Tag: Watchmen

DC Comics And Beyond – Detective Comics #15

DC Comics, New 52, Detective Comics, Earth 2, Perhapanauts, Batman, Joker, Great Pacific, Watchmen, Smallville, Dark Knight

Featured story of the week: After how terrific “Court of Owls” was, I’m not at all surprised by how great “Death of the Family” with the Joker is doing in the Batman family of comics. This week, Detective #15 appeared!

Here’s the first book’s description: “Batman must deal with Poison Ivy and Clayface. But no matter what the Dark Knight has in hand, dealing these days always turns up a Joker.”

While I think Chew has been on the downturn in the last year or so, I like writer-artist John Layman’s work on Detective a lot. He’s captures the essence of the Dark Knight much like Scott Snyder, Gregg Hurwitz and others have. I’m happy he’s on the title.

This month clearly ties in with the other Bat-books, with the Penguin leaving a henchman in charge of his criminal empire and Poison Ivy working her wiles on Clayface. Neither of these storylines end up well for those involved. The Joker doesn’t show up in this issue, though, so be warned!

Jason Fabok’s art is consistent with the other titles in this family. He’s got a take on Batman that grows on me each month.

I still am loving those die-cut covers for this event, so I hope they don’t go away anytime soon.

Of course, to really get the full impact of what happens this go-round, you should get the previous issues of Batman, Detective and other books that are part the “Death of the Family” event. (I’m not the first to point this out, but when the Joker killed Jason Todd, it was called “Death IN the Family.” How this all ties together is something I’m anxious to see play out.)

DC Comics, New 52, Detective Comics, Earth 2, Perhapanauts, Batman, Joker, Great Pacific, Watchmen, Smallville, Dark KnightAnd now for this week’s other New 52 reviews: Earth 2 continues to be a terrific surprise of a comic, so don’t miss it. Action Comics #15 has Superman on trial for his life. Swamp Thing and Animal Man each continue the “Rotworld” story but from the perspective of each main character and their unique takes on what’s happened. World’s Finest is another great outing from Paul Levitz, with artists George Perez and Jerry Ordway. Batwing #14 has the hero and Dawn battling Father Lost in the streets of Tinasha. Stormwatch sees that the manipulations of the Shadow Lords have turned members of the team against each other. This month’s Green Arrow has the hero betrayed and alone after the loss of Q-Corps, and you wonder if the Emerald Archer can hold onto his arsenal. GI Combat stars the Haunted Tank and the Unknown Soldier. Phantom Stranger #3 has the main character fighting the Haunted Highwayman and Dr. 13. Also, the new Dial H continues its odd ways with an American Indian superhero. Good reading all!

Other notable comics out this week are:

DC

  •  Before Watchmen: Comedian #4
  • Before Watchmen: Minutemen #5
  • Human Bomb #1
  • Legends of the Dark Knight #3, and 
  • Smallville Season 11 #8 

BOOM!

  • Garfield #8
  • Hypernaturals #6, and 
  • Planet of the Apes: Cataclysm #4

IDW

  • Doctor Who Vol. 3 #3 

Image

  • Great Pacific #2
  • Guarding the Globe #4
  • Invincible #98 ,and 
  • Perhapanauts: Danger Down Under #2

Oni Press

  • Stumpton V2 #4

Valiant

  • Shadowman #2 

Dynamite!

  • Warlord of Mars: Dejah Thoris #19

Comic Fans Love Crossover Events, if the Sales are Right

A look at June’s top sellers tells you two things. The first one is that the market appears to be dominated by DC and Marvel, but DC has the slight advantage this month. DC holds six of the top spots, Marvel has four.  The second thing it tells you is that crossovers are here to stay.

 

When you analyze total sales, it easily points to Marvel’s and DC’s dominance of the market. Both companies have garnered a combined 66 percent of individual comic book sales. Image Comics got eight percent of the market last month, making it the defacto number three. But, in all honesty, this is like saying that soccer is the 4th most popular sport in the United States. The gap between 2nd and 3rd place is so wide that it does not count.

What held the top spots more than anything else were crossover event comics. Before Watchmen and Avengers Vs. X-Men tie in issues take most of the top ten spots. Other comics rounding out sales were Batman 10  which is a tie into the previous month’s Night of the Owls event. But, it might not be relevant because Batman is always a top seller and would have been on the list, tie-in or no.

Strangely enough, the Spider-Man title, Spider-Men 1, is the only crossover that does not tie into Avengers Versus X-Men storyline. Justice League 10 is also noteworthy, as it is the only comic book with a strong sales that does not tie into anything but itself.

If you look at the Trade Paperback and Graphic Novels list, there is a little more variety. With Marvel Comics absent from the list, Image Comics happily takes up slack and ties with DC at four trades each. The Walking Dead takes two spots on the list this month. Volume 16 number one, to the shock and amazement of no one. Volume 1 is number 7 in sales.

 

 

Alan Moore has a strong presence as well, holding numbers two and three respectively. Watchmen, whose sales spike is entirely due to the Before Watchmen comics, takes the third spot. This surprising return to the top sales list is only beaten out by Alan Moore classic, with the League of Extraordinary Gentlemen volume 3 taking the second spot.

What is obvious from the analysis is that sales are trending upwards. While not as strong as earlier this year, comics sales are still up 18 percent from this time last year. However, sales from earlier this year have slowed down a bit. This is due to summer coming around the corner and buyers now have other concerns to worry about.

Please click on the following link to find a more in-depth analysis: http://www.newsarama.com/comics/june-2012-comic-book-sales-charts-analysis.html

Christopher Nolan Says No to Directing a Justice League Movie… Dammit

 

It’s sad day in the DC Universe, my fellow nerds.

According to CinemaBlend, Christopher Nolan, the famed director of sophisticated science fiction blockbusters like Batman Begins, Inception, The Prestige, and the sure-to-make-bazillions The Dark Knight Rises, told the Associated Press that he won’t be involved in Justice League.

Specifically, he said…

Oh heavens no, not in a million years, I won’t be doing a Justice League film. I mean, have you seen any of my movies? They’re so good, they approach a cinematic masterpiece level that you don’t typically find in science fiction films, much less superhero science fiction films. Yes, I’ve done the Batman films, but lookie here…

THOSE films were about a tragic character whose adventures I used to explore big philosophical and topical issues like crime, poverty, and classism. Batman, as a disturbed man with a scarred past and a psychological need for vengeance and rage, is the perfect vehicle to do artful storytelling that transcends a film that’s simply about people in costumes hitting things with big action pieces and special effects…

Like Justice League would be. Yes, I know The Avengers is making tons of cash and pleasing critics, but honestly, could you see me, Christopher frickin’ NOLAN, of all people, directing a film full of little one-liners that’s two biggest emotional beats involved a bunch of people in silly outfits arguing on a floating ship and the death of a measly supporting character? Where’s the Shakespearian drama? Where’s the social commentary? Where’s the mothaf**ing Nolan touch?

Nowhere, dammit, which is why I wouldn’t sully my refined fingertips with such drivel. Hmph! And good day!

 

Well, ok, you got me. That’s not what he REALLY said, but you know that’s what he was thinking when he told The Associated Press that was done with Batman and wouldn’t do a Justice League adventure. See below for the exact quote (and I mean it this time):

 

We’re finished with all we’re doing with Batman. This is the end of our take on this character…I’ve got no plans to do anything more, and certainly, no involvement with any Justice League project.

 

So basically, Christopher Nolan, a director whose reputation with sci-fi audiences is arguably impeccable, won’t lend his cinematic genius to what could be the most important film DC’s got in development right now, the movie that fans will think of decades later when they think, “DC superhero movie.” In other words, Justice League is the movie that DC NEEDS to be good in order to stave off an embarrassing rep for being unable to make decent superhero movies that don’t star Batman. (Which, unfortunately, they’ve already earned thanks to Green Lantern tanking at the box office.).

Warner Bros., DC’s parent company, must maneuver the movie-making waters carefully now to find the right directing and producing team to lead Justice League’s development, or else.

DC’s cinematic luck with non-Batman-related movies hasn’t been great in the past five years or so. Superman Returns and Watchmen underwhelmed financially and critically, and Green Lantern was a failure. Meanwhile, most recent movies based on Marvel characters have been successful, like the aforementioned Avengers as well as Thor, Captain America, and the X-Men, Spider-Man, and Iron Man movies. Marvel has made so many superhero films that were at least decent that they could run multiple movie marathons on TV filled with them, and likely have at this point.

So the time for DC to bring its A-game is now. Sure, Nolan’s producing Man of Steel for next year, which stars Superman, but it looks like that may be the extent of his interest in doing more DC films.

Which sucks, really, because his continued involved with DC movies would likely guarantee that something like the Justice League would be done right in theater. Unless Nolan changes his mind (which he likely won’t), DC’s battle to find a director who’ll strengthen audience faith in its superheroic cinematic adventures will be a tough one.

Before Watchmen: Comedian #1 Review

Needless to say, there has been an awful lot of controversy about DC Comics’ decision to make a prequel series to Watchmenuniversally renowned as one of the greatest comics ever made. The first two books, Minutemen #1 and Silk Spectre #1 have received quite mixed reviews so far. Everyone agrees that they have all been beautifully drawn and well written comics, from some of the best creators in the business no less, but the main complaint from readers and reviewers is the entire idea is unnecessary. Many believe it is simply DC Comics cashing in on the name and not paying the original graphic novel and its creators, the legendary Alan Moore & Dave Gibbons, proper respect.

Before Watchmen: Comedian #1 weaves an interesting narrative, mixing real American history and the alternate-history of the original brilliantly. The Kennedy family, consisting of President John F Kennedy, his brother Bobby and his wife Jackie, are an excellent supporting cast to the The Comedian himself, Edward Blake. Of course, with the inclusion of the Kennedys, the book builds to the inevitable dramatic climax. Fortunately, the heartwarming and very real interactions between these characters show us a side of The Comedian, one of the darkest and most troubled men in the history of comics, that we’ve never seen before. This first issue truly adds to the overall story of Eddie Blake and is an encouraging sign that, over the course of the six installments, we will see him become the person we know from Watchmen.

Brian Azzarello‘s script is sharp from start to finish, he clearly knows the character and the tale he wants to tell. A particular highlight is the inclusion of two verses from The Wanderer by Dion DiMucci, perfectly complimenting the events being told in the dialogue and artwork.

For the most part, JG Jones‘ artwork is solid and helps convey the tone of the already well-established world. However, the lone action scene is muddled and difficult to follow. These panels are very clustered and there are more sound effects crammed in to two pages than I’ve ever seen, with each individual noise getting its own personal font.

Overall, Before Watchmen: Comedian #1 is a solid comic. It’s predictable and very ‘by the books’ in a lot of ways but it also sheds new light on an intriguing character, making it a great book for fans of Eddie Blake or the original work he was created in to pick up.

Peter Cannon: Thunderbolt Returns September

Known mostly for being the inspiration for Ozymandias from the Watchmen comic book nowadays, Peter Cannon: Thunderbolt is one of the classic Silver Age Heroes, one that is fondly remembered by a lot of comic book writers and artists. Originally a Charlton Comics character, he was sold to DC along with the Blue Beetle, Captain Atom, the Question, and many others in 1983. After using this character sparingly, DC let this one slip through the cracks, as all rights reverted back to Pete Morisi back in 2003.

 

Now, almost 20 years after this character has last been in print, Dynamite Entertainment has brought Peter Cannon: Thunderbolt back. This series, taking some inspiration from his Watchmen variant, has Peter Cannon being a reclusive celebrity. He is a popular book writer, a well-known celebrity, and the one that saved the world from destruction. Unfortunately, the peace that followed is merely an illusion and villains both new and old are threatening to unravel it.

Issue 1 is loaded with almost 50 pages of goodies. In addition to a new story written by Alex Ross and Jess Darnall, it will also feature the untold origin story written by creator Peter Morisi as a back up. This issue will also have an introduction essay written by Alex Ross himself.

Peter Cannon: Thunderbolt arrives at your local comic book shop this September.

Before Puberty, I Mean Watchmen: Silk Spectre #1 Review

Rest assured, the Laurie in this book does NOT fill out the costume like that.

As I’ve said previously, I was not looking forward to anything spectacular coming from the Before Watchmen books. Before Watchmen: Silk Spectre #1 has done nothing to change that opinion. With a script by Darwyn Cooke and Amanda Conner, and artwork by Amanda Carter, this book has done nothing to add to the Watchmen mythos.

Before Watchmen: Silk Spectre #1 tells the story of high school aged Laurie Jupiter. Laurie, as we learned in Watchmen, is the daughter of the original Silk Spectre, and is being trained by her mother to replace her. The story is full of “lost child of the 60s” cliches, Laurie getting bullied by the popular girls, meeting and falling for the local teen hunk, living with a mother who just doesn’t understand her. With the exception of being attacked late at night by her own mother as a “training exercise”, this is the type of story that I would leave the room while my daughter enjoys a night of ABC Family programming. Perhaps I should have her read this book and see if it whets her appetite for more.

The artwork by Amanda Carter is top notch, and the writing team does put together a story that makes us understand where Laurie is coming from, but again, the schism between her and her mother was well documented in the original book, and this issue does nothing to add to that story. While this is not an exceedingly bad book (like Before Watchmen Minutemen #1), I can not, in good conscience, recommend that it be something that anything but speculators (who will assuredly be disappointed in its earning potential) pick up.

Before Dysentery. I Mean Watchmen

No amount of snark can adequately cover this.

I suppose we can blame this on the Siegel and Schuster lawsuit. There must have been some sort of provision in the settlement that meant that DC had to go find other creators works to rob blindly honor with “retellings” and “re-imaginings”. Truth be told, that is the only reason I can think of for DC to think that the “Before Watchmen” books were a good idea. Well, that and the bucket loads of cash they are expecting fanboys to shell out for these ill-planned, half thought-out, and apparently hastily put together comics that absolutely nobody was clamoring for.

Whether or not you enjoyed the original Watchmen is beside the point here. In its 12 issue run, Alan Moore and Dave Gibbons were able to tell a complete story spanning the course of decades. Let me say that again,  a complete story. What we have in Before Watchmen: Minutemen #1 is a mishmash of vignettes, showing what the Minutemen were up to before their formation. Vignettes that add nothing to the characters as they were introduced in the original book.

Darwyn Cooke does an adequate job here handling both the writing and the artwork. I can imagine he was quite worried about the comparisons being drawn between his work here and Moore and Gibbons work on the original. Mr. Cooke, you may rest assured, nobody will be drawing comparisons between your work and theirs. Don’t get me wrong, Cooke is a gifted creator in his own right, but comparing those two works would be like comparing Bill Watterson and Henri Rousseau. They both drew tigers, but that’s where the comparison falls apart.

On the plus side you do get to see Hollis Mason fighting crime at his prime, and The Silhouette rescuing a kid being kidnapped to be used in a child pornography ring. You see how Silk Spectre gained her notoriety by having an agent who would pay off the cops. You see Dollar Bill being a corporate shill. As an added bonus, you also get to see Captain Metropolis in the bubble bath, calling his manservant, “boy”. Hooded Justice, a hero who wears the key to defeating him around his neck (admittedly, that one is all Moore and Gibbon’s fault. Who decides to be a superhero by tying a noose around his own neck?) Oh yes, and the Comedian is still an asshole. But that’s it. The entirety of this book in a single paragraph. Which is not nearly enough for me to recommend anyone ever buy this book. Now if you’ll excuse me, I need something strong to help me forget this ever happened.

Kapow! 2012

Kapow!

Kapow!

So the Kapow! Comic Convention, London (UK) is over for another 12 months, sad times. But hopefully the excitement of the past couple of days will be enough to carry us through until next year. If not, then here a few of the highlights of this year’s convention to keep you going. According to Mark Millar the two girls, Lucy and Sarah I believe, responsible for the organization of this massive event started the whole thing from the basement of his house, making the whole convention twice as impressive. But as with all events like this it’s impossible to get around to everything, but I gave it a damn good go.
First off I am always completely astounded at how nice people are these events. All of the major creators and stars wandering around the stalls and enjoying the sights, more than willing to say hello and sign a book or two. It’s an amazing experience and if you have never been to a convention I strongly recommend you try one out.
So, in no particular order, let’s get to some of the best bits:-

DC All Access

This was a very interesting panel to kick off the weekend and I must say I have never seen a panel of creators look so nervous to be faced with a hall full of their fans. The panel was a chance for DC creators and editors to tell us of upcoming projects in 2012. Dan Didio, Will Dennis and Bob Wayne headed up the panel and were joined by Scott Snyder, Peter Milligan and Mike Carey. And the reason for the collective nerves? Before Watchmen.

This panel mainly consisted of their plans for this eagerly anticipated series and it’s no wonder they were so nervous. Watchmen is such a loved and respected book by both creators and fans alike and some see this new project as sacrilege. In Before Watchmen each of the main characters is given their own four or six issue comic book series, each by a different writer and artist combo, with the characters dipping in and out of each other’s series. There was a sneak preview of some pages from the first issues of each of these comic books and they all look very exciting. Each writer and artist on the individual series were told to bring their own style and creativity to these new works so do not expect carbon copies of the original Watchmen series.

That, along with Vertigo news makes for a very exciting next twelve months in the DC universe. This is without even touching on the new 52 which had its own dedicated panel on the Sunday of the show.

 

Marvel

Marvel sent some equally heavy hitters to Kapow! this year. With big names including Joe Quesada, C.B. Cebulski, Kieron Gillen, Oliver Coipel, Sarah Pichelli and Adi Granov all getting in on the two main Marvel panels.

First off was “Breaking into Comics the Marvel Way,” which is basically a forum full all of the above megastars to tell us how they first got into comics in order to help would-be artists and writers do the same. I find the problem with all of these ‘Breaking into’ panels is that you are damned if you do and damned if you don’t with every creator, editor, artist etc. looking for different things. It is good to hear these stories and get the advice from such, but it is easy to get information overload the more people you hear from.

The second of the major Marvel panels was superbly named “Cup O’ Joe,” giving Marvel fans the opportunity to ask chief creative officer Joe Quesada anything they want to about forth coming projects. Obviously most upcoming projects are still tightly under wraps so the information tends to be rather limited, as with everything else at the convention, and the main conversation tended to be aimed along the lines of Marvel movies and who owned the rights to what. Some fans were obviously trying to create their ideal superhero movie and wondering why Spiderman and Wolverine were left out of The Avengers!!!

 

Image Megastars
Image

Bryan Hitch and Jonathan Ross

Image comics brought together the duo of Jonathan Ross (UK TV presenter, comic book writer) and Bryan Hitch (legend) along to talk about their new project America’s Got Powers, now on issue two. This book starts off with a strange glowing light explosion which causes a large number of women to give birth. The subsequent offspring have a myriad of powers and are pitted against one another in aggressive competitions, sort of like a super Olympics. It will be very interesting to see where these books go as, from what I got from the panel, I don’t think even Jonathan or Brian know themselves! This series is well worth a read though.

Millarworld

Millarworld brought along Superstar creators Mark Millar, Dave Gibbons and Frank Quitely to talk about ongoing projects and reveal some exclusive artwork from the latest Secret Service book and the upcoming Jupiter’s Children. They were also joined by Nacho Vigalondo (Director) to talk about the Super Crooks movie.

Dave Gibbons

Dave Gibbons (Watchmen)

 

Movies at Kapow!

Abraham Lincon: Vampire HunterAbraham Lincoln: Vampire Hunter

Those of you who are regulars to WotN could not have missed the recent book club addition to the site, and this month’s reading selection is none other than Abraham Lincoln: Vampire Hunter. Visitors to Kapow! this year were treated to a sneak preview of the forthcoming movie adaptation of said book. The film looks amazing. (Having not read the book, I have no basis for comparison.) After our hero’s mother is killed, Abraham goes out looking for revenge only to find his mother’s killer was a vampire. A friendly neighbourhood know-it-all takes Abe under his wing and teaches him the truth.

The Abraham Lincoln panel consisted of the red band trailer for the movie as well as a few minutes extra footage of what looks to be a very exciting and entertaining film. The footage was also presented by Rufus Sewell who plays the main bad guy in the movie.

 

 

Total RecallTotal Recall

We were also lucky enough to see an extended advert for the new adaptation of Total Recall. Thankfully the more I see of this movie the less it looks than the original. I have not yet once heard mention of Mars or mutants, although I cannot say for sure whether they appear or not. The main premise of the movie seems to be the same: secret agent, memory erased, goes to recall for virtual holiday, gets some memories back, kicks some ass, gets all memories back, wins.

Although unfinished the extended trailer looked very impressive.The chase and fight scenes look very fast paced and thrilling. This new vision of a futuristic earth looks just as miserable as I expect it to be.

 

The Amazing Spiderman

Yet more footage from the next Spidey movie, but this time in 3D. I have to admit the 3D used in the trailer looks better than any other I’ve ever seen! The wide shots of Spiderman swinging through New York looked absolutely incredible. I am very much looking forward to this movie and have officially reached the point where I don’t want to see anything else to avoid spoiling the enjoyment! Having said that, from what was presented at Kapow!, it looks like the 3D version of this movie is a must and will not disappoint.

 

Movie X

There was a special advanced showing of one of the summer’s upcoming blockbusters to finish the weekend. I did not stay to see said film and did not know what it was until Monday evening. Apparently it was Iron Sky, the long awaited action flick from Timo Vuorensola, that see’s Nazi’s from the moon invade earth. Yep.

 

VIP Drinks

Joe Quesada, Randon Guy, Mark Millar

VIP Drinks

As I was fortunate enough to have a VIP ticket for this event I was also invited to an hour of lunchtime drinks with a large number of the comic book creators. This is a great opportunity to say hello and shake hands with some massive comic book heroes with all of the major stars of the event showing up for a time. I am sorry to say I did miss the pitch opportunity of a lifetime with Don Didio and Joe Quesada stood at the bar – good thing they didn’t have to split the bill, frosty!

 More famous guests

Amongst all of the comic and movie madness, congoers were treated to a few other different and special panels. First off there was the movie directors panel consisting of Gareth Edwards, director of Monsters and the upcoming Godzilla movie, Nacho Vigalondo, director of Timecrimes and the upcoming mill will comic book adaptation of Super Crooks, and a surprise visit from Kick-Ass 2 director Jeff Wadlow who is in town to start said movie and revealed they were in talks with Chloe Moretz two reprise her role as Hit Girl.

Noel Clarke dropped by to talk about his new movie Storage 24, and Star Wars producer Rick McCallum put in an appearance with David Oyelowo to talk about their newest project, Red Tails, the story of the first black fighter squadron in WWII.

There was an audience with Nick Frost, one half of comedy duo (Simon) Pegg and Frost, in which he came across amazingly well. Nick spoke about his early career and some current projects and came across as very friendly and funny. He apologized for swearing in front of youngsters and even paused to give one lucky audience member a hug and sign a girls t-shirt, all the while dealing with the fact that West Ham (Nick’s favourite football team) were in the playoff final against Blackpool, thankfully winning 2-1.

Jimmy Carr Interviewed Frankie Boyle (both UK stand up comedians) as part of the Clint magazine line-up. The pair chatted about their views on comic books and the world in general, giving an insight into these two comic geniuses that don’t give a flying f@#k about what they say or when they say it. This was one of the most entertaining panels I have ever seen and a great way to finish the weekend.

Jimmy and Frankie

Jimmy Carr and Frankie Boyle

I’m sure there are literally hundreds of things I am forgetting to mention so feel free to add as many as you can think of in the comments or Tweet me, @TheJizzo, telling me what a jerk I am for missing your favourite part of the weekend.

 

Bad points

It cost me 48 quid two park my car for the weekend and, once parked, I was scared to move my car for fear of having to pay the infamous London Congestion charge repeatedly! Also, every other driver in the centre of London seemed to be out to kill me, nice. And finally, no one gave me a job off the back of my portfolio. None of which are the fault of the Kapow!  Comic convention, apart from maybe the last one, and I still managed to get home safe. All in all an amazing weekend and I’m very much looking forward to purchasing my VIP tickets for next year.

Review: DC’s Free Comic Book Day Special – With Spoilers

DC's Free Comic Book Day SpecialDC’s Free Comic Book Day Special came out Saturday, and if you got to a comic book shop early enough, you got a copy. But if you were one those dim wits (like, uh… me) who didn’t go because you figured you could just download it digitally on Comixology or something, by the time you found out it wasn’t available online, all the copies in your neighborhood were gone, and you were SCREWED.

Or at least, I was, until one of my friends let me read his copy. So now I’m all good, thank God.

So… what’s it like?

It’s some good a$$ readin’, THAT’S what it’s like!

Especially the first part.

DC Comics The New 52 #1 is a collection of stories, most of them previews of what’s included in the New 52′s “Second Wave” of releases, like Dial H for Hero #1 and Earth 2 #1. But it’s the first story, the teaser for DC’s upcoming “Trinity War” event, that makes the book worth picking up. It’s the storyline that will affect the spine of the New 52 universe, and Geoff Johns wrote the hell out if.

Here’s what you get… WITHOUT spoilers.

The story reveals why Pandora has been wandering in and out of the New 52 books since the relaunch, and what her relationship is to other mystical / godly beings like the Phantom Stranger. Johns gives you her status, as well as that of other more established DC “fringe” characters (you know, those quasi-all-knowing people who are perennial outsiders and always seem to know everyone’s business, and they pop up during storylines at just the right moment to give our heroes vague bits of cryptic information about impending doom).

Pandora’s place in the multiverse is linked to the origins of DC’s cosmic universe, and thus every DC character who exists right now. Johns gives her a goal to achieve, but, of course, her pursuit of that goal will likely cause DC’s next big event storyline, the “Trinity War,” the reason the Justice League is fighting in that huge four-page spread image Jim Lee drew the hell out of that was released last week. It’s also inside the free comic book day special as well, and a marvelous sight to behold in your bare hands.

Click the link below to see the full-scale version from Bleeding Cool in another window.


Now here’s what you get… WITH spoilers. (Y’all have been warned).

Pandora is THE Pandora. The one who opened that damn box eleventy-bazillion years ago and let all those pesky negative emotions and impulses out that made life less idyllic for people to live in.

According to Pandora’s narration, DC’s original magic users and guardians, the Circle of Eternity (as they’re called in Justice League #6), brought her to the Rock of Eternity and punished her for her transgression by sentencing her to an eternity of pain, although it is unclear if she means literal physical pain or if she is using a dramatic metaphor to describe an eternity of isolation. But the magicians also punished two other people for other transgressions: the Phantom Stranger for having greed that darkened the world, and the original Question (or some guy who looks a lot like the original Question) for some unnamed transgression.

See for yourself what those punishments were and how upset those guys were about receiving them.

The Phantom Stranger’s sentence….

And now the Question’s, whose crime and real name are left unrevealed for the time being…

The magical guardians called Pandora, the Question, and the Phantom Stranger the Trinity of Sin on the very first page, so perhaps they’re the trinity at the heart of the upcoming war, and not DC’s most popular trinity, Batman, Superman, and Wonder Woman, as most people might have guessed when the name “Trinity War” was leaked earlier this year.

You probably don’t need to be told how major these revelations are, but, well… I’m going to tell you because I’m weird like that.

It seems like DC’s using the New 52 relaunch to weave together various elements of their continuity and character library more tightly than they’ve been woven in the past. Johns has apparently linked three incredibly important cosmic / mystical beings to the origins of magic on Earth, which means they all have direct relationships to the larger tapestry of the universe’s cosmic reality in a more carefully crafted fashion.

You could argue that at least one of them, the Phantom Stranger, already had a prominent role in DC’s mystical / cosmic milieu before the relaunch, but his exact origin was never clearly spelled out. He was just this strange guy in a suit, a cloak, and a hat with these weird omniscient powers who showed up here and there. Now DC’s starting to tell us how he got that way, and they’re firmly rooting him in the new mythology in the process.

But the Question’s inclusion here is stunning. In the 1960′s comics, that character’s origin as Vic Sage the street fighting detective didn’t involve any mysticism–he got that added to him decades later in successive storylines, but it wasn’t anywhere close to what DC’s made him now. If the guy we are seeing here is indeed THE Question, they’re taking that character in an extremely different direction. He’s gone from a crime fighting, ninja type to one of the pillars of DC’s cosmic-mystical universe. That’s a MAJOR overhaul, if I’m correct.

It’s possible that DC wanted to change him up because he needed it. For those of you who don’t know, the “old” Question was a dude who wore a mask of something called pseudoderm that was like this, cloth-skin hybrid. It was flesh-colored material that he put on his face that covered his mouth and eyes so no one could recognize him, but it was thin enough for him to talk and see through. It just looked, to an outside observer, like he had skin growing over his mouth and eyes even though it was really just an advanced mask.

But that sounds an awful lot like Rorschach from the Watchmen, doesn’t it?

Rorschach also covers his face with something he can speak and see through, and he’s a street fighter as well. But he’s a lot more famous in pop culture these days, so he’s eclipsed the Question in popularity, so if DC wanted to bring the Question back in the New 52 relaunch, they probably felt like they needed to adjust him so he didn’t seem like a Rorschach copy. (Which would be ironic, since the Question came first in comics and was one of the characters Rorschach was based on.)

So in order to save the Question from being thought of as another Rorschach, DC’s given him a cosmic upgrade and, presumably, a new back story and power set.

DC’s Creating Mysteries and Adjusting Mythologies

It appears as if Trinity War, and the New 52 in general, will continue to revamp and adjust established characters while more closely connecting them to each other, and in the process, create a more coherent, tightly woven DC Universe.

Soon after we’re told about the Trinity of Sin in the DC Comics The New 52 #1, the storyline jumps forward to the present day, and we see the Black Room: a top-secret government location where mystical artifacts are locked away where federal agents and bigwigs can study them and keep them out of the wrong hands. If you remember that giant government warehouse at the end of Raiders of the Lost Ark where they locked away the Ark of the Covenant with all those other crates of supernatural artifacts, then you’ll understand what the Black Room is. (Or you can just watch a few episodes of Warehouse 13 or, if you’re SUPER nerdy, the old Friday the 13th: The Series show. And 100 points to anyone who watched that show and appreciated it for the underrated sci-fi / horror gem it was.)

Pandora breaks into the Black Room, steals the box, takes out some federal agents in the process, and leaves. And we get to see what’s inside the box now, too: a strange golden skull, probably the same one Batman has in the far right of that ginormous Jim Lee four-page spread I mentioned earlier.

Geoff Johns is using this storyline to link numerous DC Universe characters to the new continuity through new roles, and possibly new origins. Steve Trevor mentions in the Black Room scenes that Dr. Mist is supposed to oversee the artifacts’ safekeeping. Dr. Mist being the man who, in the pre-launched DC, was the sorcerer member of the Global Guardians who later got wound up in other magical shenanigans in other DC storylines.

And after Pandora makes off with her loot, Steve “Exposition” Trevor mentions John Constantine and Black Orchid, two other DC magical luminaries, as folks to call on to help fix this mess. And guess what? Someone else has broken into the Black Room in the past, too. An unidentified male who absconded away with the Orb of Ra, the object that, if you recall, turned Rex Mason into Metamorpho the Element Man in the old days. Steve also mentions another room called the Circus, which… well, we don’t know what that room’s about yet, but I have a feeling it doesn’t involve magical space clowns.

But in any case, we’ll find out what all these things mean, what Pandora plans to do with her box, what that skull is, and how this all causes the Trinity War eventually, I’m sure, and it’ll probably involve lots of crossover books and superhero  smack downs as well.

Geoff Johns did an excellent job setting everything up in an exciting way, and I can’t wait to find out where everything goes for the rest of this year and into 2013.

This article’s original version was published on Superheroes are Awesome on May 6, 2012.

Nerd Porn – New DC Products Revealed at C2E2

DC Comics was on their game last weekend in Chicago at C2E2 as they unveiled new action figures, busts, statues and other items.  Center stage were busts and statues from the highly anticipated The Dark Knight Rises.  The items behind the case were twice as impressive as the teaser images we were treated to last month.

Also represented was DC’s new line of action figures based on the New 52 Justice LeagueGreen Lantern The Animated Series was not left out of the new product release, nor were the Watchmen.  Check out the images of DC’s upcoming products below.

My personal favorites are the Green Lantern Sinestro bust and the Parademon from Justice League.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Check Out DC’s C2E2 Recap and Before Watchmen News

 

Great news, Nerds!

DC Comics has provided a heapin’ helpin’ of links and images rounding up their C2E2 announcements and happenings… including some interesting preview bits about the upcoming Before Watchmen prequels.

So take your pick!

  • Click here for DC’s C2E2 highlights
  • And click here for a Before Watchmen teaser freebie, a front page of the conservative New Frontiersman newspaper. You astute fans will probably remember that as the paper Rorschach read in the Watchmen series, so you’ll likely get a kick out of this promotional material.
  • And last, but not least, is this download link to the free Vertigo comic book reading app on iTunes. Right now you can read the first chapter of The Girl with the Dragon Tattoo graphic novel, written by New York Times bestseller Denise Mina and illustrated by Leonardo Manco and Andrea Mutti.

And the Word of the Nerd was there at C2E2 while a lot of this comic book news was coming out to get some of our own scoops and fun stuff, like an interview with superstar writer Gail Simone. Listen to her talk with us on our podcast.

Watching the White Men: DC’s Future is Bright White

By now you’ve heard all about the upcoming Before Watchmen prequels  to Alan Moore’s well-loved classic.  I’ll be honest: they look great.  Whether or not you think the prequel series are needed, or proper, the writing talent they’ve put together for these titles is impressive:

                         Before Watchmen, Nite Owl Cover                Before Watchmen, Rorschach's cover


Brian Azzarello
of 100 Bullets fame, who’s handling the Wonder Woman reboot with humanity and titanic flair;

The prolific J. Michael Straczynski, a long-celebrated author for comics, television and movies;

Len Wein, an old pro who created the Swamp Thing and helped bring Wolverine and other X-Men favorites into the world;

And Darwyn Cooke, a storybook artist for the wildly popular Batman, Superman, and Batman Beyond animated series.

And this is great.  Not a surprise, either: a work as well-known and accoladed as Watchmen could expect no less in this new treatment.  But it does make you wonder: where the heck were these guys during the New 52 re-launch? (Azzarello notwithstanding, of course.)

The thing is, the New 52 titles started out as reasonably diverse (as far as mainstream comics go, anyway).  Mister Terrific took the lead in his own series, as did Static Shock and OMAC.  It was exciting to see these now-cancelled titles alongside Voodoo and Batwing and Batwoman.  Taken together, the picture DC was painting was of a multi-national, multi-racial, even slightly LGBT superhero universe (of course, this went alongside the reaffirmation of the white male pillars that began DC).

But a lot of the color’s washed away.  Why? Merely a lack of interest? Were the racial changes that were a liability?

I read Mister Terrific for as long as I could stand.  Things started out well enough.  A billionaire super-genius atheist with crazy-powerful toys and a fortress in another dimension? What incredible potential! However, the series was riddled with flaws – overnarration, flat supporting cast and villains, and a less-than-endearing main character (he betrayed and deceived his associates so much that he came off not just as depressed after personal tragedy, but as kind of a sociopath).

But the killer, for me, was Issue 4.  Our hero is captured by an alien invasion force and thrown in their slave camp.  What comes next? You guessed it: prison rape jokes.  Because even a super-genius sophisticate is just a thug waiting to happen, provided he’s black.

I wish I was exaggerating.  But the writer reinforces the view two pages later when he faces off against his alien captors with a horde of prison escapees at his back.  The depressed, humorless super-genius yells at them – and I wish I was making this up –

“Hey, aliens! You know what’s scarier than a black man with a posse?”

Wait for it…

“An angry black man with a posse.”

#facepalm. From a guy with Stephen Hawking intellect and the body of Maurice Greene, to Will Smith in Independence Day in a manner of pages.

How could DC have let these titles be so badly manned? Why couldn’t they have brought in someone competent to handle Mister Terrific, considering the possibilities the character had? I understand that mistakes get made, but something seems clear to me: DC would rather invest their best creative talent in telling stories about characters in a dead universe with no future, than to preserve some of its more ambitious titles going forward.  And it’s sad to see a good number of their stand-alone heroes of color marred by such bad writing.  I couldn’t get past page 2 of Static Shock issue 1.  I felt no connection to the character.

Instead of seeing these diverse heroes thrive and develop and earn their place in our hearts with exploits and great story-telling, we’ll get well-written stories of dead white heroes who can’t grow.  To me, that’s disappointing.

 

 

Watchmen 2: How Could it Work?

If you have been reading the Internet recently you have probably heard the rumor that Watchmen 2 is coming. Let me start by saying, no matter how definite some sites may make it out to seem, until we hear from DC directly take it all with a grain of salt. The Internet has been “sure” about things before and they never panned out. I for one am not so convinced that it is happening, but then again I would not be surprised if it did. Either way this creates an opportunity for us to think about returning to the Watchmen world. While I do not like the idea of a sequel, I do think there are a few ways that we could return to the without ruining the original book.
There are a few commonly used story ideas that could be used to return us to Watchmen. The first would be to do a prequel. This seems to be the prominent idea floating around and ironically it is my least favorite. Don’t get me wrong I think there are great stories to tell, but the problem with a prequel is its only real value is giving us deeper insight into these characters and where they came from. I think within the confines of the Watchmen world this is a waste. Look the core of this book is about ethical ideology and political commentary. At what price do we want utopia, and do the ends justify the means? I like what we know about these characters and their world up to the point of the story. I do not need to know the climate, because Alan Moore provided for all that so well in the original books. And lastly with all prequels you are telling a story where the reader already knows what happens. It’s like reading the last chapter of a book first, it weighs heavily on everything you read going forward, the story looses its purity.
I think if a character path like this is where you want to go with it, your better option is to do a series of mini one offs that show what happens to Nite Owl and the rest of the remaining team.Watchmen Team Let’s assume for a moment the world finds utopia. What happens to Nite Owl? Can he live with the knowledge of Ozymandias betrayal and Rorschach’s death? Does Ozymandias’ guilt destroy him? Does Dr. Manhattan, in creating life, ultimately regain his humanity? What becomes of the young man who finds Rorschach’s journal? Does he share the information or is the truth lost to history? I think the problem with this plan is that these are questions that we have all considered in some way shape or form. DC runs the risk of creating a story that isolates fans because it does not reconcile with 20 years of having already made decisions for ourselves of what happens to these characters. This plan rests so strongly on who the writer would be, can they match the tone and feel Moore created, I am just skeptical of it’s ability is to a success. And finally we would do this to what end? To give answers to questions that don’t need answering. I like the impact this book gave me, and part of the reason the impact was so powerful, was because it was allowed to end with no really understanding of what happens next.
The story I would much rather see would take place generations in the future. I think I would rather a story where the events of Watchmen have become a story in history, pieces of a legend. I do not necessarily need to know the events that happened immediately following the book, better yet I want there to be ambiguity even in the minds of the characters we would now be reading about. I think this opens an avenue of allowing readers to still make up their mind about how things ended and what road got us to where we are now. Lets take it a step further. How would this world, that only vaguely remembers the Watchmen, view someone like Dr. Manhattan, and more interestingly, his return to earth with his new race of beings? Could we not lace this story with political commentary on racism, genocide, economics, and religion? What if Dr. Manhattan’s creations have turned on him, and they are returning to his birth place to humanize their god? These are questions that would not change the original story, but could be influenced by it.
Dr. Manhattan Cover Art
Ultimately my concern is that anything done purely for the sake of making money will inevitably fall short. Audiences understand when something has the feel of genuine fandom behind it and when it just feels like a marketing scheme. I also think if Moore has no involvement it would tough to find a writer that could fit the bill. There are some terrific new writers out there, but political commentary is not as powerful in comics anymore and there is a lot of reasons for that. It is much more of an art form now, comics are timid to alienate readers and fans, and 24 hour news stations and politicians will manipulate anything they can and destroy anyone they must to make themselves look good. This could all make the book more powerful, but it would take a brash and powerful writer to do it. I guess only time will tell where we go from here. I still hope that never see a sequel, but like any fan all I ask is if there is going to be one make sure you clear it with me first!By Jason Padua

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