Tag: Len Wein

Are Wolverine’s Days Numbered At Marvel Comics?

The word is out and it’s not good for Wolverine. July could be the beginning of the end for one of the most popular characters in Marvel Comics. A story arc entitled “Killable”, beginning with Wolverine #8 from Paul Cornell and Alan Davis, will have Logan losing his healing factor. The question is, does this mean the end of our anti-hero, or is it just another plot twist to explore new story lines?

 

Wolverine

Wolverine’s 1st full issue appearance

 

First appearing in  The Incredible Hulk #180, Wolverine was created by writer Len Wein and Marvel art director John Romita, Sr. as an unwitting sparring partner for the Hulk. In some ways the feral aspects of Wolverine’s personality mirrored the Hulk’s gamma-powered, rage fueled mind-set. He was also a very different opponent than the normal Hulk fare due to his diminutive size and unknown (at the time) skill set. Wolverine’s personality, as we know it today, was developed by Chris Claremont when he wrote the character into The X-Men in Giant-Size X-Men #1 (May 1975). It was then that he became the tortured soul who struggled between his animal side and his desire to do the right thing. Claremont’s run on The Uncanny X-Men helped usher the Wolverine character to his current popularity, and to some degree the “anti-hero”, in general, to the forefront of the comics industry.

 

Wolverine

Magneto strips Wolverine of his Adamantium in X-Men #25

 

There are long lists of stories over the years in which writers attempted to make Wolverine more “killable” to enhance the reader’s suspense. One of the greatest examples was the ”Fatal Attractions“ crossover that concluded in X-Men #25 (1993) with Magneto forcibly removing the adamantium from Wolverine’s skeleton, starting a whole new era of stories for a weakened, more feral Wolverine.

 

Wolverine

Art from Wolverine #6

 

As we all know Wolverine’s adamantium is restored eventually and I think we’ll see the same ultimate conclusion here. Wolverine may die, or just be put through events that could only be challenging to someone who couldn’t quickly recover from any wound. Either way, it’s all just part of what makes him Wolverine. Death is rarely, if ever, permanent in comics. Does anyone remember the death of Captain America in Captain America vol. 5, #25 (April 2007)? His demise was even reported in the mainstream media, and still didn’t stick. Wolverine’s death, were it to happen, would likely just spawn stories of his adventures in the afterlife, wherever that would take him. The character won’t just end, he’s too popular, fun to write, and even more fun to read. Wherever Cornell and Davis take this story, I’ll be along for the ride. After all, Wolverine is still the best there is at what he does, he’ll just need a better health plan!

Batman Psychology Panel Analyzes the Mental Health of the Caped Crusader

Does Batman have PTSD? Why does he fight crime? Why dress like a bat? Why have love affairs with dangerous criminals? More importantly, why keep the pretense of justice when it bit him on the ass too many times?

Of course the best place to discuss Batman’s mental health is at a gathering of comic book aficionados. So join the discussion at the San Diego Comic-Con.

For this hour-long discussion, join psychologists Travis Longley and Robin Rosenberg as they discuss Batman’s mental health with actress Lee Meriwether, executive producer Michael Uslan and comic book artists Len Wein and Steve Engelhart.

If you are interested in the Mental health of the Caped Crusader, please attend the discussion on Thursday June 12th from 2:30-3:30 in room 26AB at the San Diego Comic Con this Summer.

If you must know, if I were Batman, I would retire from crime fighting immediately. I would then use all of my billions of dollars to fund youth programs, and provide free medical care for all of Gotham’s citizens. I would take special interest in mental health and work to prevent the psychosis that affects people of Gotham more than any other city.

I would also strike deals with all the law enforcement agencies in Gotham, possibly the state, and give them some equipment free of charge. It’s funny how the criminal Lex Luthor does more for Metropolis PD than Bruce Wayne ever did for Gotham’s finest.

Why Marvel Wants You to Make Colossus Angry… VERY Angry

They want him pissed because they think he’s cooler and more interesting that way.

I think.

But first, a quick recap to get you up to speed. Last week, in Uncanny X-Men #11, Colossus fought the Red Hulk underwater in Utopia. It was your obligatory two-strong-guys-trading-blows kind of affair, but writer Kieron Gillen took us inside Colossus’ head to show us his bloodlust. Colossus has been wearing the Juggernaut’s helmet of Cyttorak for a little while, and it’s given power to his darker, brutal desires.

See the panel below.

That’s the artist formerly known as gentle giant Peter Rasputin. You longtime X-Men fans may remember him from his earlier days.

When Colossus joined the team in the 70s, in the second major wave of X-Men, he was the most innocent and sensitive member. Members included Storm, the tough-as-nails alpha female who’d been a thief in her childhood; Nightcrawler, the swashbuckling ladies’ man; Wolverine, the experienced stone cold killer; Thunderbird, the disruptive wild card; and…

Little ‘ole Petey Rasputin. He was the youngest new X-Man and an interesting paradox. He was a sensitive, peace-loving artist who was 6’4″ (or 5″) with the power of superstrength when he turned his skin into invulnerable steel. He became Colossus, the X-Men’s most famous bruiser with a power set that seemed the complete opposite of who he was by nature. If Peter hadn’t been born with mutant powers, he may have lived his life as a gentle painter, perfectly happy with his artistic creations.

Over the years, Colossus was interesting because, unlike lots of other Marvel superhero strong guys, he wasn’t necessarily defined by his rage, checkered past, or his readiness to smash opponents’ faces in, not usually. Namor was the arrogant king with something to prove, often with his fists; Hercules seemed perfectly willing and happy to settle disputes, major or minor, by busting knee caps; the Thing had been a streetwise scrapper in his youth; Wonder Man was a supervillain and kidnapper before he became a good guy; and the Hulk has become a pop culture icon for his violent rage.

But for years, Colossus was just a big guy with the soul of a poet who happened to be able to bench press trucks. Writer Len Wein likely thought it was interesting making the X-Men’s tough guy a sensitive dude at heart. It would have been easy, and expected, to make the bulletproof, weight-lifting mutant a person who’d been a soldier or a killer in his past (or present), but nope, they made him painter who’d never really experienced anything major or shady until after he became a superhero, not before.

This was Colossus’ basic characterization for decades in X-Men storylines. Sure, he had moments of rage when a loved one or teammate was in danger, but for the most part, Colossus stayed the same mentally and emerged as one of the most emotionally consistent characters in the team.

But, in my opinion, that also made him kinda boring in the eyes of some Marvel creative types, so they decided to change him up and give him rage issues because they figured that he’d seem “cooler” that way.

Now let me clarify, I didn’t say that I thought he was boring or in need of some shaking up. I’m saying that I think Marvel thought that way about him, which is why they wrote him as having the Juggernaut’s helmet of Cyttorak, so he could have all of this struggling-with-my-dark-side kind of of angst going on. They probably figured it was more inherently dramatic that way.

And if that was their goal, they certainly achieved it. His most famous love, Kitty Pryde, broke up with him right after he made the pact with the god Cyttorak and gained the helmet, and in current X-Men storylines, Colossus seems more willing to tear adversaries apart. These days, he enjoys brawling just for the sake of brawling, and, consequently, he’s now more “interesting,” perhaps, in the eyes of those who think that superheroes should have scary personal problems or inner darkness.

An angry Colossus with bloodlust, so to speak, is better dramatic material than a peace-loving Colossus who’d rather paint nature scenes than fight bad guys. And that’s why we have the scary, I’ll-kill-you-for-looking-at-me-funny Colossus of today.

But now that I’ve brought it up folks, I have to ask… what do you prefer, an angry, battle-crazed Colossus, or the original, sensitive Colossus?

This article’s original version was published on Superheroes are Awesome on April 29, 2012.

Watching the White Men: DC’s Future is Bright White

By now you’ve heard all about the upcoming Before Watchmen prequels  to Alan Moore’s well-loved classic.  I’ll be honest: they look great.  Whether or not you think the prequel series are needed, or proper, the writing talent they’ve put together for these titles is impressive:

                         Before Watchmen, Nite Owl Cover                Before Watchmen, Rorschach's cover


Brian Azzarello
of 100 Bullets fame, who’s handling the Wonder Woman reboot with humanity and titanic flair;

The prolific J. Michael Straczynski, a long-celebrated author for comics, television and movies;

Len Wein, an old pro who created the Swamp Thing and helped bring Wolverine and other X-Men favorites into the world;

And Darwyn Cooke, a storybook artist for the wildly popular Batman, Superman, and Batman Beyond animated series.

And this is great.  Not a surprise, either: a work as well-known and accoladed as Watchmen could expect no less in this new treatment.  But it does make you wonder: where the heck were these guys during the New 52 re-launch? (Azzarello notwithstanding, of course.)

The thing is, the New 52 titles started out as reasonably diverse (as far as mainstream comics go, anyway).  Mister Terrific took the lead in his own series, as did Static Shock and OMAC.  It was exciting to see these now-cancelled titles alongside Voodoo and Batwing and Batwoman.  Taken together, the picture DC was painting was of a multi-national, multi-racial, even slightly LGBT superhero universe (of course, this went alongside the reaffirmation of the white male pillars that began DC).

But a lot of the color’s washed away.  Why? Merely a lack of interest? Were the racial changes that were a liability?

I read Mister Terrific for as long as I could stand.  Things started out well enough.  A billionaire super-genius atheist with crazy-powerful toys and a fortress in another dimension? What incredible potential! However, the series was riddled with flaws – overnarration, flat supporting cast and villains, and a less-than-endearing main character (he betrayed and deceived his associates so much that he came off not just as depressed after personal tragedy, but as kind of a sociopath).

But the killer, for me, was Issue 4.  Our hero is captured by an alien invasion force and thrown in their slave camp.  What comes next? You guessed it: prison rape jokes.  Because even a super-genius sophisticate is just a thug waiting to happen, provided he’s black.

I wish I was exaggerating.  But the writer reinforces the view two pages later when he faces off against his alien captors with a horde of prison escapees at his back.  The depressed, humorless super-genius yells at them – and I wish I was making this up –

“Hey, aliens! You know what’s scarier than a black man with a posse?”

Wait for it…

“An angry black man with a posse.”

#facepalm. From a guy with Stephen Hawking intellect and the body of Maurice Greene, to Will Smith in Independence Day in a manner of pages.

How could DC have let these titles be so badly manned? Why couldn’t they have brought in someone competent to handle Mister Terrific, considering the possibilities the character had? I understand that mistakes get made, but something seems clear to me: DC would rather invest their best creative talent in telling stories about characters in a dead universe with no future, than to preserve some of its more ambitious titles going forward.  And it’s sad to see a good number of their stand-alone heroes of color marred by such bad writing.  I couldn’t get past page 2 of Static Shock issue 1.  I felt no connection to the character.

Instead of seeing these diverse heroes thrive and develop and earn their place in our hearts with exploits and great story-telling, we’ll get well-written stories of dead white heroes who can’t grow.  To me, that’s disappointing.

 

 

Who is Pandora?

Hey Nerdites! Happy 2012 everyone! DC was back in the office yesterday and they opened the year with a tantalizing bit of news. The mystery of the Lady in Red has been floating around the internet since her appearance in the final issue of Flashpoint. It seems that she is going to be a powerful force in the new DCU and we know almost nothing about her. That was until yesterday Bob Harras and DC gave us something big, her name.

Pandora is often associated with the Greek legend. Hesiod’s version of the Greek myth Pandora is the first woman sent to Prometheus for stealing the secret of fire. She opens the jar and releases all the evils of the world, preserving only hope. Now the name also refers to DC’s most interesting new character.

So let’s recap. We know that while her appearances in the new 52 #1s was a little menacing and suspicious, her appearance in Flashpoint appeared to be a warning.

Because the history of heroes was shattered into three long ago. Splintered to weaken your world for their impending arrival. You must all stand together. The timelines must become one again. You can help me fix that Barry Allen. But at a cost.

I also previously reported on a post by Bob Harras that talked about how Pandora would be coming to the pages of Justice League, but that her influence would touch all of the new 52.

So now let’s speculate for a moment. This is not the first time that DC has considered having a character named Pandora. Pandora Pann was a character that make a brief appearance in Swamp Thing and was actually supposed to get her own book written by the Len Wein and drawn by the late Ross Andru. I would not be surprised if this is a return to that character. DC loves bringing back obscure characters in a big way, and while Pandora was supposed to get her own book, it never happened. That being said, I don’t think that is who Pandora is, and I think we have already seen hints of her purpose in the overall feel of the new DCU.

I think Pandora is going to be new, or at least a character so changed from her origin that we no longer recognize her. I have feeling that the major thing to pay attention to is all the team building going on in the DCnU. Until know most of these characters have lived in a box. Doing their own thing until some crossover or event causes them to all do something together. Oh the big boys are constantly dealing with each other, but this is different. The new DCU seems to be making the characters dependent on each other. Justice League is not only the flagship, it is the blueprint. Even DC’s press of the new 52 seems to be grouping books and characters together. I think the next step for DC is having factions and those factions having to deal with each other.

The lady in red is Pandora!

Lastly I will say this. I have not been reading Wonder Woman, but from everything I have heard it has been very good. Most importantly they have returned the character to her mythological roots and she is actually dealing with the gods again. I can’t help but think that the name Pandora is not a coincidence. DC is far to0 smart for that. Oh, I definitely think it could just be for effect, but don’t be surprised if she is tied to Diana some how. Either way, Pandora is coming and she is going to be a big deal. What do you think? Who do you think she is? Let us know!!

Like this article? Check it out over at Comic Booked too!

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