his greatest contribution was, and always will be Damian as well as the partnership between Damian and Dick during Batman and Robin. That being said, Morrison doesn’t own Damian, and by giving him the go-ahead to kill him off in a book that was only eight issues in—compared to the year-and-a-half worth of stories post-reboot—shows you really don’t know your readers very well.

And with all respect to Mr. Morrison, your explanations for why Damian had to die are complete bullshit!

“He saves the world. He does his job as Robin. He dies an absolute hero.” (Source: The New York Post)

“In many ways this has been Damian’s story as much as it has been the story of Bruce Wayne, and it’s a story that had its end planned a long time ago – for what son could ever hope to replace a father like Batman, who never dies?” (Source: DC Comics)Little Damian

Really? I’m pretty sure Dick, Jason, Tim, and Stephanie all saved the world at one point or another. They did their jobs, so why does that mean Damian has to die? How does taking down your own genetically enhanced clone become a prelude to death? And that whole bit about the futility of replacing a seemingly immortal father? Hmmm, let’s see… Nightwing, Red Hood, Red Robin… pretty sure all of Bruce’s sons have found a way to do that! Ya know what? I think you just had it planned out, and when Damian became popular, you just said “fuck all!” and kept your story going the way you wanted without bothering to account for what other writers like Scott Snyder and Peter J. Tomasi were doing with Damian.

That’s another thing, DC. If your whole schtick about the New 52 was to get new and younger readers, why the hell would you let the only Robin they’ve known die? And in the pages of the lowest selling book amongst the Bat-titles that’s so far out of sync with the others that it might as well be its own universe? Why does Morrison get to dictate the shape of Batman’s world when he’s had nothing to do with it since the reboot? Damian will be back, we all know it, we all anticipate the “event” that will resurrect him, but going this far to finish one man’s story and shake the foundations of the already crumbling Bat-family is just low.

Damian deserved better.

Batman and Son

 

(POLL) Is Robin’s Death Temporary or For Real?

Last week, Damian Wayne was brutally killed in Batman Incorporated #8 in a heavily publicized storyline that sent the interwebs into a tizzy. A headline from The Guardian read, “Batman Inc. Kills off Robin,” and one from The LA Times Hero Complex asked, “Robin the Boy Wonder killed?”

Well, judging from the panel below, it seems that Batman’s latest sidekick has indeed met his maker.

robin_death

 

In this Grant Morrison-penned issue, poor Damian is fatally stabbed in the chest by an adult, cloned version of himself after being beaten and shot multiple times. He keeps on fighting until the very end, and Morrison captured the moment accurately by telling the New York Post that Damian died “an absolute hero.”

But is Robin dead for real, or will he be back in a few years?

Comic books are notorious for reversing superhero deaths, or for publishing faux deaths that are designed from the beginning to be temporary or complete fake-outs. One of Damian’s predecessors, Jason Todd, the second Robin, returned from the dead as the Red Hood after DC editorial decided to undo his landmark killing at the hands of the Joker in the 1980s. Batman, Superman, Wonder Woman, and The Flash (Barry Allen) have been killed in the past, and all returned. And over at Marvel, Jean Grey never stays dead no matter how many times she’s killed. Neither can Wonder Man, for that matter. Is Damian Wayne’s death any different from those, or will it stick?

Take a vote and let us know what you think!

 

DC Comics And Beyond – Batman, Incorporated #8

DC Comics, New 52, Grant Morrison, Batman, Robin, Damien Wayne, Bruce Wayne, Rocketeer

If there’s one thing that Batman, Incorporated #8 tells us, it’s that death in comics still sells.

Here’s the comic’s description: “Everything Grant Morrison has been planning since the start of BATMAN, INCORPORATED leads to this stunning issue! You must not miss this one!”

This issue has received a lot of attention in the media the last several days. I understand a goodly number of comics shops, who of course didn’t know ahead of time this would be a landmark issue, sold out in the first few hours they were open on Wednesday.

So, what happens? Well, since newspapers and websites galore have covered it (and the cover above spoils it), I doubt many will be shocked to learn that Damian Wayne, the latest Robin, appears to be killed near the end of the issue.

Many fans will remember that the Joker murdered Jason Todd when he was Robin. Jason later came back from the dead to be the new Red Hood in Red Hood and the Outlaws.

Marvel has made boatloads of money off character deaths. Recently, Peter Parker died so Doctor Octopus could take over his body. (And now Peter’s a ghost “haunting” Ock. Good money says Peter will be back in his own body before Amazing Spider-Man 2 swings into theaters.) Also, the press went crazy when Captain America really died and was replaced by Bucky Barnes. (But, oh wait! It was all a big misunderstanding. Steve Rogers never died, just was knocked out and captured.) Anyway, you can probably see why I’m not excited by these kinds of events any longer.

Anyway, back to this issue. The “monster” that kills Damian is actually a much larger and stronger clone of him. Even the cocky, overconfident Robin can’t stop him.

The issue is a very fast-paced, quick read. It continues the story of Leviathan, an organization headed by Ra’s al Ghul’s daughter Talia, who’s Damian’s mother.

Those of us familiar with Morrison’s run might remember stories that circulated the Internet stating Morrison’s intention to kill the upstart Boy Wonder not long after the character was introduced several years back.

But something unexpected happened. Fans began to like Damian.

Guess Mr. Morrison finally gets to do what he wanted to make happen so long ago.

My biggest concern about all this is that, as many others on the Web like me are guessing, his death will be short-lived. After all, Ra’s has had something called the Lazarus Pit, which can bring one back from the dead. All it will take is one dip in that pool and Robin will be back to pester heroes and villains alike.

Another thing to remember is that there’s an ongoing monthly comic called Batman and Robin. What, are they going to change the title of the book to Batman and … ? Not very likely!

DC Comics, New 52, Grant Morrison, Batman, Robin, Damien Wayne, Bruce Wayne, RocketeerDon’t get me wrong. It’s a good chapter in a years-long story by Morrison and all. It’s just that I can’t take the deaths of characters seriously anymore. Oh, well. I’ll keep buying the book even after Morrison’s departure, which will take place before long. I am a Batman fan, after all!

This Week’s “New 52” Reviews:  Batman: The Dark Knight #17 continues a new tale about the Mad Hatter. Teen Titans deals with the aftermath of the “Death of the Family” event, with a very changed Red Robin returning to the team. Aquaman features an epilogue to the “Throne of Atlantis” event. Talon #5 has Calvin Rose being attacked by the Gotham Butcher. The Flash #17 has the finale to the “Gorilla Warfare” storyline with Gorilla Grodd. The Savage Hawkman  shows the hero battling one of the best in his rogue’s gallery, the Shadow Thief! The members of the Justice League Dark find themselves in a dimension where magic has been outlawed. The Fury Of Firestorm #17 has the aforementioned Teen Titans as guest stars. All-Star Western shows the secret history of Jonah Hex! Red Lanterns #17 continues the “Wrath of the First Lantern.” I, Vampire has Cain and Mary getting a little too close for comfort as the plan to rescue Andrew Bennett nears its end. Fun reads all!

Also out this week are:

BOOM!

  • Deathmatch #3
  • Freelancers #4
  • Peanuts Vol. 2 #6
  • Steed and Mrs. Peel Ongoing #5

DC

  • Before Watchmen: Dr. Manhattan #4
  • Injustice: Gods Among Us #2

Dynamite!

  • Warlord of Mars #23

IDW

  • Rocketeer: Hollywood Horror #1

If You Like Grant Morrison, This Will Make You Happy: Happy #2 Review

If you’re unfamiliar with Grant Morrison‘s previous work, you may be in for a very big surprise when you pick up his latest series Happy. Our protagonist, Nick Sax, is the typical out of shape and addicted former detective (i.e. Max Payne, for you video game fans) and is a very wanted man by a powerful and corrupt mob. But, as is the case with so much of Morrison’s work, something utterly surreal is the difference between this and your average washed up cop story.

Happy #2 picks up directly where issue #1 left off and Nick is trapped in a hospital controlled by the aforementioned mob and his only ally is the titular character, Happy. Happy is attempting to recruit Nick to save his friend Hailey from a serial killer called Pedo-Santa. Yes, really.
Oh and Happy is Hailey’s imaginary friend, a 6 inch tall blue floating unicorn that only Nick can see. Yes, really.

Fans of Grant Morrison will feel right at home with his signature mixture unabashed violence, unrelenting foul language and psychedelic oddities. The bloodiest page is within the first few and has Nick wielding a scalpel and blood bag stand with brutal efficiency. From the hospital, things take a turn for the sleazy and creepy, and it seems no coincidence that Sax fits right in with this unsettling setting. The hero of the story is anything but that and it should be interesting to see if he is able to step up to the role Happy has seemingly chosen him for.

Darick Robertson‘s work fits perfectly with Morrison’s world, bringing a gritty realism that stops the book from potentially descending into an incomprehensible mess (which can be a problem with Morrison’s scripts). Each character’s look tells a story in itself and instantly gives an impression to the audience, from LeDeek’s gold tooth and mullet to Happy’s sparkling eyes and goofy teeth.

Finally, there comes the big question: is Happy real or has Nick really lost it? I’m certainly leaning towards Happy being real (he seems to know things that Nick couldn’t possibly) but that intrigue has me hooked for any future installments. Nick is anything but a likable protagonist, but the combination of the enigmatic Happy and the introduction of Pedo-Santa (who looks suspiciously like Alan Moore, someone Morrison has clashed with previously) will probably have you wanting to have issue #3 a month early, just to see what on earth Morrison & Robertson have planned.

Grant Morrison Gets Happy!

Grant Morrison described his newest venture for Image Comics as “Sin City meets It’s A Wonderful Life,” however, I was not expecting the turn that issue #1 took. It is a crazy trip and I would love to see the look on every reader’s face as they come to find where those feathers featured falling on the cover are coming from.

It’s Christmas time, it’s snowing and it’s the big city. We meet our antihero, Nick Sax. Sax is a highly decorated former detective we come to assume has abandoned or been abandoned by his former good life and family. A botched hit lands him in the hospital with the mob coming to press him for information and then things get wacky and the mystery starts to unfold.

As usual, Morrison crafts a story filled with strong voices.  His use of rough language and grammar works with these shady characters and seems like natural, not forced, dialogue. Sax gets very animated during the last few pages as the story starts kicking things into high gear.  There will be blood, but there are going to be laughs too.  And since family is going to be involved (Sax’s daughter at least), it may be heartwarming as well. It’s too early to tell with just one issue, but the story gets kicked off with a bang here.

The artwork by Darick Robertson is just phenomenal.  I love panels that feature snow and he does a great job with the snowy city scenes.  Robertson makes an ugly scene (a vomiting drunk being peed on by a dog) look almost beautiful.

If you are a fan of Morrison already, you will appreciate this story. If you have not read any of his work, this is a great place to start.

 

The official synopsis contains spoilers I don’t want to give, so read at your risk here:

Meet NICK SAX – a corrupt, intoxicated ex-cop turned hit-man, adrift in a stinking twilight world of casual murder, soulless sex, eczema and betrayal.  With a hit gone wrong, a bullet in his side, the cops and the mob on his tail, and a monstrous child killer in a Santa suit on the loose, Nick and his world will be changed forever this Christmas.  By a tiny blue horse called Happy… 

September 26, 2012

Item Code: JUL120382

Written: Grant Morrison    Art: Darick Robertson

Colorist: Richard P. Clark    Letter: Simon Bowland    Designer: Drew Gill

 

 

Mike Allred Provides Variant Cover for Happy! #1

 

At the end of July, Grant Morrison announced he would be concluding his work on superhero titles and shift his focus to creator owned series.  The first of these is HAPPY!. The first issue is to be released on September 26th from publisher Image Comics. The series will be written by Mr. Morrison and the art will be from Darick Robertson. Some excited news has arrived in the form of a variant cover from one Mike Allred, and the colors are to be done by his wife Laura Allred.

The following have been release from Image summarizing Morrison’s and Roberston’s feelings on the collaboration:

“I have been a fan of Mike’s for many years and, unbelievably, this is the first time we have had the opportunity to work together,” said Morrison. “In his own inimitable style, he has mashed Happy the Horse with Hitchcock to amazing effect and I can’t wait for everyone to see the spectacular result.”

“I am honored and excited to have Mike and Laura Allred’s art on the variant cover of Happy! #1!” said series artist and co-creator Robertson. “Mike’s always been one of my favorite artists, and he really did us a solid by coming through with a classic Allred image. Laura’s colors are great too! It’s a real treat to see my designs interpreted through their artistic genius.”

 

HAPPY!, described as a Christmas story featuring a fallen cop, soulless sex, casual murder, agonizing skin conditions and a tiny feathered horse, is Morrison and Robertson’s first venture working with Image Comics as a publisher.

This upcoming series can’t come soon enough for this comic book fan. A vulgar story with a tiny blue feathered horse? I’m pulling that for sure.

 

Some Takeaways From Grant Morrison’s Big Announcement

Grant Morrison, the author of some of the most ambitious stories Marvel and DC have published in recent years, said he’s stepping away from superheroes to explore other genres – at least for a while.

In a sweeping interview with Comic Book Resources, Morrison said he’s wrapping up his regular superhero work on DC’s Action Comics and Batman Inc. in the coming months and shifting gears toward creator-owned stories.

In his inimitable style, Morrison covers a lot of ground and says a lot of things comics fans will find of interest in the CBR interview, so please read the entire piece if you want a taste of HAPPY!, his latest creator-owned title, or if you’re interested in his take on the nature of interpersonal communication.

For the purposes of this story, however, let’s parse some of the news he made that’s directly relevant to superhero comics, starting with his announcement that his final issue on Action Comics will be #16 and his final issue of Batman Inc. will be #12.  It will be interesting to see whom DC taps to fill Morrison’s shoes on those titles.

Next, let’s take a look at a quote from the interview in which Morrison explains that he has said all he wants to say about superheroes for the moment:

“I think I’ve kind of worked through everything I’ve ever felt about these characters. It was a bit like going to the psychiatrist and lying on the couch for just long enough to realize, “What was I thinking?” [Laughs] I don’t know. I know there are plenty of different ways to use them, but right now I feel like I’m coming to the end of a long intensive period where I was talking about certain ideas using the language of superheroes, if that makes any sense.”

This is pretty believable.  Ideas positively drip off the page when reading a superhero story penned by Morrison.  His body of work gives the reader a sense that he is writing his take on every idea he considers essential for whatever character he’s working on.  He has written superheroes as people, with all their flaws and frailties, and he has written them as gods, beyond the understanding of mortal men.  And all the ground in-between?  He has pretty much covered that, too.  If he says he has spent all the ideas in his arsenal, I believe him.  If he wants to recharge the batteries while he works in other genres, he has earned the break.

Here’s another revealing quote, this time about the state of superhero comics and the comic book industry generally:

“But there’s definitely some kind of centrifugal movement away from the mainstream toward new and more personal, expressive, creator-owned stuff, and I think it’s partly because cinema has appropriated so much of the stuff we’ve been doing in comics for the last thirty years. Movie superheroes finally look better than their comic book counterparts. And creative people are more informed and want to own their ideas, and to be able to protect them or profit from them. The audience has developed a fresh appetite for new characters and stories which is driving a shift toward those kinds of stories again. Writers and artists are experimenting again.”

In classic Morrison fashion, he offers up a flurry of ideas concerning some absolutely scorching hot-button issues in comic books right now, including the debate over creator-owned work, the impact of Hollywood on the medium and the mood of the current comic book audience.  I’m not prepared to offer any commentary here.  I just thought that particular passage was fascinating.

Finally, here’s the last quote from the interview I want to spotlight:

“I’m not saying that I’ll never write superheroes again. It’s just that my relationship to them has changed especially after finishing the book [Supergods] and I’m not sure if I want to maintain the same kind of relentless level of production.”

He makes it pretty clear with that passage that he doesn’t intend for this to be a permanent break from the spandex and capes.  Just like all the best comic book characters, the best writers always come back.

HAPPY! Debuts In September From Image Comics

Grant Morrison

Grant Morrison

HAPPY! Is the newest offering from Grant Morrison  and Darick Robertson, and is their first major foray into a creator-owned project, which will be making its home at Image Comics. HAPPY! Was first announced at the Image Comics Expo that took place earlier this year, celebrating twenty years of Image, and is a big stepping stone for Morrison, who had this to say in a recent interview about his experiences of working on an entirely creator-owned project: “As much as I enjoy making monthly superhero books, there’s something very exciting and inspiring about creating a complete, original story from whole cloth and I’m grateful to Image Comics for seeing the potential of this project and giving it a home. After a banner year for creativity at the company, Darick and I hope we can round 2012 out on a high note with the most twisted Christmas crime story you’ll ever read.”

Happy #1 Cover

Cover of HAPPY! #1

So what is HAPPY! about, I hear you ask. Nick Sax, the anti-hero of the title, got the short end of the stick in life. He got fired from the police-force, had his own employees turn on him in his lucrative murder-for-hire business, is constantly drunk, and is waging a losing battle against the eczema that covers him. Sax seems far beyond saving, but sometimes saviours come in the most unexpected of shapes, and for down-on-his-luck Sax, it comes in the form of a tiny, blue feathered pony called Happy. While this may at first seem pretty odd, even as Morrison’s stories go, it gets weirder.

HAPPY! Is also a tribute to that most wonderful and festive time of the year, otherwise known as Christmas. In an interview at Newsarama, he explained more about the creative process: ‘HAPPY! Is a story I’ve wanted to write since hit-man Nick Sax and his ‘partner’ Happy The Horse appeared fully-formed in my head two years ago. I wanted to do a classic Christmas story- like A Christmas Carol or It’s A Wonderful Life - but with all the junkies, killers and pedophiles which make our modern world so colorful!”

In the same interview, artist Robertson talked a bit about the eponymous Happy The Horse, who both creators are being extremely elusive about: “Happy had a complete transformation from the initial drawing to what he became and what he became is one of the most enjoyable things I’ve ever designed to draw. I hope readers will have as much fun with this as I’ve been having.”

HAPPY! #1 will be in stores on September 26th, and is now available for pre-order. The four-issues mini-series will conclude with an issue released during the week of Christmas.

 

My Comics Pick of The Week: Chris Tresson

Hey there Nerds!

Here’s my personal picks for comics coming out July 25th. I’ve also thrown in a “Wildcard” pick, “Trade/hardcover/graphic novel” pick and a pick for comic related merchandise out this week. So without further ado, let’s get to it!

20120720-072225.jpgNUMBER FIVE

Teenage Mutant Ninja Turtles #12
By Tom Waltz, Dan Duncan and Kevin Eastman
Published by IDW Publishing

In This Issue…

Everything has been leading to this issue- the nail-biting conclusion to the Turtles’ first fight with the Foot! Overwhelmed, outnumbered, injured, and running on fumes, the TMNT family is in for the battle of their lives. Will everyone survive? The end to the first year of IDW Turtles finishes big! Don’t miss it!

Reason for this pick:

I read the last issue, and I’ve got a good feeling about this one. I also like Ninja Turtles…

 

20120720-072244.jpgNUMBER FOUR

The Goon #40
By Eric Powell
Published by Dark Horse Comics

In This Issue…

Back in his teenage days when Prohibition was going on, Goon used to hot-rod moonshine past the law for fun and profit. That is, until he ran into a gang of gearhead rockabilly ghouls out for blood!

Reason for this pick:

As a comic book reviewer, you get to see publisher’s comics before they come out… What I’m trying to say, is that I’ve read it already and it’s well worth picking up. Scout’s honor.

 

20120720-072202.jpgNUMBER THREE

Deadpool #58
By Daniel Way, Salvador Espin and Dave Johnson
Published by Marvel Comics

In This Issue…

Part one of ‘BLACKLISTED!’ Deadpool vs. classic ‘Pool persecutor, BLACK BOX!

Reason for this pick:

The start of a new story arc makes for the perfect jumping on point for new readers. Plus it’s Deadpool. Everyone likes Deadpool.

 

 

20120720-072059.jpg

NUMBER TWO

Green Lantern #11
By Geoff Johns and Doug Mahnke
Published by DC Comics

In This Issue…

‘The Revenge of Black Hand’ starts now! This arc promises the most shocking conclusion of any of GEOFF JOHNS’S entire GREEN LANTERN run!

Reason for picking it:

Look at what’s going on in this issue!

 

 

20120720-072232.jpg

NUMBER ONE

Batman Incorporated #3
By Grant Morrison and Chris Burnham
Published by DC Comics

In This Issue…

The DC COMIC – THE NEW 52 debut of…MATCHES MALONE?? Batman is hot on the trail of whoever is trying to kill Damian – and he’s not going to like what he finds!

Reason for This Pick:

Absolutely loved the first series of Batman, Inc. and the first two issues of this series have been awesome so far. I’m also a massive fan of Grant Morrison and Batman, so whenever there’s a Batman title Grant Morrison is writing, I will be reading it!

 

20120720-072211.jpg

WILDCARD COMIC PICK

X-treme X-Men #1
By Greg Pak, Stephen Segovia and Julian Totino Tedesco
Published by Marvel Comics

In This Issue…

Spinning out of the pages of ASTONISHING X-MEN! Travel the multiverse with Captain Howlett, Kid Nightcrawler, and Emmeline Frost! Which X-Men will be lost between dimensions…with no guaranteed way home?

Reason for This Pick:

It looks like it could go either way with the launch of this new title, it seems interesting enough, but I’ve been wrong about titles before. I’m fairly confident in Greg Pak’s story telling ability, but not too sure what the demand for this title will be like. Buy it at your own peril!

 

TRADE, HARDCOVER OR GRAPHIC NOVEL OF THE WEEK

20120720-072218.jpgDaredevil by Mark Waid Vol.1 TPB
By Mark Waid and Paolo Rivera

Published by Marvel Comics

About the trade:

It’s a fresh start for the Man Without Fear, with the all-star creative team of writer Mark Waid (CAPTAIN AMERICA) and artists Paolo Rivera and Marcos Martin (AMAZING SPIDER-MAN) at the helm! Matt Murdock is back in New York, but not everyone is happy to see him. Hoping to resuscitate his law practice, he takes on a police-brutality case – but someone is trying to silence the victim. While Murdock struggles in court, Daredevil hits the streets as Klaw, master of sound, makes his deadly return! Then, the blind literally lead the blind as a visually impaired client targeted for assassination holds the key to a global conspiracy perpetrated by some familiar foes. Can Daredevil protect the young man long enough to bring down an international criminal organization, or will their deadly enforcer get to him first? Collecting DAREDEVIL (2011) #1-6.

Reason for this pick:

I bloody loved it. Waid has taken away all the grittiness and darkness from the character and what we’ve been left with is pure comic book gold. This trade collects the first six issues of a title I’ve sincerely enjoyed reading and continue to read. If you haven’t picked up a copy of Daredevil in a while, this is a great opportunity for you to get back into the man without fear. Super heroics at their finest, courtesy of the phenomenal writing of Mark Waid and the marvelous art of Paolo Rivera.

 

NERD MERCH PICK OF THE WEEK

20120720-072154.jpgThe “Red Hulk Bank Bust”
From Marvel

Product description:

As a young man, Thaddeus Ross enlisted in the military and received his nickname ‘Thunderbolt’ from his troops because he ‘struck like a thunderbolt.’ Now he has become the very thing he hated most in life. After chasing Bruce Banner as the Green Hulk for years and becoming obsessed with the Gamma technology that made him that way, Ross has become the Red Hulk. This Red Hulk Bust Bank is a highly detailed sculpt of the red rampager that stands 7” tall and can be used either as a bank or as a unique display piece for your home or office.

Reason for This Pick:

Looks cool and holds your cash for you. Who wouldn’t like Red Hulk watching their money??

Well… There you have it. My comic picks for 25th July. I hope I’ve influenced you in someway and I hope you enjoy new comics day!

Until next time,

Keep it Nerd!

Review: Action Comics #11 – Finally A “New 52″ Homerun

 

I find that the older I get, the more I complain about comic books.  Which is sad, because I love comic books.  Except for when I’m complaining about them, I guess.  I haven’t been too impressed by much in the New 52 yet.  Swamp Thing and Animal Man have been great, there have been a few good moments here and there in other books, but nothing that I would hand to someone else and say, “You HAVE to read this!”

Until now.  In Action Comics #11, it seems that Grant Morrison has finally hit his stride.  He’s one of my favorite writers, but until this issue it felt a bit like he was treading water.  I was expecting more All Star Superman greatness, but issues #1-10 have been a bit of a slow burn.

The lead story in this issue is called Superman’s New Secret Identity and deals with Supes giving up his Clark Kent alter-ego (I can already hear you groaning) and taking up a new civilian identity named “Johnny Clark”.  I don’t want to spoil any of the story, but Morrison really delivers a solid 20 page story that feels more complete than most full-length comics and moves along at lightning pace.  The art chores on this story are shared by Rags Morales, Rick Bryant and Brad Walker (which would normally be a bad omen for a 20 page story) and among the three of them, not a panel is wasted.  There’s a great conversation with Batman, a spooky otherworldly little girl, Lois in danger and a new character that seems grounded in the present but harkens back to some of the more abstract cosmic characters of the Seventies.

The best part of the issue is that I feel like Superman is finally emerging as a person, not just a comic book character.

I can’t say much about the back-up story, Clothes Encounter by Sholly Fisch and Cafu without spoiling a great read for you.  It really made me smile and totally fulfilled the purpose of a back-up story.  It filled in an interesting bit of info about our daring hero, made Metropolis seem a little more real, and wasn’t just an excuse to fill pages.  I CAN tell you that it reminded me of a comic I bought at a garage sale when I was five, Jerry Lewis #122.  Growing up, it was one of my favorite issues.

In closing, I read Action #11 three times.

I never do that.

Trust me when I say, “You HAVE to read this.”

 

 

 

Review: Doctor Who 100 Page Spectacular From IDW

“Freeze! This is a scarf-jacking!”

The Doctor Who 100 Page Spectacular, from IDW, hitting shelves on 7/11, is an anthology book  featuring the villians of the Dr Who/Star Trek: TNG crossover, Assimiliation2 (reviews found here and here), the Cybermen along with other stories featuring androids. With five different stories, featuring four different incarnations of The Doctor from both the new and classic series, Doctor who fans will be certain to find something they enjoy within these pages.

 

The first story, “Junk-Yard Demon” written by Steve Parkhouse with art by Mike McMahon, and originally published in Doctor Who Monthly #58-60, features the fourth doctor, companion-less, being mistakenly kidnapped by salvage retrievers who think the TARDIS is scrap. This is a fun story, with the owners of the scrap yard repurposing the Cybermen in an entertaining way.

 

Next up is a tenth Doctor and Donna story, “Autopia”, written by John Ostrander and drawn by Kelly Yates. Originally published as a standalone book Doctor Who: Autopia, in 2009, the story features The Doctor and Donna setting down on a planet that has been sealed for millennia, just in time to be the cause of a civil war.

Third is the longest story of the collection, “The World Shapers”, originally published in Doctor Who Magazine 127-129, is a galaxy spanning story featuring the sixth Doctor, Peri, and Frobisher, that shows both the origin of the Cybermen, and hints towards their ultimate fate. Written by Grant Morrison with art by John Ridgway, this is the kind of story that makes the Doctor Who comics worth reading. Doing things that would be impossible to do in the original run, and costing too much in the current run, this story is filled with expansive vistas, different locations and characters not seen for nearly 40 years make this exciting story only possible in a setting outside the normal television series.

“Space Squid”,  written by Tony Lee with Josh Adams providing the artwork, features the eleventh Doctor, Rory and Amy Pond, and an android Tyrannosaurus named Kevin. This story is typical eleventh Doctor fare, with The Doctor and he companions setting down to get minced-flavored smoothies, and ending up embroiled in a religious uprising. It was originally published in Doctor Who Annual 2011 and Doctor Who Volume 2 #9.

Closing out the collection is “The Collector”, first published in Doctor Who Monthly #36, again featuring the fourth Doctor with his companions Sharon Davies, and K-9. This earthbound story, by Steven Moore and David Gibbons, starts as an abduction story, but turns into something completely different by the end. The artwork is fantastic, but the story itself is lacking in several areas, the resolution being something that every Doctor Who viewer has wondered about, and that the possibility of which is finally resolved in the new series. Nonetheless, it is an entertaining read, and doesn’t detract from this collection in the least.

Priced at $7.99 this book available now.

Wild Children Explores a Touchy Subject in a Unique Way.

With a premise ripped from the headlines, Wild Children is about a group of 5 kids taking over a school and the inevitable standoff with authorities it caused. Wild Children “explores an explosive high school hostage situation that threatens to unfold its own reality like cheap origami.”

Writer Ales Kot based his story on a Marilyn Manson quote about the Columbine Shootings. Artist Riley Rossmo lends his talents to this project.

The project is described as being like Warren Ellis Hellblazer: Shoot combined with the themes of Grant Morrison’s Kill your Boyfriend. The combination turns Wild Children into a magical story of teenage rebellion and disinformation.

 

Wild Children will be in stores July.

 

Life’s Tough for a Marvel. Or, Umm… I Mean Tough for a Mar-VELL

Don’t be fooled. There is some SERIOUSNESS in that headline, despite the sarcasm.

But in case you didn’t pick up on it, this post is about the Marvel Comics Marvel family. You know, the one originated by the alien Kree soldier Mar-Vell, otherwise known as the original Captain Marvel in the Marvel Universe. You probably know there’s another Marvel family over at DC comics, centered on the wizard Shazam.

Marvel’s Marvels involve all this cosmic, extraterrestrial stuff, and DC’s Marvels involve lots of magic stuff. Both groups are great, but this post focuses on one…

Those crazy outer space Marvels over at the Marvel Universe, and how a lot of those poor kooks just can’t catch a break. Things have been so tumultuous for these folks that it seems like you’d have to be a masochist to put “Marvel” in your superhero name if you’re a Marvel character.

Is the Legacy of Captain Marvel Cursed?

Let’s just start with recent developments in last Wednesday’s Avengers vs. X-Men storylines. Judging by those, the latest Marvel family member whose life will probably take a dramatic turn for the worse will be Noh-Varr, who goes by the superhero name the Protector.

But before we do, here’s a quick primer on his history. The young soldier named Noh-Varr from an alternate-dimension Kree society debuted in the 2006 Grant Morrison-penned Marvel Boy miniseries, and since then his life has been one of constant upheaval. He’s had a few bright spots, though, like when he decided to follow in the original Captain Marvel’s footsteps as the protector of Earth (hence his current codename, the Protector).

Yet for the most part, things have been traumatic for him. He has been brainwashed, imprisoned, and manipulated, and thanks to these machinations, he’s beaten and kidnapped little kids and teenagers (the Young Avengers and the Runaways), and he’s been duped into joining the Dark Avengers, a supervillain team. And recently, just when things have been getting rosier for him–he currently has a girlfriend and membership on the real Avengers team–here comes Avengers #26, where Noh-Varr’s sudden downward slide seems to have begun.

In this issue, a group of Avengers are recuperating in space after failing to stop the Phoenix force from heading to Earth. They need to rest and regroup because that damn bird whooped ‘em up somethin’ FIERCE. But while the heroes are healing up, Noh-Varr exercises his advanced alien cranium and comes up with a way to use the mystical properties of Thor’s hammer to actually hurt the Phoenix force, to everyone’s relief.

(And just to interject here. In my opinion, it’s kind of absurd to write that the all-powerful Phoenix force can be hurt or beaten by Thor’s hammer and some Kree engineering. It’s the damn PHOENIX FORCE.)

But anyway… guess what? Noh-Varr doesn’t want to take this Phoenix-fighting information back to Earth to help us poor humans save ourselves from obliteration. He wants to take it back to the Kree homeworld because the Supreme Intelligence (the Kree Ruler) ordered him to do so, and, since Noh-Varr’s a good soldier, he follows orders and attacks the Avengers, his teammates, so they won’t stop him.

So in one issue, Noh-Varr goes from regular Avenger to a betrayer of the whole team, and thus, goes the supervillain route, apparently.

And, man….. THAT was sudden. You’d almost think Marvel was rushing to get its current Captain Marvel-esque hero out of the way to make room for someone else to replace…

OH, that’s right!

 

Duh.

According to some Marvel press releases and stuff, Carol Danvers, aka Ms. Marvel, will become the new Captain Marvel this summer, so it’s possible that poor Noh-Varr is getting thrown under the character assassination bus for plot driven reasons, which would mean that yet another member of Marvel’s Captain Marvel family is destined for tragedy he may never recover from.

And, did you read Secret Avengers #26, where both he AND Carol Danvers vow to help the Phoenix force destr… oh, forget it! We’ve got a list to cover, don’t we?

Let’s take look at some of the other Marvels to see what tortures they’ve endured.

1. Mar-Vell: the Original Captain Marvel


Ah, nothing beats the original does it? In the 1960s, the Kree soldier Mar-Vell is sent to Earth by his government to spy on us to see if we’re a threat to his world. He winds up liking us puny humans, becoming the superhero Captain Marvel, and turning against his own race to save us from cosmic threats. He wears these wristbands called Nega-Bands, which give him some weird, borderline omniscient mental power called cosmic awareness. Captain Marvel became one of Marvel’s greatest heroes, but he wasn’t too great to get cancer, and he died from his illness. It was stunning that a glamorous outerspace hero would die of a disease and not from like, getting killed by a supervillain or flying into the sun to save the universe or something like that.

But it gets weird later, when he’s resurrected like, three or five more times in different storylines, only to be put back to death each time. And now, in the Avengers vs. X-Men crossover, he’s resurrected yet again with the goal of killing the Avengers, his former friends and teammates.

So let’s see… an A-list hero who dies from silly old cancer when he should’ve gotten some Oscar-worthy, dramatic death who’s brought back to life upmteen times (and then re-killed each time) before being brought back again… as a supervillain.

Mar-Vell got a lot of dignity during life. But when it comes to death, the dude’s history just gets messy, and whatever happened to resting in peace?

2. Carol Danvers: Ms. Marvel, aka Binary, aka Warbird, aka Captain Marvel, aka… Lord, Why Couldn’t the Lady Have Just Picked a Name and STUCK With It?

Carol Danvers is arguably the most well-known member of Marvel’s Mar-Vell family. Her character has been around the longest without spending decades being dead, she’s had more than one solo title of her own, and she’s a playable character in some video games. One could say that Carol’s pretty awesome since she’s so popular.

But believe me, homegirl has paid her damn dues.

Check THIS out. Carol Danvers got her powers after she was the victim of an explosion that changed her into a human-Kree hybrid, so she was forcibly turned into a different being against her will. She made the most of it by becoming the superhero Ms. Marvel and joining the Avengers, but during one of her adventures, she’s brainwashed, raped and impregnated by some dude, and then she gives birth to a boy who grows up to be a version of the dude who raped her… and THAT was some freaky sh!t.

And then there was that famous storyline where the X-Man (or errr… woman) Rogue touched her and absorbed her original powers permanently , leaving her powerless, which effectively changed her, against her will. AGAIN.

And THEN, the evil alien race the Brood kidnapped and experimented on Carol (against her will. Notice a pattern here?) and turned her into a cosmic, space-fire wielding character named Binary, inspired by the binary stars that pop up in the cosmos.

Carol eventually loses her Binary powers and becomes more like her regular, original Ms. Marvel self, but then she develops alcoholism and gives herself the codename Warbird. And really, what the hell kind of name is Warbird? That sounds like a car. “Let’s go take our Chevy Warbird out for a ride. It should be fun!” Seriously, what was that woman thinking?

But anyhow, let’s hope that Carol’s tenure as Captain Marvel later this year is a little less traumatic than what she has faced before.

3. Monica Rambeau

Monica wasn’t directly connected to the Marvel folks; she just adopted Captain Marvel’s codename after she got her powers. And her relatively thin connection to the Kree heritage, alien race angle may be why she’s the one of the people on this list who’s been spared a lot of drama. Today Monica still has her powers and her sanity. She’s just changed her codename a few times, and now goes by the name Photon.

But why, exactly, did she give her Captain Marvel codename up? That brings us to No. 4 on the list.

4. Genis-Vell

And you thought Noh-Varr had it rough…

Genis is Mar-Vell’s son, but not in the way you would think. His mother stole some of Mar-Vell’s DNA, after his death, and impregnated herself with it, so Genis wasn’t raised by his father and never knew him. And for a while, he thought his father was someone else anyway. Pretty weird.

Genis had some nifty adventures of his own in youth before he grew up and took over his father’s legacy by calling himself the new Captain Marvel once Monica gave it up. He was doing all right in his role… until he went insane.

See, when Genis put on the Nega-Bands his father wore, the ones that gave Mar-Vell cosmic awareness, they proved to be too much for poor Genis’ weak mind, and he went insane from the mental strain. This took him down the supervillain route, and he became so destructive and threatening to the safety of the universe that the superheroes the Thunderbolts cut him into pieces (of energy, that is) and separated the pieces so they’d never be reunited, and thus, never turn back into Genis.

Insanity and interstellar dismemberment. How’s THAT for an ending? Geez….

5. Phyla-Vell

Turns out, Genis’ mother impregnated herself again and gave birth to a daughter, Phyla-Vell. Phyla fights her brother a few times, and then, after he dies, she’s the only child left  carrying the family name. She becomes her own cosmic superhero, takes the name Captain Marvel for a bit, and joins the Guardians of the Galaxy, but she’s killed later during a mission.

6. Khn’nr

This guy was never even really Captain Marvel, or a Kree, at all. He was a member of the Marvel Universe’s famous Skrull shapeshifting race. The Skrull government bonded his DNA with Mar-Vell’s to lock him into that form permanently, and his mental conditioning was messed up, so he believed he really WAS Captain Marvel, even though he wasn’t. Khn’nr was just a victim of the government messing up its own experiment. And, once he found all this out, he rebelled against his Skrull makers and battled to aid the Earth, and then, of course, he was killed in the battle.

7. Hulkling

Hulkling is the son of Mar-Vell and a Skrull woman, and there wasn’t any after-death impregnating involved. He’s currently a teenaged superhero in the Marvel Universe, and he’s relatively unscathed as far as people associated with that lineage go.

But do you know why?

Because, folks, he was smart enough NOT to put the word “Marvel” in his codename. That’s why. I’m telling you, the second he changes his name from Hulkling to Marvel Kid or something, he’s doomed.

The future of the Mar-Vell Legacy

For now, it’s mainly up to Carol Danvers to fight destiny. She’s going to take the Captain Marvel codename later this year, and it will be her job to break the curse. Will she be able to fill that role without going insane, getting violated in some way, or being killed in a humiliating fashion? We’ll see, but if I were her, I’d go by “Captain Cosmos” or something instead, just to be safe.

This article’s original version was published on Superheroes are Awesome on May 19, 2012.

Dinosaurs vs. Aliens – FCBD Review

Among my must have picks for Free Comic Book Day this year was Barry Sonnenfeld’s Dinosaurs vs. Aliens written by the fabulous Grant Morrison who was also signing for our mutual friends at Meltdown Comics that afternoon.

 

*The Morrisons are always dapper, fierce, and brilliant fun.*

 

Published through Liquid Comics, the art is handled by Mukesh Singh and Liquid Studios and as hinted has a very tribal feel to it. The dinosaurs are beautifully defined and wear elaborate feathers and bead work against their wildly patterned skin.

 

 

I picked it up because I was beyond curious how a man like Morrison would write the mind of a dinosaur. If you stop to consider this is a reasonable thing to wonder as Grant tends to write his characters brilliant, angry, a bit mad, or often a combination of all three. Add this to the foreknowledge that he’ll be dealing with scripting an entire extinct colossal clade and if you truly stop to think about it you get quite curious about the results.

 

Interestingly, turns out I didn’t fully get an answer to my question in those first few sample pages that detail the aliens thoughts on the dinosaurs and their world, but we do get a feel for it later in the script notes included in the back along with a letter from both Sonnenfeld and Morrison respectively on their passions behind the comic and intended film release.

 

You can tell that both gentlemen care greatly for this project, and their excitement over both dinosaurs and this historically inspired take on the concept of Manifest Destiny as it transpired in the United States rings clear in their letters. The sentiments of such western Anglo-Saxon thought is clearly seen in the early narration as the alien scout begs you to see things from his perspective, to even challenge the reader that they would not do the same if it was for their own people. Considering the fact that I imagine this ends with an extinction level event, it should be interesting to see how it develops in comparison to our own history.

 

Such thoughts leads us back to Morrison’s script notes, where we get to see partiality into the mind of the dinosaurs. I feel odd rooting for the side I know is going to lose, but I was always in it for the dinosaurs and Grant makes certain in his scripting to define them as individuals. Like so many of our greatest Native Americans these dinosaurs won’t be taking this lying down. No, these creatures are not wild savage beasts. They have names. Names like Scar, Big G, Crazy, Speedy, and Dactyl.

 

Names like One-Eye.

 

One-Eye is the hero, and according to Grant’s script the “Clint Eastwood in ‘Unforgiven’ of dinosaurs. A scarred tough warrior who lost his left eye in some long-ago battle…”. Oh yes, this will be the side I am rooting for.

 

My final interesting point after reading the comic in collection with the script is how Morrison made certain to line the alien narrative up with the dinosaurs showing the same traits. Because as any good student of history knows, both sides of a war are so very similar it you often wonder why it even had to start to begin with. That said, I look forward to reading this very unique war epic in its entirety as it comes out this summer, and can’t wait to see how it all plays out. – N

 

DC’s New 52: A Six Month Review

Forward by The Nerd!

When DC Comics announced that they were relaunching their entire line of comics, essentially rebooting the DC Universe as we knew it, I was optimistic.  Unlike a lot of DC fans who flooded the Internet with complaints and gripes about continuity and alternated story lines and such, I remained hopeful that things would work out.  I will admit to a certain level of frustration with DC for cancelling some titles that I was invested in, but you can’t make an omelet without breaking a few eggs.

There were a few titles that I had given up on.  The stories had become so unusual and convoluted that it was more painful to try to stick with them than it was to just let them go.  With a relaunch, some of those titles I had given up on would start new story lines and new origins.  The possibility of being able to start reading new titles was also intriguing.  I was full of hope that this move by DC would be a good thing.

Now we are six months into DC Comics’ New 52.  As with all things, there is some good and some bad.  Old favorites are fresh and new again.  New discoveries abound with potential.  There have been some bumps in the road, a few casualties and some replacements.  As a comic book fan I would say that DC’s New 52 is a huge success, as a fan I have been disappointed.  As a comic book critic would also give DC high marks for their marketing strategy and attention to quality and story.

So as the sixth issues hit the stands, we here at Word of the Nerd invite you to come along with us as we review each title in DC’s New 52 and see where they rank with our writers.

Action Comics

Writer: Grant Morrison

Artist: Rags Morales

Action Comics Cover #1Action Comics Cover #2Action Comics Cover #3Action Comics Cover #4Action Comics Cover #5Action Comics Cover #6

Before I go any further, I have a confession to make. Up until last year I had never read a Superman title. Shock/horror! I know you’re probably asking, “Why Chris? Why!?” and the simplest answer I can give is, I didn’t want to! Sure I’d read stories which involved Superman, I just hadn’t ever read a stand alone Superman book.

That changed with September 2011′s reboot of the DC universe. It was a fresh start for the company and although I wasn’t too happy with the reboot, I thought I’d open myself up to more titles. I suppose another reason for me picking up Action Comics was the involvement of my all time favourite writer (God, I really do bang on about him a lot) Grant Morrison. So, I gave it a shot which brings me to reviewing Action Comics so far. Here we go….

Issue one was such a revelation for me, straight out of the gate, Grant Morrison and Rags Morales had me suckered in. I loved fact the young Superman in this book was hated and feared by everyone and wasn’t welcomed with open arms, the citizens of Metropolis think he’s a menace and he behaves in a fashion that makes you feel they have a real reason to. This is a completely different take on the character, he’s not the all American hero we was, he’s more like a naughty school boy acting up.

I was completely sold by the time it got round to Superman dangling a guy off a balcony. It was at this point of the story I thought to myself, “This is the Superman I want to read about! He’s not as efficient in getting the job done as the old Supes, he’s careless and doesn’t really have a sense of how to handle the bad guys yet”. He’s young, brash and arrogant, which works so well for me in Action. All of those traits and his attitude lead to his capture by the military and Lex Luthor at the end of the first issue. I put this book down, sighed and looked at my girlfriend then uttered the words “…Awwww, I really want to read number two now” in the same fashion as a small child asking to stay up ten minutes longer would, but I obviously had to wait it out like everyone else who loved the book.

Quality persisted throughout the coming months, and Morrison has laid the foundations for a solid run. Art from Rags Morales and a two issue stand-in from artist Andy Kubert (I think Gene Ha did some guest art in an issue too) make this title one of the best looking books of the relaunch.

Nerd Verdict: Great! I strongly recommend jumping on this title if you’re not reading it already, it’s one of my personal favourites from the reboot, and I’m not even that big of a Superman fan, so it must be good! A definite buy for this one.’

By Chris Tresson

Superboy

Writer: Scott Lobdell

Artist: RB Silva

CoverCoverCover

CoverCoverCover

Admittedly my relationship with Superboy is not extensive; however, he does own a special place in my heart. I was a child of the 80′s, and so growing up nothing was bigger or more memorable than The Death of Superman story arc. For those of you who were comic fans of the time, you remember just how big it was. More over you also remember how much of a disaster Reign of Supermen was. It was just so all over the place. However, there were two things that came out of that story arc that were truly great, Steel and Superboy. If you have been paying attention to our coverage of Action Comics then you know what a big fan of Steel I am. I cannot say that I am as big a fan of Superboy, but there is still some attachment to a time when comics were helping to get me through adolescence.

When the New 52 was announced I thought about picking up Superboy, but initially did not. I have since picked it up and read all six issues. My first thought was that writer Scott Lobdell really did not have a clear vision of where he wanted to go with Kon-El’s personality. It seems to fluctuate almost panel to panel and often comes off as a little all over the place. At times Connor seems amazingly confident, independent and strong, and at other times he seems easy to manipulate and lost. Then I realized maybe this was intentional. Maybe he wants to show how confused Connor is and what he is having to deal with as he adjusts. The part of the book I enjoy the most is the inclusion of the Gen-13′s Caitlin Fairchild, the new Rose Wilson, and the early ties to Superboy and the Teen Titans. It seems that he is going to be the center of the teen hero universe, maybe even more than any of the Robins.

The art by RB Silva is visually stunning. His lines are so clean and fresh, the book ends up looking every bit as futuristic as it is meant to be. I think the aliens used in the early arc came off as a little cheesy, but still a lot of fun. I also really enjoy how each situation has a different feel. Matching Superboy’s look to match the situation he is in helps to minimize the randomness of his personality.

Grade:

Superboy is one of those middle of the road titles. His re-invention is still weeding its way out and I think my not reading Teen Titans is hurting that for me a little bit. I think the book itself will have almost as many critics as it will supporters, but most comic fans will fall somewhere in the, it’s OK range. I would say if you have the money, it is worth reading, but it should not be at the top of your pull list.

By JP

Make sure to come back all month long for the rest of this comprehensive review!

Have you checked out the Kickstarter page for “A CON-voluted Story”? Our very own Word of the Nerd team is involved with this awesome project!  Show them some love!

 

Nerd Feature: Comic Book Documentaries

MOVIES!!When I’m not reading comics, writing or watching TV and movies, I like to find documentaries about the comics industry and the people who work with in it. I enjoy learning things for them and often watch them to become inspired by the talented individuals who are interviewed in the docs. With our parent company, The New Normal planning a documentary, (you can find the Kickstarter for that here) I thought I’d compile a list of my favorite documentaries and tell you a bit about them, so here goes…

Grant Morrison: Talking With Gods

Talking with Gods

By now, if you’re a regular readers of my posts, you should have seen my Batman, Inc. spotlight by now (No? Click here!). I am a major fan of Grant Morrison and his work. This documentary takes you on a journey from Grant’s early life to one of the most influential writers in the busy today. He talks about his work and his life experiences, along with things like drug use, meeting aliens and alternate dimensions. The documentary is full of interviews with Morrison’s collaborators like Frank Quitely and Frazer Irving, along with writers Geoff Johns, Mark Waid and many, many more. It’s a must watch for any Grant Morrison fan, even if you’re not a fan either! You’ll probably walk away from the documentary with respect for him.

Secret Origins: The Story of DC comics

Secret Origins: The Story of DC Comics

This documentary is pure gold for DC Comics fanboys and girls everywhere! It goes right from DC’s founding, through the various ages of comics to present day. The whole documentary is narrated by Green Lantern actor Ryan Reynolds, an is full of interesting things you may not know about DC. Loads of industry professionals in this one too, from Julius Schwartz to Geoff Johns, it’s the documentary I watch the most out of any as I find it the most inspiring and interesting. If you like DC Comics, you need to see this.

The Mindscape of Alan Moore

Alan who? I’m joking! Everyone’s favourite magician/writer Alan Moore‘s documentary starts with Alan’s humble origins in Northampton, through the explanation of his comic book work and then prepare to have your cranium split open as it deviates on to a path of sex, magic and snake gods… No, really. It’s an interesting watch, non-comic book parts are a bit iffy but hearing Alan explain his work is a thing of beauty. The man is beyond talented! Watchmen, V for Vendetta, From Hell, League of Extraordinary Gentlemen etc, etc. Well worth a look, you can always turn it off before it reaches the weird sex and magic part… You can wait for the movie!

DISCLAIMER: No one is making a movie of this documentary, it was just a cheap dig at the fact anything Alan does gets turned into a movie, which Alan hates. I expect a follow-up to this documentary however, it will be called “Killing DiDio” and it’ll be coming out shortly after “Watchmen II“… That was also a joke. Not really happening.

Well, I hope I’ve turned you on to something good here. There are obviously more documentaries out there, you’ll have to find them yourself though! Finding them is half the fun! Before I finish however, I will mention the up and coming Warren Ellis doc, “Captured Ghosts“. It looks really good! I can’t wait for that one, Ellis is another guy I admire greatly, and he’s a character too. Here’s the trailer.

There we go… Be sure to head over to Kickstarter and help get The New Normal’s doc up and running too, I want to see that made for sure, any documentary based around comics interests me. I need to feed my brain with more…

Nerd up!

Comic Spotlight: Batman Inc.

Batman, Inc.

In may 2012, the new DC universe will expand with six new ongoing series being launched, one of those titles is Batman Incorporated. Grant Morrison is set for return to the bat family with a new Batman Inc. series, the previous series of this title only lasted 8 issues and was left untouched and without a definitive ending to the series until the release of “Batman, Incorporated: Leviathan Strikes! #1″ in December of last year, which was a one-shot containing what was meant to be issues nine and ten of Batman, inc.

Batmenoftheglobe

In the last series, The Batman Inc. team consisted of heroes based in various countries around the globe, some of them had been featured in Batman stories before such as Blackbat or Cassandra Cain as you may know her. She was a former Batgirl before being replaced by Stephanie Brown. Others, such as El Gaucho, Dark Ranger (formerly “the ranger”) and Nightrunner (formerly “the musketeer”) appeared first in Detective Comics volume 1, issue 215 as “The Batmen of All Nations”.

Well known characters such as Red Robin, Batgirl, Batwoman and Knight and Squire also play apart in the team, they’re seen as the leaders almost within the team. We all know about the long time running bat family members, but here’s a list of Batman Inc. members that aren’t so well know and the territories they occupy:

The Hood – England
El Gaucho – Argentina
Nightrunner – France
Batwing – Democratic Republic of Congo
Blackbat – Hong Kong
Mr. Unknown – Japan
Dark Ranger – Australia
Batman of Moscow (Ravil) – Moscow, Russia

The last one I mentioned there, Ravil the Batman of Moscow, never actually appeared in the Batman Inc. series, but is said to have been a part of the team. He was created by Peter Tomasi and Patrick Gleason for the first issue of Batman and Robin volume 2, where he is killed pretty much immediately after being introduced… Batwing was the only new Bat family character to survive the relaunch, he got his own book! Not too shabby for him it would seem…

I’m going to take a wild guess here and say Grant Morrison will definitely expand the batman Inc. members quite a bit more over the next series, maybe even have Bruce Wayne make up with Jason Todd, and bring him into the team.

Not too much is known about the new Batman, Inc. series at this point in time, but from one article I read on USA today, and from the final page of the one-shot, it looks like Morrison’s first story arc will have Talia al Ghul facing off against Batman and his band of bat-branded heroes, with their son, Damian (the current Robin) in the middle of it all. Morrison is quoted as saying,

“It’s like Kramer vs. Kramer, but they’ve got thermonuclear capability.”

What's Next for Batman, Inc.?
It’s great that this book is making a come back, but I do have a few worries concerning the relaunch of Batman Incorporated. The first series seemed to be plagued by an inability to meet deadlines not long after it started coming out. This may have been due to Morrison’s intense work load or maybe it’s the fact he strives for perfection in everything he puts his pen to. I remember missing a couple of issues of the last series and having to hunt them down later for well over the cover price, simply because the release dates for certain issues chopped and changed frequently, making it hard to keep up… Hopefully things will run a bit smoother for Grant Morrison (and I assume Cameron Stewart and Fraser Irving will continue from last series on art duties) this time around. I’m really looking forward to picking up this title in May, I think it’s a good chance for Grant Morrison to redeem himself after the cancellation of the first series after only eight issues. The reboot didn’t really help either. Maybe this time he’ll get it right (and out on time…) let’s just hope Action Comics doesn’t suffer for it… Not that I think it will. Grant Morrison is the man!

JP’s Pull List: Action Comics #4

Action Comics #4
Penciller: Rags Morales
I love Steel. He is just an awesome character that, for me, has always been a  truly great addition to the Superman mythos. So with his official arrival to the DCnU in Action Comics #4, I was as giddy as a Beiber fan on Youtube. John Henry Irons actually made his first appearance a couple of issues ago when he called Lex Luthor out on his torture of Superman. Shortly thereafter, John Corben was transformed into Metallo, and within an eyes blink became the ‘Voice” of Brainiac. And then comes my man Steel to save the day. Knowing he built the machine that Metallo has now become, Irons decides to become a hero himself and defeat his creation. The best part of this is that the fight itself is used as a back up to this issue. Morrison just shines as he writes the story from Irons point of view. He really gives great insight into who Steel is and why he wants to be a hero. As much as I was skeptical of Morrison’s portrayal of Superman in issue one, I am just loving everything since, especially here..
Brainiac is still tormenting Earth and we finally get a glimpse of him in this issue. In this issue he manages to take over the world’s technology, including Metallo, and complete his collection of Earth. Of course he selects Metropolis to become his next Kandor, the resolution of which we will have to wait for. The bad news is we will be waiting for a few issues. Action Comics will start a mini arc for issues 5 and 6, returning to the current problem with issue 7. 
Like I said before I was a little skeptical of Morrison’s portrayal of Superman in issue one. He just felt a little too petulant teenager for me.  However, everything since has put a smile on my face. I love the quick introductions of both Corben and of course my friend Steel. Not to mention the clever other bits and pieces he throws out there. Like Irons’ love for Richard Feynman and Lex’s possible deal with Brainiac. I have never felt that Superman comics were ever really reliant on great dialogue, and you won’t find a lot here either. Let’s face it Superman is a little stiff and cliche so his books tend to be as well. Where Superman books do excel is in exposition and story, and that is really what Morrison has mastered here. 
The art by Rags Morales is a mixed bag for me. I like it in the sense that if I look at just a single page or panel it is a very cool stylized look. The problem comes when you are reading through panel after panel, and it is almost like his drawings are elastic. Like the actual physical dimensions of the characters are shifting and changing. It again is just hard to explain but what it does is make the action sequences less appealing. They almost tend to take away from the book and that is a shame, because again I am really enjoying this one. I will reiterate I like Morales’ style in a single frame, but trying to go page to page causes it to fall apart. 
Overall I really am enjoying this Action Comics and suggest you read it. Plus at the rate Morrison is going, if you blink an eye you might miss something or someone!By JP

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