Tag: X-Men

Nerd Bytes – News And Notes

Comic Relief in Flint, Michigan

Comic Relief in Flint, Michigan

 

 Nerd Byte: 5/4/13 was Free Comic Book day, as if you didn’t know. Eleven years to the day after the inaugural event in 2002, which was one day after the opening of the first Spider-Man movie. It was intended to be a day for retailers to draw in new customers, especially the kids who will drive the industry into the future. It’s also a chance to give a little something back to the customers who show loyalty throughout the year.

It was a fun and festive day at my local comic shop, Comic Relief in Flint, Michigan. Lou, Wayne and Dale showcased many talented artists and guests like Gabriel Cantu, Justin Faber, Jim Frankenstin, Brian Germain, Brian Hackney, Erik Hodson, Alexandra Keaton, William Messner-Loebs, Adam Lockwood Morgan, Geary Roe, and Nicole Stevens. Other guests included Ginger Kewl and Carey Torrice. Wayne Luck told me that the place was pretty packed all day. They thought they had ordered enough of everything, but by the time I got there (around 5:00pm) there were some holes in the racks to attest to the turnout. Wayne also said that he was impressed by the number of parents who brought their kids throughout the day. That is good news for their business and the comic industry in general. Many wonder if digital comics will eventually replace paper. I, for one, hope not. I am a comic nerd at heart, but a collector as well. I need something to put my hands on. I love the smell of the paper and the ink, as I’m reading. Hopefully, Free Comic Book Day went a long way toward building that future. Thanks Comic Relief, and every other retailer who participated in the festivities. See you guys on Wednesday!

Nerd Byte: It’s official X-Factor will come to an end with issue 262 in September. Peter David will write the group out with a six issue story arc entitled “The End Of  X-Factor.”  The book started 10 years ago with the cast of the Original X-Men stepping into the public and fighting crime out in the open. It ends with a quirky ensemble cast of seeming misfits solving mutant crimes and mysteries.  David used characters that had fallen off the grid like Rictor, Monet, Longshot and Multiple Man. He made them interesting again. I’ll be sorry to see them go, but very interested in how it all ends.

Nerd Byte: Joss Whedon has been hinting that the Avengers showdown with Thanos might not happen in Avengers 2 as many believed. He recently intimated that the ultimate face-off with Thanos would be saved for the climactic finale. Whedon stated, “Thanos is more powerful. He’s not someone you just trot out and punch him. Like you did in the comics, you want him to be threading through the universe and to save the big finale for the big finale. He’s definitely a part of what I’ve got going on. The thing about The Avengers is, that they are very powerful, but they aren’t very stable. There’ll definitely be some people who are gonna shake them up in the next installment!”

Martian Manhunter

Martian Manhunter

Nerd Byte: Rumors continue to swirl around the Man of Steel. The latest has the Martian Manhunter showing up in the film. It’s unclear, as yet,  if it’s true. If it is, there is plenty of speculation as to what J’onn J’onnz will be doing in the movie. Photos have emerged depicting Harry Lennix, who is listed as playing General Stanwick, in a CGI suit that bears an odd resemblance to the uniform of the Martian Manhunter. My guess is that the Manhunter is on a recon mission. He will likely remain in the background watching as things develop with Superman. His scenes will likely be in the General Stanwick persona, with a few glimpses at his powers, which obviously include shape-shifting. The character’s appearance would certainly make sense since the Man of Steel‘s success has been reported to be the lynch-pin of the future of the DC Universe in movies. Let’s hope Man of Steel lives up to the hype, otherwise we may never see the Justice League movie we are all waiting to see.

Nerd Byte: In a recent interview Marvel Studios President Kevin Feige commented on the possibility of a stand-alone superhero movie featuring one of Marvel’s many strong female characters. There has been talk at Marvel Studios regarding characters from the roster of female superheroes, but no names were mentioned. Feige said, “We have a number of candidates from the comics and from the movies we’ve already made. It’s just a matter of finding the right story line, the right filmmaker, the right time.” Odds would be good on Black Widow being the first, and with the Guardians of the Galaxy movie expanding the Marvel Universe into space, Captain Marvel could be on the horizon.

Nerd Byte: If you can get enough of zombies in film, then this news is for you. Pride and Prejudice and Zombies is a parody novel by Seth Grahame-Smith and a graphic novel by Tony Lee. It has been bouncing around Hollywood with names like David O Russel and Natalie Portman attached. Most recently according to a Variety report there’s still life in the project about the lifeless. New director Burr Steers (Igby Goes Down, Charlie St. Cloud) has come aboard. Lily Collins (Mortal Instruments) is reportedly in final talks to play the female lead.

Nerd Byte: The battle between the television providers and the streaming movie sites (like Netflix) has taken a brief cease fire in order for the streamers to take a few potshots at each other. Approximately 1800 titles were recently dropped from the Netflix streaming service. According to The Huffington Post, titles from Warner Bros., MGM, and United Artists were pulled from the instant stream Netflix line up. Warner’s launch of an exclusive streaming site is likely the reason behind this drastic action. Netflix assured it’s subscribers that they will be adding around 500 titles today and that the “ebb and flow” happens often. I’m not surprised at the move, I’m just surprised at the timing.

Anthony Mackie, The Falcon

Anthony Mackie, The Falcon

 

Nerd Byte: Pictures are emerging from the set of Captain America: The Winter Soldier. Anthony Mackie, playing Cap’s long-time partner, The Falcon, is putting his flight apparatus through it’s paces. I hope that’s not his actual uniform for scenes as The Falcon, but judging from Marvels propensity for black leather, I may be disappointed. The story is rumored to be based around Cap’s struggle to embrace his role in the modern America. Played again by Chris Evans, Cap teams up with Black Widow (Scarlett Johansson), Falcon (Mackie), and S.H.I.E.L.D. to battle a powerful yet shadowy enemy in present-day Washington, D.C. Sounds a lot like a certain Avengers Comic story called “Red Zone.” Geoff Johns penned the tale based on Red Skull’s infiltration of the U.S. Government as Dell Rusk and his attack and murder of thousands of people with a strange red mist. It was the best arc of Johns’ short time as The Avengers scribe. It’s certainly powerful enough for a movie translation and would explain the Falcon’s prominent role. He was instrumental in stopping Red Skull’s plot. It would not, however, explain the subtitle “Winter Soldier.” That’s a whole different can of worms.

Until next week, Stay Nerdy!

 

The Wolverine: AMC CinemaCon Trailer

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We have a new trailer people! Despite the train wreck that was X-Men Origins: Wolverine, I can say that I am starting to get excited for this new movie. AMC Cinemas has released a new extra cool trailer that premiered at CinemaCon. I have no idea if it can sear the pain of the previous movie, what I can say is: this movie feels like the Wolverine movie we always wanted. Skipping any semblance of a plot (which to be fair sounds pretty cookie cutter), this trailer opts for the action. And boy howdy do they cram a lot into 60 seconds!  Check out the link below and we’ll talk some of my favorite moments after:

Wolverine on a Train: it sounds like the start of the next Sam Jackson movie right? Seriously, look at the idiot bad guys (no really, check out the guy with his gun in his pants like an idiot). In this one glorious shot we get Logan’s claws and four grown “badasses” about to pee their pants. THAT’s what a Wolverine movie should be about: grown men peeing themselves at the sight of giant metal claws.

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Holy $#!+ are those Ninjas? It’s Wolverine vs. Ninjas! How can you not wanna see this fight? And it’s not five or six ninjas. It’s the entire Foot Clan! I hope our hero can hold out until the Ninja Turtles arrive. Incidentally, this is best crossover idea ever! EVER!

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Ninjas on a Bike: I cannot believe I’m writing this, but not only does our hero fight Ninjas, he also has to fight Ninjas on Motorcycles! Who knew this was a technique taught in Ninja School!??!?

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Wolverine vs. Terminator: Ok, clearly this is supposed to be the Silver Samurai but look at him! He’s all metal and massive and gears and just looking amazing. This is a fair departure from the comics, but it looks awesome. It also proves a point: you cannot send mortals after Wolverine. You need technologically enhanced mutants to take out the ol’ canucklehead.

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Oh My God Her Face: Seriously, I have no idea what’s going on here. It scared me. And anything that can scare me in  Wolverine trailer is worth talking about for a second. I mean just look at that. W. T. F?

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So yeah, I can say I am fairly excited to see this flick now. I just hope this isn’t a magic trick and we’re given another poor showing. What do you think?

Are Wolverine’s Days Numbered At Marvel Comics?

The word is out and it’s not good for Wolverine. July could be the beginning of the end for one of the most popular characters in Marvel Comics. A story arc entitled “Killable”, beginning with Wolverine #8 from Paul Cornell and Alan Davis, will have Logan losing his healing factor. The question is, does this mean the end of our anti-hero, or is it just another plot twist to explore new story lines?

 

Wolverine

Wolverine’s 1st full issue appearance

 

First appearing in  The Incredible Hulk #180, Wolverine was created by writer Len Wein and Marvel art director John Romita, Sr. as an unwitting sparring partner for the Hulk. In some ways the feral aspects of Wolverine’s personality mirrored the Hulk’s gamma-powered, rage fueled mind-set. He was also a very different opponent than the normal Hulk fare due to his diminutive size and unknown (at the time) skill set. Wolverine’s personality, as we know it today, was developed by Chris Claremont when he wrote the character into The X-Men in Giant-Size X-Men #1 (May 1975). It was then that he became the tortured soul who struggled between his animal side and his desire to do the right thing. Claremont’s run on The Uncanny X-Men helped usher the Wolverine character to his current popularity, and to some degree the “anti-hero”, in general, to the forefront of the comics industry.

 

Wolverine

Magneto strips Wolverine of his Adamantium in X-Men #25

 

There are long lists of stories over the years in which writers attempted to make Wolverine more “killable” to enhance the reader’s suspense. One of the greatest examples was the ”Fatal Attractions“ crossover that concluded in X-Men #25 (1993) with Magneto forcibly removing the adamantium from Wolverine’s skeleton, starting a whole new era of stories for a weakened, more feral Wolverine.

 

Wolverine

Art from Wolverine #6

 

As we all know Wolverine’s adamantium is restored eventually and I think we’ll see the same ultimate conclusion here. Wolverine may die, or just be put through events that could only be challenging to someone who couldn’t quickly recover from any wound. Either way, it’s all just part of what makes him Wolverine. Death is rarely, if ever, permanent in comics. Does anyone remember the death of Captain America in Captain America vol. 5, #25 (April 2007)? His demise was even reported in the mainstream media, and still didn’t stick. Wolverine’s death, were it to happen, would likely just spawn stories of his adventures in the afterlife, wherever that would take him. The character won’t just end, he’s too popular, fun to write, and even more fun to read. Wherever Cornell and Davis take this story, I’ll be along for the ride. After all, Wolverine is still the best there is at what he does, he’ll just need a better health plan!

The CrossWord of the Nerd #1

A new thing we are trying, the CrossWord of the Nerd puzzle! Do you like it? Would you like to see more? Let us know in the comments below!

This interactive crossword puzzle requires JavaScript and any recent web browser, including Windows Internet Explorer, Mozilla Firefox, Google Chrome, or Apple Safari. If you have disabled web page scripting, please re-enable it and refresh the page. If this web page is saved on your computer, you may need to click the yellow Information Bar at the top or bottom of the page to allow the puzzle to load.
 

Questions

Across

  • 1. The X-Men's Builder
  • 2. The True Power Behind Satellite 5
  • 3. Robert Mitchum Western (3,4)
  • 4. _ Banderas
  • 5. Mr. or Dr.
  • 6. Lovecraft's Gods
  • 7. _ Speaker (Neverwhere)
  • 8. Hold their brains in their hands
  • 9. Robotech's Mint
  • 10. Trek Confederacy
  • 11. Denizens of The Fast Lane
  • 12. Romulan Sub-Caste
  • 13. Inked to Death
  • 14. Woman or Black
  • 15. FF's Power Syphon
  • 16. The Latest Doctor
  • 17. The Fat Just Walks Away
  • 18. Kick-Ass Foe
  • 19. Roddenberry's Sorbo Vehicle
  • 20. Telepathic Andorian Cousins

Down

  • 21. Fury of _
  • 22. Robin II
  • 23. Keep off the grass. No seriously, keep off! (ST:TNG)
  • 24. The Hero of Canton
  • 25. 2004 Board Game
  • 26. Angel who became The Spectre
  • 27. 'Oz' Gang (2,5)
  • 28. Scream and
  • 29. Aliens Mentioned in ST:Voy Course: Oblivion
  • 30. Morpheus
  • 31. See 29
  • 32. Enterprise Doc
  • 33. Protested Groom of 2012
  • 34. Sister Jatt e.g.
  • 35. Ashrock of DS9)
  • 36. The Newest Companion
  • 37. Jean-Claude Lauzon's final film
  • 38. NO KILL I
  • 39. Mother of the Dreaming's Storytellers
  • 40. How Boston Brand is when he gets there

Top Times

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5 Comics Not to Miss This Week – Mar. 6th 2013

The X-Men and their never-ending time-travel drama continues, the Superman family may or may not experience a life-changing event, Ultron gets an upgrade in threat level, and Dr. Fate gets an upgrade—period—in this week’s 5 Comics Not to Miss This Week.

xmen
All-NEW X-MEN #8

The adventures of the time-displaced X-Men continue, and things are sure to heat up. When we last left off, young Cyclops met Mystique for the first time, and she was up to her usual manipulative no-good. How will their interaction affect the other X-Men, both young and old? Hard to say, and we may not find out the answers in this issue, as the solicitations tease that the Avengers make a guest appearance in issue #8. How will their involvement change things for our merry, confused, tortured mutants? There’s only one way to find out. Read it!

earth2EARTH 2 #10

The new Dr. Fate’s origin will likely come to bear in this issue, and it could be intriguing if writer James Robinson plays his cards right. After all, this is our first real glimpse into the retelling of one of DC’s most famous and powerful magic users. The New 52′s revamp of the Justice Society provides DC’s storytellers with an excellent opportunity to “update” classic characters, like Dr. Fate, who is DC’s version of Dr. Strange. Let’s see what the new, and possibly improved, Dr. Fate will be like.

helonearthSUPERMAN #17

The “H’El on Earth” crossover concludes this issue, and hopefully, it’ll be worth it. Admittedly, “H’El on Earth” hasn’t been the jaw-dropping, earth-shattering crossover that it could have been for the Superman family. It has spanned the Superman, Supergirl, and Superboy titles for months, and so far, it has seemed pretty… ordinary. So why is its conclusion one of the 5 comics not to miss this week? Because of all the issues in this crossover, the final one is the one that’s most likely to have the storyline’s best scene. Will something happen that shakes the dynamic between Superman, Supergirl, and Superboy to their core? Or will it be a lackluster finale that changes absolutely nothing for any of their characters? Chances are, it will be the former.

avengersAVENGERS #7

What’s the White Event? What’s so special about Captain Universe? How hard sci-fi can series writer Jonathan Hickman take a team like the Avengers in a storyline? And, most importantly, whose food will Spider-Man eat next even though they don’t want him to? All these questions will likely be answered in Avengers #7 this week and in future issues! Hickman’s cerebral take on the team contains a dash of humor and fish-out-of-water interaction as traditional heroes like Spider-Man clash with outsiders like Sunspot and Cannonball. Seeing people who don’t usually communicate band together is a sight to behold, and Hickman’s style of storytelling is interesting and engaging.

ultron
AGE OF ULTRON #1

Marvel’s next big crossover event starts here. Ultron is one of the Avengers’ deadliest and most persistent adversaries, and now he’s apparently threatening other heroes too, so Marvel’s given him an upgrade, of sorts. It’s kind of a big deal for a villain to jump from being one team’s problem to being a problem for the entire superhero universe that team resides in. Will Age of Ultron be as interesting as Secret Invasion or Civil War? This week, we’ll find out.

 

Do you disagree with any of our choices? Did something from your pull-list not make it here? Let us know your thoughts in the comments below.

 

5 Comics Not to Miss This Week – Feb. 27th 2013

The X-Men and Avengers bring the drama, Aquaman leads a nation on the edge, and the Batman Family is in for a world of hurt in this week’s 5 Comics Not to Miss!

uncannyxmen
UNCANNY X-MEN #2

The new Uncanny X-Men series continues after its jaw-dropping debut last month. We discovered in issue #1 that Magneto had turned on Cyclops and was giving the government information that could lead to Cyclops’s undoing. Writer Brian Michael Bendis revealed that the secret informant was the master of magnetism himself on a dramatic and well-executed last-page reveal. I for one can’t WAIT to see how this plays out, and I’m glad that Magneto has returned to being an enemy of the X-Men (or at least one team of them) in a way I wasn’t expecting. Make sure you DON’T miss Uncanny X-Men #2 for more classic X-Men drama.

uncannyavengersUNCANNY AVENGERS #4

Let’s hope this issue brings more of the good stuff that the last ones have. One of the most alluring things about Uncanny Avengers, in my opinion, has been the dramatic interplay between characters who don’t share comics together that often, and it’s been especially tense because many of the X-Men and Avengers were just at each other’s throats in the Avengers vs. X-Men crossover. Remember that heated exchange between Rogue and the Scarlet Witch in issue #1? Or that issue’s awkwardness between Captain America, Havok, and Thor when they first starting fighting together? Or… goodness… the shocking fact that the Red Skull was using Charles Xavier’s dead brain as a weapon? It was soapy superheroic goodness all-around, and let’s see where it takes us this month!

guardiansGUARDIANS OF THE GALAXY #0.1

Marvel’s released 0.1 issues of comics before to give readers a nice jumping-on point for monthly books, so this particular one about the Guardians of the Galaxy may not seem that special… at least at first. But consider the times we’re in. The team has a movie coming out soon, and we’re in the middle of the Marvel Movie zeitgeist that’s taking theaters by storm across the world, so the interest in this team is probably pretty high right now, especially since they tie into Marvel’s cosmic universe, and the big villain in the upcoming Avengers movie sequel will be Thanos, one of the Marvel’s most famous and deadly cosmic bad guys. Putting it all together, I wouldn’t be surprised if Guardians of the Galaxy #0.1 is on quite a few people’s radar just so they can see what all the talk is about.

aquamanAQUAMAN #17

Aquaman is in a scary, unsure place now that the “Throne of Atlantis” storyline has concluded. His nation has just finished a war with the surface world that’s made Atlantis persona non grata with, well… EVERYONE above-ground. And now he has assumed his place as king of Atlantis in order to lead his people out of the storm, so to speak. What will that do to his place in the Justice League? His marriage to Mera? His relationship with the rest of the superhero community and the world? Only time will tell.

batman
BATMAN INCORPORATED #8

ATTENTION… SPOILERS BELOW, FOLKS. SPOILERS!!


I’m unsure if I needed to tell you that, honestly, since DC’s basically announced the news with a virtual bullhorn already, but here goes… in this issue… Robin, aka Batman’s son Damian Wayne DIES… I think. You see, comics are pretty famous for stunts and for staging character deaths that turn out to be either fake-outs or completely temporary deaths that were designed to be undone from the beginning. Consequently, the publicized, status quo-changing events of issue #8 may not turn out to be that status quo-changing. Regardless, it’s sure to be EXTREMELY dramatic for the Bat Family, so check out Batman Incorporated #8 to read a major turning point in this corner of the DC Universe.

Do you disagree with any of our choices? Did something from your pull-list not make it here? Let us know your thoughts in the comments below.

 

Word of the Nerd Remembers Jack Kirby

Nineteen years ago today, Jacob Kurtzberg, better known as Jack “King” Kirby passed away. Since he started in the comic book industry in the 1930s, Kirby has left an indelible mark on the medium, influencing generations of artists and writers and inspiring readers with his imaginative worlds both cosmic and Earth-bound.

Said Gil Kane of Kirby:

“Jack was a natural-and he was a natural early on before the wall hit him. I thought that in the early ’40s, he was just about the best guy around. He had a narrative style that was way beyond Lou Fine or any of these guys. On top of that, he really knew enough about drawing and everything so that there was simply no upgrading him. He was just excellent.” (Source: TwoMorrows Publishing)

Kirby was not only the progenitor of the Marvel look that would define the Silver Age, but he was a creative tour de force, developing some of Marvel and DC’s best characters. Such as…

Captain America:

Kirby was on the ground floor of Cap’s creation along with his frequent collaborator Joe Simon. When the two started working for Timely Comics (which would later become Marvel), they produced the Sentinel of Liberty in 1941. The character was so successful that Kirby was offered a position as Timely’s art director, though he and Simon would later leave for National Comics (which would eventually become DC Comics) after they felt their deal with publisher Martin Goodman wasn’t being honored.

The Fantastic Four:

The book that started Kirby’s influence over the Silver Age, the first family of Marvel defined Kirby’s signature style and showcased his ability to go beyond the usual boundaries of storytelling by reinventing the cosmos as he saw fit. Through the Fantastic Four, and Kirby, we would also get characters like The Silver Surfer, Galactus, Doctor Doom, and Uatu the Watcher. One of the more memorable stories involved the Fantastic Four actually meeting their creator, which firmly cemented Kirby’s status as the true creative force behind the Marvel Universe. His status at Marvel coupled with his frequent collaborations with Stan Lee put him at the creative ground floor of other Marvel characters like Thor, Iron Man, The Hulk, the original X-Men, and Black Panther - all of whom were penciled by Kirby with a few co-plotted by the artist when Lee couldn’t due to scheduling conflicts and handed the projects off to other creators.

The Fourth World Saga:

After another falling out with Marvel over breaches of contract and some dirty dealings concerning the lack of credit given to Kirby for character’s he’d created or co-created, the “King” of comics moved on to DC in the early 70′s where he produced a number of titles linked together under the moniker of “The Fourth World.” First introduced through Superman’s Pal Jimmy Olsen, Kirby’s cosmic soap opera began with the villain Darkseid and later expanded to include the planets of Apokalips and New Genesis. These warring planets were inhabited by heroes like Orion, Mister Miracle, Big Barda, and the Forever People as well as the many minions of Darkseid like Granny Goodness, Desaad, Sleeze, Glorious Godfrey, Kalibak, and the Female Furies.

His work at DC also included O.M.A.C., Kamandi: The Last Boy on Earth, and Etrigan the Demon!

Outside of the comic book industry, Kirby was involved in several animation projects like Thundarr the Barbarian and illustrated an adaptation of Disney’s The Black Hole. Most recently, his involvement in “The Canadian Caper” during the Iranian Hostage Crisis was referenced in the movie Argo (2012) where Kirby is portrayed in a quick cameo by Michael Parks, though his storyboards are featured throughout the movie.

Jack Kirby’s style and influence as a creator and artist has followed him from his beginnings as a freelance artist and well into the 21st Century. Michael Chabon’s The Amazing Cavalier and Clay is in part a tribute to Kirby and other creators of the Golden Age of Comics with Joseph Cavalier standing in as the Kirby surrogate. Jazz musician Greg Bendian did an entire album, Requiem for Jack Kirby, as a tribute to the man with each session based on one of his creations. Superman: The Animated Series modeled Detective Dan Turpin on Kirby, going so far as to dedicate the episode “Apokalips…Now! Part 2″ in his memory. The original Teenage Mutant Ninja Turtles Mirage comics even paid tribute to Kirby in Donatello’s solo book, which was later turned into a tribute episode of the 2003 animated series entitled “The King” where Donatello meets an artist named Kirby. There’s even a Jack Kirby Museum & Research Center website where you can learn more about Kirby and his continued influence in the world of comic books and art.

And if you’d like to see physical proof of Kirby’s influence in the here and now:

That’s my arm, by the way. Just in case it wasn’t obvious.

So, there you have it, Kirby is forever imprinted on multiple generations of comic book creators and readers. Artist, writer, decorated veteran, Jack Kirby may be gone, but he will never be forgotten. And as one of my favorite comedians Greg Proops says in tribute to those that have shuffled the mortal coil: Jack Kirby is a swirling vortex of cosmic splendor. He shines brightly in a sea of stars so that we might look upon him and wonder.

Wallpaper of the Day

 

Today’s wallpaper is courtesy of Wallbase

 

 

 

Download this wallpaper here

 

 

Preview – All New X-Men #5

 

Brian Michael Bendis’ run on All New X-Men is off to a pretty impressive start.  Marvel Comics was kind enough to provide an exciting first look at issue #5.

 

Marvel NOW! – ALL-NEW X-MEN #5 First Look!

 

Marvel is pleased to present your first look at All-New X-Men #5, continuing the critically acclaimed new series from the blockbuster creative team of writer Brian Michael Bendis and artist Stuart Immonen! What will happen when the original five X-Men come face to face with their current counterparts?! One thing is for sure, at the end of this issue, one of the original X-Men will be forever changed!

As part of Marvel NOW!, All-New X-Men  joins a number of titles that will take the Marvel Universe in an exciting all-new direction, as the industry’s top creators join the top Super Heroes to deliver all-new ongoing series, great for new and lapsed readers alike!

Each issue of All-New X-Men  includes a code for a free digital copy on the Marvel Comics app (for iPhone®, iPad®, iPad Touch® & Android devices). Each issue of All-New X-Men features special augmented reality content available exclusive through the Marvel AR app – including cover recaps, behind the scenes features and more that add value to your reading experience at no additional cost.

An all-new direction! All-new history! All-new consequences! This is All-New X-Men#5!

ALL-NEW X-MEN #5 (NOV120659)

Written by BRIAN MICHAEL BENDIS

Art & Cover by STUART IMMONEN

FOC – 12/03/12 On-Sale – 01/02/13

 

 

 

This is one Marvel Comics title that is a must-get.  Be sure check out our review of All New X-Men #1 right here.

 

 

 

McKellen and Stewart Confirmed for Days of Future Past

In one fell tweet director of the forthcoming X-Men: Days of Future Past, Bryan Singer, solidified the frustratingly confusing timeline of the X-Men movie universe by confirming that Sir Ian McKellen and Sir Patrick Stewart would be reprising their roles as Erik Lensherr/Magneto and Charles Xavier/Prof. X. The two will be joining their younger counterparts Michael Fassbender and James McAvoy in one of the more well-known X-Men comic book storylines involving a plot that will result in a future where mutants are nearly hunted to extinction by Sentinel robots created in the wake of anti-mutant hysteria brought on by the very event The X-Men are trying to stop.

So I’m a details person. I like continuity within franchises because, if I’m going to believe that characters exist within a grounded reality, I need to know that the reality is consistently maintained. The X-Men movies spit in the face of all that by loosely tying their movies together through the use of the same actors in specific roles instead of, say, getting their stories straight. The first three X-Men movies laid the foundation for the X-Men universe on film (even if X-3 got everything wrong except for the concept of the mutant cure and Beast), but X-Men Origins: Wolverine started taking some liberties with the continuity in terms of how Logan got into the Weapon X program as established in X-2 and his interactions with other mutants he’d supposedly already met yet all seemed to have forgotten they met him when he was the one who lost his memory. Sabertooth and Cyclops come to mind – but Cyclops was blindfolded at the time, what’s Sabertooth’s excuse? X-Men: First Class was an opportunity to reboot the franchise by starting at the very beginning…which got mucked up by ignoring plot points from the previous films and using cameos from Hugh Jackman and Rebecca Romijn that locked the movie into the same continuity and created even more problems. How can Emma Frost be an adult in the 1960′s and a teenager in the 1980s? Why is Cyclops’ younger brother in the first class when Xavier stated in the first X-Men film that Scott, Jean, and Storm were among his first students? Why does Beast look like a nightmarish Furby with glasses?

Obviously I have a lot of time to think about these things.

There are, however, some positives that could come from this…sequel? If it involves the younger Charles and Magneto, then it’s still a prequel, but the sequel to the prequel. But if we also have the older versions, then does that make the movie a sequel to the original three X-Movies? Arrrgh! My head hurts. Positives! Focus on the positives. Right, so, one of the big positives is that we have four talented and amazing actors playing the two most important characters of the X-Men Universe. Sorry, Wolvie fans. In the first three movies, McKellen and Stewart embodied Magneto and Prof. X in such a way that fans couldn’t imagine anyone else playing them. Though skeptical of Fassbender and McAvoy’s casting in the beginning, they proved to be the strongest parts of X-Men: First Class. So much so that I really wish the entire movie had just been about young Erik and Charles going on mutant adventures! So, at the least, we know that some of the acting will be top notch!

The secondary positive is that Days of Future Past involves time travel and alternate realities…kinda. Written by Chris Claremont in 1981, the storyline involved an older Kitty Pryde transferring her mind from the future into her past self to stop the assassination of Senator Robert Kelly. Considering we already met Senator Kelly in the first X-Men movie, and he died, there may be some kajiggering of the plot. Then again, this is the X-Men, so why wouldn’t Kelly be a young senator in the 60′s/70′s and then a middle aged man in the year 2000? Which brings us back to the positive of this particular storyline. A useful crutch in comic books to fix certain “problems” that arise from continuity errors, time travel and alternate realities have already been utilized as a means of explaining rebooted franchises. Think JJ Abram’s Star Trek. Same characters in an alternate reality that doesn’t negate the old timeline established in the old series and the movies. Days of Future Past could explain some of the more blatant continuity errors in the X-franchise while telling an intriguing story about actions and consequences, racism, hysteria, and blah-blah-blah just get to the Sentinels already!

We won’t really know how the movie will play out until a synopsis appears on the internet. Maybe the whole X-franchise will be revealed as a dream and we’ll find Bobby Ewing in the shower acting like nothing’s changed…now I made myself sad (R.I.P. Larry Hagman). But, for the time being, we know that at least Magneto and Prof. X are secure in their past and future selves. How it all fits together is anybody’s guess, but hopefully Singer will fix this broken machine.

Update: In news that will surprise no one, Hugh Jackman may be in talks to reprise his role as Wolverine/Logan according to The Hollywood Reporter. Given that Old Man Logan is right there on the well-known cover to Days of Future Past, and the fact that Jackman has been in every X-Men film thus far…probably a safe bet.

Variants? Connecting Covers? ENOUGH!

I need to start things off by saying I’m a relative newcomer to comics, so I was not originally aware of the 1990′s obsession with multiple variants, covers that connected to others in a grand panorama, etc. This obsession led to people buying copies and holding onto them with hopes of increased value, which almost led to the death of the comic book industry. After that, variants were either for major events or certain books. At the time, I was a little kid and more interested in what Batman was doing in the cartoon than in comic books I either couldn’t read or find.

Fastforward to 2011! I am now quite the reader of comics (a love rekindled by boredom, which led to writing a screenplay based on a superhero, and so on), and I hear about the imminent reboot of the DC Universe. When it occurred, I ignored many of the complaints, with the exception of one: the multiple variants being made by DC for certain issues. I was used to them by now, seeing the variants on my digital copies, but it only seemed to be one variant or two. In my opinion, that isn’t obsessive.

 

That was until I read about the upcoming Justice League of America #1. In particular, the 52 variant covers (50 states, DC, and USA) they had planned for the release. Two thoughts entered my mind. The first: “Wow, DC really loves that number.” The second: “WAIT ONE SECOND? 52 COVERS!?” This is excessive anyway you look at it. I had one moment where I was glad to see that my home state of New York was one, but that passed as I quickly read rage-filled posts. Now, I stated in those posts that it’s not like DC is forcing people to get all 52 variants (though they do have a package if you want to), and was promptly ignored. Now, thinking back, I do have maybe one reason to gripe. It seems to me that DC is ignoring the history of the industry with this promotional stunt (this, and the timeline issues as an aspiring writer, are my only real gripes with the New 52), and forgetting the gigantic crunch as this promotional stunt gets underway. It also seems unnecessary. They were doing fine with just one or two variants. 52 is overkill, even for a #1 issue.

 

Speaking of “#1″, one of the events that kicked off the 1990s comic boom and crunch was the release of X-Men #1. That ushered in several interconnecting covers that ended up looking like so:

Both DC and Marvel (mostly Marvel) went along with this idea for other titles, not to mention foil-embossed covers, variants upon variants, and promotional stunt after promotional stunt in a comic book arms race for public money. This also led to the almost M.A.D (mutually assured destruction) of the industry. After that, they pulled back. For the most part.

Then I saw this recently:

More interconnecting covers. Now, from what I’ve read about the Marvel NOW! (because explanation marks are cool) relaunch of the company, it’s been hit and miss. One of the main gripes centers on the publication of numerous variants for almost every issue. There comes a point where someone wants to scream “STOP IT!”

Which brings me to an article that made me laugh and think. The article lampoons Marvel’s recently announced Age of Ultron event commencing in March.  And while it’s a satire, it raises many points. Marvel, even more than DC it seems, is retreading the sins of the past. Multiple covers per issue, churning out story after story to serve event after event (granted, Snyder’s run on Batman has been event after event—and I’m saying that as a fan—but at least it’s kept to one title for the most part), all these little extra goodies and interconnecting titles….

And, to paraphrase DC Publisher (and apparent nerd menace) Dan Didi,  I “see static”. It makes no sense, it contributes nothing to the comics in the long run. It’s all hype.

Please, DC, Marvel – keep it simple. Give us stories with great art, give us maybe one or two variants for some issues, keep events to maybe once a year (Marvel, stop doing events that lead into other events). And please, stop over-hyping. We don’t need 52 variants, we don’t need interconnecting stories. What we need is a fun read.

And maybe a job… but mostly a fun read.

Review – All New X-Men #1

All New X-Men #1The battle for comic book supremacy continues between Marvel and DC.  Following in DC’s footsteps, Marvel does a little reboot of its own, but leaves its continuity in place.  After some title and team shuffling, the new lines are drawn and we now have Marvel NOW!  I am only reading a few titles regularly but trying to get as many of the number ones as I can afford each week.

Following up on the Avengers vs X-Men event, All New X-Men #1 picks up as Scott Summers, Emma Frost and Magneto are traveling the world contacting some of the thousands of new mutants created by the dispersion of the Phoenix Force.  Scott is a wanted fugitive, shunned by most of his former friends and teammates.  He again appears to be working the premise that the ends justify the means.  Storm and the X-Men don’t see it that way and they prepare to go after Scott with the intentions of shutting him down.

All New X-Men #1This is where the story takes an interesting twist.  There are no lengths that Marvel won’t go to these days to sell a comic and they prove it by throwing in time travel into this issue.  Beast (Hank McCoy) travels back in time to recruit a younger, more idealistic Scott Summers to help him stop the present day Scott Summers.  Got a headache yet?

Although the cliché of time travel threw me off of what is otherwise a pretty entertaining book, I sort of had a feeling that traveling back in time was nearly their only option to try to talk any sense into Scott.  His corruption by the Phoenix seems to have taught him nothing.  And even though he feels he is atoning for his crimes, most of his fellow mutants don’t see it that way.

So what could be said here?  Did Marvel need to shake up the status quo?  I’d say probably so since they have slipped a bit since DC’s New 52 took effect last year.  But as much as I hate to admit it, it seems this is yet another thing that Marvel is doing better than DC.  Just by leaving their continuity in place, they haven’t appeared to have alienated the fans as much as DC did.  All the names and events are still around (those who survived AxV that is) and the only real issue here is trying to figure out which new titles to pick up after many were cancelled.

All New X-Men #1All New X-Men is one of the titles I have personally transitioned to after Uncanny X-Men finished its run.  As of the first issue, this will be a title I am going to keep picking up for the foreseeable future.  In spite of the obvious storyline clichés, I really enjoyed this book.  The ramifications of AxV are still being felt in the Marvel universe and since many relationships were made and broken over the course of that arc, it was probably necessary to redraw the borders so to speak.

“When we were young we were always worried about a mutant apocalyptic nightmare!  I’m telling you, if the young us saw what was going on today it would feel worse than the mutant apocalyptic nightmare we used to worry about!”

Brian Michael Bendis does his regular good job with the writing for this first issue, but personally for me it was the art by Stuart Immonen that really stood out.  The cover especially is a masterpiece by its own right; a collaboration of Immonen, Wade Von Grawbadger and Martie Gracia.

So if you are confused by the many X titles out there and aren’t sure which one you’d want to start reading, I would definitely suggest All New X-Men which gives a good jumping on point for new readers.  You’ve done good Marvel…keep it up.

 

All New X-Men #1

 

 

5 Comics Not to Miss This Week

Iron Man gets a relaunch, the X-Men and Avengers reap what they’ve sown, and DC’s supernatural and cosmic universes keep getting weirder and weirder in this week’s 5 Comics Not to Miss.

Iron Man #1

It’ll be interesting to see what the MarvelNOW! relaunch will be for one of the company’s most famous characters. Thanks to the Marvel Studios and Avengers zeitgeist, Iron Man’s hotter than ever, so the company is probably going to make sure his comic book is extremely well-written and riveting, in order to do the character justice (or at least, I’d hope they would). This debut issue is probably worth a look just to see what the company has plan for Tony Stark, a man who has become a household name.

AvX Consequences #5

This is the last issue of a miniseries that caps off Marvel’s biggest crossover in recent memory, so issue #5 is valuable just to see where the Marvel Universe will take some of the biggest players from Avengers vs. X-Men next. Marvel is changing a lot with their character relationships and the tone of the stories. This issue is a great way to learn how that may play out.

 

Green Lantern #14

The “Rise of the Third Army” storyline makes this an interesting time for Green Lantern fans, and Geoff Johns has been writing the hell out of it. His introduction of the new lantern, Simon Baz, in the midst of a tumultuous time for his fellow lanterns and the Guardians is enthralling. In this issue, Baz fights the Justice League in what may be an exciting, action-packed entry in DC’s latest cosmic saga.

Animal Man #14

You should be reading Animal Man  if you like superhero comics with a horror flavor. Animal Man fights supervillains like other folks in costumes do, but the tone of his adventures is very dark and often gruesome and strange. This issue is part of the “Rotworld” crossover that explains the nature of his powers and how they fit into the larger supernatural sphere of the DC Universe, so if you’re curious about the overall mythology and you also like your comics with an edge, this one may be for you.

Swamp Thing #14

Swamp Thing is another superhero comic with horror overtones, and it crosses over with Animal Man  right now, thanks to “Rotworld.” But although Swamp Thing and Animal Man have much in common, Swamp Thing is the more famous character, and the reason for that is because the tone of his universe is so well-defined and easy to get, even if supernatural, scary, fatalistic storylines aren’t your thing. But if they are, read an issue of Swamp Thing this week.

 

Remembering Professor Charles Xavier, The Man Behind the X

Cyclops, possessed by the Phoenix Force, killed Professor Charles Xavier last month in Avengers vs. X-Men #11, possibly one of comics’ most significant deaths. The amazingly popular X-Men starred in 1991’s X-Men #1, the best-selling comic book of all time, and several movies and animated series since. Their founder’s demise will yield consequences, not just for the characters, but for countless fans as well.

Professor Xavier put the “X” in “X-Men,” and the tone and spirit of that team’s stories will be changed irrevocably without him.

His death signals the end of the X-Men’s halcyon days, which hooked many of us on the characters to begin with. Those were the days when, no matter what happened to our mutant heroes, they wound up back at the mansion (or somewhere), safe at home as one happy dysfunctional family. You felt good knowing that the X-Men, at their core, weren’t just about surviving oppression; they were about the union that comes from surviving together, and a strident undercurrent of community shined through. They fought for a world that hated and feared them, and we bonded with them the way they bonded with each other.

The Professor’s death represents a tonal shift in the X-Men’s purpose away from that period, and from stories that thrilled many of us when we were younger and more idealistic.

Murder rarely lasts in comics, so it’s possible he’ll return in spite of Marvel’s statements to the contrary. He’s died and returned before, and hell, he’s a telepath. Who’s to say his mind isn’t floating around in someone else’s body or as some kind of psychic ghost? (Besides, if there’s any power set that lends itself to survival after the physical body’s gone, it’s the mental one.)

But if Marvel makes this one last, the X-Men are in for an attitude adjustment that will change their identity, and it will be an interesting requiem for a man whose singular vision empowered one of the most creatively successful teams in superhero history.

Living in a Fatherless World

Sure, the Professor vanished before over the years, but never completely. His previous deaths weren’t permanent, and if he was away with Shi’ar or something, you knew he’d be back. But if this recent death is the real deal, the X-Men really are on their own, and reality is bittersweet. The Professor was like your parents: No matter how old or independent you grow, they’re always around, even if you don’t need them anymore or live in their house. It’s only when they die that you are truly alone, even if they supported you and taught you how to live without them. You’re strong enough to go on, but you’re not too strong for the sadness.

That made Professor Xavier different from other team leaders and mentors, and that’s why he resonated so uniquely with readers. The Avengers, Justice League, and Teen Titans have leaders, but those people aren’t members’ parents too. Hawkeye, Quicksilver, and the Black Widow respect Captain America, Thor, and Iron Man, but those men didn’t raise them. Green Arrow, Hawkman, and Booster Gold weren’t maligned, insecure teenagers whom Superman, Batman, and Wonder Woman took in. And Robin, who’s often in the same age group as his fellow Titans, is like a brother or team captain to them, not a father.

Consequently Charles Xavier, with his expansive estate full of young people who had nowhere else to go and few grown-ups fit to handle them, embodied something special. If it’s true that people live vicariously through stories they read or watch, then X-Men tales made the audience want to live, learn, and be loved in an environment where others struggled the way they did. Readers felt safe under the stewardship of a benevolent professor who wanted what was best for them.

The Saint Who’s Sinned… Quite Often

The Professor had his good points, but he wasn’t without fault.

In fact, his transgressions are serious, depending on your sensibilities:

  • It was revealed in 1960s stories that he was in love with his student Jean Grey, even though she was a teenager when he was in his 40s or 50s at the time (this plot thread was largely ignored over the years, and it may have been retconned away or forgotten about);
  • His professional missteps continued. When he was younger, he had an unethical sexual relationship with his patient Gabrielle Haller;
  • He’s often seemed less interested in the care and well-being of their son David Haller, aka Legion, than he’s been with that of the X-Men, none of whom are his flesh and blood; and
  • He’s warped minds and memories repeatedly without consent, including forcing the X-Men to forget about the deaths and disappearances of teammates at the hands of Krakoa the living island, revealed in the Deadly Genesis stories of 2005 and 2006.

But the big question is, do these transgressions tarnish his legacy as a force for good?

It’s hard to say. That whole I-love-Jean thing is kinda skeevy, but most writers pretend it never happened (thank goodness), so it’s debatable these days if it’s Marvel Universe canon. And memory wiping the X-Men to make them forget that Krakoa killed some of them? TOTAL retcon to create drama, even though it was arguably out-of-character and made poor Charles look bad in the process. You can give him a pass for that if you’re forgiving, because what really happened was, Marvel sacrificed his integrity to sell books (which no serialized character is immune to, no matter how revered). It’s mainly the Gabrielle Haller / Legion stuff that sticks like a thorn in the Professor’s semi-pristine side, and it’s a pretty big thorn.

You can probably think of other dastardly deeds to pin on him, but, like most parents who disappoint their children, that doesn’t mean he didn’t give others love and security. The Professor nurtured several superheroes in a way no other mainstream Marvel or DC character has in such a large number.

The Future of the X

The Professor’s death signals the end of the X-Men’s golden era, at least when it comes to their mission statement. He preached tolerance and advocated for unity between the oppressors and the oppressed, and that wish defined the X-Men for decades.

But it’s a legacy the X-Men may have abandoned years ago. The character hadn’t occupied the spiritual leader role since 2007, circa Messiah Complex, and his perspective on the X-Men’s place in the world had possibly grown obsolete. For the better part of 10 years, the team hasn’t been written as superheroes protecting a world that hates and fears them; it’s been written as a small country of victims fighting against a world trying to wipe them out.

 

 

It’s no coincidence that Marvel ushered the Professor out of the picture right around the time when the X-Men started camping out on an island nation thousands of miles, both literally and figuratively, from the stately mansion they occupied previously. Cyclops took the mutant leader role, and then he fought Wolverine for it, and Marvel conveniently wrote the Professor out of the action the whole time. He returned from storyline limbo to be killed off in Avengers vs. X-Men so the “kids” could captain the ship through turbulent waters without him.

Consequently, thousands — perhaps millions — of fans may regard his death with a collective “meh.” The Professor’s role in the Marvel Universe was to help young mutants develop into adults, so if many them are now grown, who needs him? In fictional storytelling, when a character’s not needed anymore, that usually means death, so who cares, right?

Several will, starting with the X-Men themselves. Marvel bigwig Axel Alonso himself told Newsarama that the Professor’s passing will have “a ripple effect across the Marvel Universe,” and the ripples will undoubtedly shake his students the strongest. His absence will evoke powerful emotions from the X-Men, driving story for years to come.

But for the readers, his death won’t just give us interesting X-Men tales to read; it’ll prompt us to remember a part of our own lives more fondly. When we were younger, and the world was simpler, it was wonderful to read lovely tales of outcasts who were metaphors for those of us who felt different from everyone around us. We wanted to be those boys and girls with special powers, great adventures, and who earned respect at a school we wish we had… and it all started with a telepath named Charles Xavier.

So here’s to Professor X, comics’ most prolific father. You’ll be missed if you’re truly gone, and may your unconditional love guide the X-Men for the rest of their lives, no matter what they face, just like it comforted us no matter what we faced in ours.

The Fall of Scott Summers

Before we start, this is a tweaked version of an article I did for my old website three weeks ago regarding AvX #11 and Uncanny X-Men #18. As of the events of AvX#12 and Uncanny X-Men #19, I’d like to offer my opinion in defense of Scott Summers, better known as Cyclops. You can read the original article here as a comparison if you like.

Yes, I’m a Cyclops defender. I wear the badge proudly. You may ready your opening salvo of “Wolverine’s awesome, Cyclops is a dick!” Granted, it’s not an original line, but it seems to be the one thrown around the most. A friend of mine once referred to Cyclops as the “Leonardo” of the X-Men. I’ll admit, it’s not always easy making a case for Scott Summers, especially with Marvel’s philosophy of keeping, for the most part, ALL OF THE CONTINUITY. So, for every awesome thing Scott does, you can easily go back a few years and find something not so awesome. Although, for the record, Wolverine ain’t no saint either, bub. But that’s part of the beauty of the X-Men Universe and some of the greater Marvel Universe. The characters exist in the moral gray area where the rest of us live. It’s part of what makes Marvel heroes more relateable, but also ellicits discomfort when we’re confronted with those facets of humanity we try to hide under the rug. Scott Summers is no exception.

Let’s Recap

In the pages of Avengers vs X-Men, the two groups started fighting over how to treat the on-coming possible threat of the Phoenix Force. The Phoenix Force was first introduced in The Phoenix/Dark Phoenix Saga extending from 1976-1980, resulting in the first of many “deaths” of Jean Grey who played host to the entity. Ever since, the Phoenix Force kept coming back, possessing people and causing general mayhem. So, it is not surprising that when it seems to be on a collision course for Earth, presumably to possess the mutant messiah Hope Summers, the Avengers are dead set on destroying it.

Complicating matters is Cyclops. Scott sees the coming of The Phoenix as a good thing. He thinks that maybe, just maybe, The Phoenix will jumpstart the mutant race once again. So, the major conflict comes from The Avengers and the X-Men fighting over how to deal with The Phoenix and its connection to Hope. In the midst of the battle(s), Iron Man, in all of his infinite wisdom, fires a missile at The Phoenix Force, which disperses it into five entities that latch on to Cyclops, Emma Frost, Namor, Colossus, and Magik. Dubbed The Phoenix Five (sigh), they go about improving the problems of the world while scaring the shit out of everyone at the same time. Because, as has been proven in the past The Phoenix Force ususally ends up corrupting those it possesses, resulting in death and destruction. The Phoenix Five similarly fall prey to this obvious plot point, but under the combined forces of The Avengers and The X-Men, the five are reduced to one as Scott takes the entire Phoenix Force for himself, kills Professor X, and becomes The Dark Phoenix.

The Lead Up

In a lot of ways, this was a long time coming. Not so much the Phoenix Force bit that wore out its welcome a long time ago, but Scott’s descent. While the current creative teams for The X-Men cite AvX and its aftermath as the ending of an era for the X-Men that began with Grant Morrison’s run, I’d argue that this has been building since the beginning of The X-Men in 1963.

Scott Summers was the first of Charles Xavier’s recruits. Like all mutants, Scott’s powers manifested at puberty, but due to an unfortunate accident when he was a child, Scott was unable to control the concussive ruby beams spewing forth whenever he opened his eyes. Knowing that he could literally kill someone just by looking at them, Scott developed a very controlled, “uptight” personality stemming from the burden of responsibility he felt to keep those around him safe. Xavier took Scott under his wing, grooming him as the leader of the X-Men and representative of Xavier’s philosophy of a peaceful mutant integration with the rest of society. For the longest time, Scott was the ultimate believer in Xavier’s dream. So, yes, the Leonardo comparison was very apt at this point. But for every accolyte, there comes a crisis and Scott’s crisis occurred over the span of several years worth of storylines. With every chip at the foundation, it was only a matter of time before it cracked entirely.

It begins, I think, with Apocalypse: The Twelve, a crossover event involving the end of the world and blah, blah, blah. The result is Cyclops sacrificing himself to save his son, Nate Grey (X-Man), by merging with Apocalypse. After being freed from Apocalypse during Search for Cyclops, Scott emerges a different person. He’s less confident as the leader of the X-Men and he questions his purpose and the priorities of Xavier’s school, which begins to distance him from Jean and Xavier, though the latter gives him more to question soon enough.

As I’ve said, the X-Men Universe operates in a moral gray area with Magneto and Prof. X at opposite ends of the spectrum. Problematic to these differing philosophies are the ways in which one can get caught up in ideas like “for the good of the many” or “the ends justify the means.” Professor X’s stance on peaceful integration through tolerance, understanding, and education fell prey to corruption because, of the two philosophies, it was easier to corrupt. In many ways, it was corrupted by its very creator. Xavier has straddled the line of morality multiple times, but there are two instances involving Scott that one, planted the seeds of doubt about Xavier, and two, ensured his distance from his mentor’s vision.

In the matter of the first, Xavier knowingly erased Cyclops’ memory of his presumed dead brother, Vulcan, after a failed rescue mission in Krakoa (X-Men: Deadly Genesis). After the events of House of M, Vulcan returned and revealed Xavier’s deception to Cyclops. Scott was, understandably, pissed. For a man so quick to spout that they needed to use their powers for the betterment of man and mutantkind, Xavier showed he was willing to overlook the moral implications of his actions. One could argue that Xavier did what he did out of love for his surrogate son, the pain of losing a brother and a fellow teammate delivering a double whammy of grief, but it was still a betrayal of trust, which caused Scott to banish Xavier from the mansion. The second occurs during Joss Whedon’s run on Astonishing X-Men when the team learns that Xavier knew of the growing sentience of the Sh’iar technology enhanced Danger Room and ignored it, allowing Danger, as she dubbed herself, to take form at the expense of the lives of several students. After rescuing Xavier from Danger, Cyclops is clearly appalled at Xavier’s willingness to put his own school in such peril. It is Scott’s disillusionment that’s really significant. The one mutant always seemingly in Xavier’s corner can’t even stand the sight of him. The years that followed put Scott in a precarious position that would lead him down his current path.

The Fall

First of all, in the aftermath of M-Day, Scott essentially went from being the leader of a team of mutant superheroes to the leader of the Mutant Race. A guy who was already tightly wound about his responsibility towards a small group in a larger population of mutants now had the added burden of leading a small group of mutants that encompassed his entire species. His strategy had to change, his entire way of thinking had to change. And it did. Scott became far more aggressive in his stance on protecting the mutant race at any cost. Weaponizing the legacy virus, creating X-Force, and treating the younger mutants like soldiers in a war all pointed to Scott’s increasing distance from Xavier’s philosophy in favor of a more Magneto-esque approach, which was touched upon briefly in Fear Itself.

And in distancing himself from the guiding principles of his upbringing, his relationships with those to whom he was closest suffered. The death of Nightcrawler while protecting Hope was especially brutal given that Nightcrawler was one of the few mutants who shared Scott’s belief in Hope’s destiny. His death is especially significant in the grander scheme of the X-Men Universe since Nightcrawler was a comforting source of faith and acceptance, a person Cyclops might have needed later on. Equally devastating is Beast’s decision to leave Utopia when he feels that Scott is going too far in his methods. Their parting of ways takes yet another confidant away from Scott, someone he’s relied on since he was a teenager. But Beast’s decision to leave doesn’t stop him from continuing to criticize and berate Scott for his decisions. Showing up at Nightcrawler’s funeral, Beast flat out tells Scott that Nightcrawler’s blood is on his hands. Later on, after another mission gone awry, Beast leaves a phone message for Scott that basically reiterates how many crappy decisions he’s made. Though Scott understands why everyone is angry with him, he doesn’t relent on his goal: the survival of the mutant race. It’s what drives Scott to do what he does because all he sees around him are people who want mutants to be wiped from existence. By this point in his life, after all he’s been through, after all the hatred and suffering, Xavier’s vision is nothing more than a pipedream. All that matters is survival and he’s the one who has to make sure it happens.

As you can see, Scott was already headed down a slippery slope, something that might have been prevented had some of his friends bothered to stick around instead of ragging on him at every turn. And, as tragic as it may be, The Avengers, The X-Men, and Xavier were pretty much pushing Cyclops to the point of no return. During the all out assualt on Cyclops and Emma in AvX#11, Cyclops screams at Xavier that the Avengers are trying to assassinate their people, not just through all the fighting, but in trying to destroy The Phoenix, preventing the possible salvation of mutantkind. And after killing his surrogate father, Scott, tears running down his cheeks, asks the gathered mutants and Avengers why they couldn’t “leave it alone.” Scott, even possessed by The Phoenix, only wanted what was best for his people. He believed he was saving his species and the thanks given to him was deception, pain, and death. Cyclops giving in to the Phoenix is far more tragic, in my opinion.

The Redemption?

Presumptuous, I know. Scott certainly doesn’t redeem himself in the the concluding issues of AvX #12 and Uncanny X-Men #19, but he does get vindication. Taken down by combined forces of The Scarlet Witch, Hope, and Nova, Hope then receives the Phoenix Force and, with the help of Wanda, uses the deus ex machina of all Marvel phrases, “No more Phoenix.” The Phoenix Force explodes and dispurses all over Earth, creating “new mutants” in its wake. Now free of The Phoenix and imprisoned in a ruby quartz cell, Scott takes full responsibility for his actions, but when he learns from Beast that there are more mutants in the world, he very boldly states that he’d “do it all over again.” Since M-Day, Scott has been working towards the preservation of mutantkind. Whether or not you agree with his actions, his goal has always been clear and his faith in Hope as the mutant messiah is rewarded with the knowledge of the existence of new mutants across the globe. It’s a pyrrhic victory, but one that Scott accepts.

So, technically, yes, Cyclops was right all along. The Phoenix was meant for Hope and Hope was meant to reboot the mutant race…albeit with some help from The Scarlet Witch. But it’s not about him being right, it’s about the end result. The conclusion of this chapter in X-history ultimately begins a new chapter in Marvel history, a cooperative effort between heroes built on the fall of others. Cyclops is in jail and Emma, Namor, Colossus, Magik, and Magneto are on the run, but there’s still hope and redemption on the horizon. Personally, I’d like to see where the writers take the fallen heroes, especially Scott. The complications of pride and regret in his own actions make for interesting avenues of storytelling. He won’t be out of the dog house for a long time – in the eyes of the Marvel Universe and a lot of the readers – but I don’t think he’s entirely alone. For every time Magneto fell, there was always someone like Charles Xavier to offer him another chance.

You may proceed to tell me I’m wrong, but it will fall on deaf ears. You have your fandom and I have mine, but I welcome the discussion nonetheless.

And just for kicks, here’s a video of me in live action talking with Grace Randolph, writer of Superbia, and host of Think About the Ink, about the penultimate issues of AvX and Uncanny X-Men before I started writing for Word of the Nerd. As a side note: Yes, I’m aware of the crappy audio on my end.

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The Drunken Nerd Still Watches Saturday Morning Cartoons

I woke up the other morning, made my coffee, sat down turned on my TV and rather than watching the London Olympics I decided to let my inner child have some fun and tuned in on some Saturday morning cartoons.

After all, it’s not every day I’m able to capture an episode of Dragon Ball Z on TV, but after DBZ was over so was my interest in Saturday morning cartoons. I mean what the heck has happened to the beloved cartoon block of 8am to noon? I couldn’t help but feel old as I sat there shaking my head thinking, “Man, they just don’t make them like they use to.”

So, I’ve taken it upon myself to relive my childhood glory days and compile a list of some of my favorite Saturday morning cartoons, so fill up your bowl of frosted flakes and let’s take a trip down memory lane shall we…

10) The Mighty Morphin’ Power Rangers (1993-1996) – Let’s be fair, it’s not a cartoon, but this show swept the nation during the mid 90s. I mean every kid had at least some form Power Rangers memorabilia ranging from action figures to pillow cases. Add in the fact this show sparked a number of successful spin-offs only adding to its reason for appearing on this list.

 

9) Beast Wars (1996-1999) – Courtesy of Netflix I’ve able to re-watch some of my favorite episodes. I remember when this show came out I was blown away by the animation, Reboot, may have been the first computer animated show I watched on Saturday morning, but Beast Wars was on the one I never missed.

 

 

8) Recess (1997-2001) – Simple, fun, and appealing to every kid who’s ever gone to public school. Did a great job conveying the segregation between grades amongst students in a humorous manner and let’s be honest, who wasn’t inspired to perform a ‘prison-break’ at recess after watching this show.

 

7) The Tick (1994-1997) – Was only on the Saturday morning line-up for a short while, but The Tick remains a cult classic. I’ll admit as a kid I didn’t get all the jokes, but this is still one of the funniest cartoons I’ve ever watched.

 

6) Batman: The Animated Series (1992-1995) – Do I even have to explain myself for this one. Every Batman fan loved this adaptation. Before I watched this show I thought the Batman only fought with the Joker, a regular hero vs. villain partnership. Clearly, I was wrong, after a few episodes I was educated on the Batman’s plethora of villains within the Dark Knight’s universe.

 

5) Spider-Man: The Animated Series (1994-1998) – Another backbone of my nerd upbringing, no way I couldn’t put this on my list of top ten. Conveyed a number of Spider-Man story-lines that appealed to both children and comic enthusiasts.

 

4) Pokémon (1997) - As a 90s child there’s no way I could leave this off my list. I did grow up with the original 150, but still who wasn’t (and still isn’t) trying to catch em all?

 

3) X-Men (1992-1997) – I know, I know another animated comic series, but just like the previous two, X-Men greatly influenced my nerdom and educated me on another great Marvel series .

 

2) Ronin Warriors (1995) – I’ll have to say this show is a little bit of a gem, with a small following.  Arguably, my favorite anime show, I loved watching the Ronin Warriors as a kid. Tons of action, wicked cast of villains, and a dynamic story-line that was still simple enough for a kid to understand.

 

1) Animaniacs (1993-1998) – When I think Saturday morning cartoons this is the show I immediately think of. Epitomizes everything a kid’s show should be, fun, entertaining, and should carry some sort of underlying moral or educational weight with it. You ask anyone who grew up watching Animaniacs I’d guarantee they’d admit they owe passing their high school history class to this show.

 

Of course I have to give a few nods to some classic shows that didn’t make my list because quite frankly weren’t on Saturday mornings when I was a kid (was a 90s child after all). I owe seeing them to my older siblings who introduced me to them along with Cartoon Network’s Toonami, which introduced an entire generation to classics.

Teenage Mutant Ninja Turtles(1987)

 

ThunderCats (1985-1987)

 

G.I. Joe (1985)

 

Batman Beyond (1998-2001)

 

Masters of the Universe (1983-1985)


Follow on Facebook and Twitter @theDrunkenNerd

 

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Nerd’s Perspective 3: “I’d Like to Be a Probe!”

Hey Nerdites! In this episode JP and Dieter are joined by Sean, Natasha and Rebecca to talk about Fanatacism and the wonder that is SDCC, the controversy of Astonishing X-Men #51 and the moons of Pluto. Join us in the wonder that is nerd pontificating, and find out who on the show wants to be

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Uncanny Avengers #1 to Launch With 12 Covers

Covers, covers, covers everywhere. Uncanny Avengers #1, the flagship book for Marvel NOW! Relaunch, will be released with 12 different covers.

Marvel seem to be taking a leaf from The Walking Dead #100 which had a similar amount of covers and is now the best selling comic of the century. Expect this to be big for Marvel and their market share.

Although this number is confirmed, all of the cover artists have not, nor has what they will have on them. We do know quite a bit already though.

First, we have the original John Cassaday cover, an Adi Granow cover and a Daniel Acuna cover. But that is where the artists fade off.

After that there are an Avengers cover, X-Men cover, a blank variant, a baby variant cover to fit in with A-Babies Vs X-Babies, a “Call me maybe” Deadpool cover, and finally, a few sketch covers to make up the numbers.

Few! That went on a little while. All these covers seem a little excessive but some fans will undoubtedly buy all of them, making Marvel some hefty money.

Do you think it is right that one book should have so many covers? How many will you buy? Are Marvel milking this a little?

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